Author:Pat Barker,Juliet Prague,Kieran Bew,Finlay Robertson,Eve Webster
Penguin presents the unabridged, downloadable audiobook edition of the second novel in Pat Barker's acclaimed 'Life Class' trilogy - a dark and compelling examination of desire, friendship and the horror of war, from one of our greatest writers on war and the human heart
From the Booker Prize-winning and Women's Prize-shortlisted author of The Silence of the Girls
'Heart-rending... Toby's Room anatomises a world where extreme emotion shatters the boundaries of identity, behaviour, gender' Independent
'Once again Barker skilfully moves between past and present, seamlessly weaving fact and fiction into a gripping narrative' Sunday Telegraph
When Toby is reported 'Missing, Believed Killed', another secret casts a lengthening shadow over Elinor's world: how exactly did Toby die - and why? Elinor determines to uncover the truth. Only then can she finally close the door to Toby's room. Moving from the Slade School of Art to Queen Mary's Hospital, where surgery and art intersect in the rebuilding of the shattered faces of the wounded, Toby's Room is a riveting drama of identity, damage, intimacy and loss.
The Life Class trilogy:
Life Class
Toby's Room
Noonday
Magnificent; I finished eagerly wanting to know what happened next, and as I read, I was enjoying, marvelling and learning
—— Chimamanda Ngozi AdichieThe plot unfurls to a devastating conclusion ... a fine piece of work
—— Melvyn Bragg , New StatesmanA heart-rending return to the Great War. A superb stylist ... forensically observant and imaginatively sublime
—— IndependentDark, painful, yet also tender. It succeeds brilliantly
—— John Vernon , The New York TimesVividly recreates the violence and drama of a forgotten war, describing the camaraderie between fighting men with humour and compassion
—— Maggie GeeA novel that resonates across the pages with the narrative mastery of the griot's voice
—— Wole SoyinkaA hauntingly beautiful elegy for those who killed and died in the service of a history that was not their own. Like Ha Jin's magisterial War Trash, Burma Boy wields the two greatest weapons in the novelist's arsenal - imagination and empathy - to shattering effect
—— James Schamus, producer Brokeback Mountain and The Ice StormOriginal ...often very funny. A magical book
—— Kevin MacDonald, Director: The Last King of ScotlandA riveting read, convincingly imagined and cinematically told. Bandele is a gifted storyteller
—— Linton Kwesi JohnsonA truly fantastic book. A caesarean cut through terrifying and hilarious history
—— Sven LindqvistAs deeply opposed to rampant, materialistic capitalism as he was to totalitarian, atheistic communism, Alexander Solzhenitsyn will never be forgotten by historians, writer, readers, or ethicists
—— The AgeHelen Dunmore's two resources are imagination and research. She's strong on both counts...Dunmore's is a very good novel. 2014 is a very good year to read it.
—— The TimesHelen Dunmore has a talent for gently pulling the reader into the heads of her characters. She writes with a light but sure touch that makes you see through their eyes, smell through their nose...Visceral and elegantly plotted.
—— Daily MailThe writing, even at its most harrowing, is suffused with poetry and evocative description. ‘They say the war’s over, but they’re wrong. It went too deep for that.’ THE LIE is a heart-wrenching portrait of psychological crucifixion.
—— Literary ReviewIt builds to a heart-breaking climax
—— Woman & HomeIf you need any more proof of January's literary liveliness, imagine that you are in charge of publisher's Hutchinson. After 20 years with Penguin, Helen Dunmore (the first winner, remember, of the Orange Prize) has just signed up with you. In which month are you going to publish her new novel, The Lie? But you're probably ahead of me already…
—— ScotsmanThe Lie is a fine example of Dunmore's ability to perceive the long vistas of history in which the dead remain restless...It is a book in which ghosts, perhaps, remain imaginary: but they are none the less real for that.
—— GuardianOrange-prize winning author Helen Dunmore explores the relationship between two First World War soldiers: Daniel, who survived, and his childhood friend Frederick, who died, plus Daniel’s ambiguous bond with Fredericks’ sister Felicia. A dark and haunting exploration of grief and guilt.
—— Sunday Express, Hot Books for 2014Famed for her searing accounts of the siege of Leningrad and its aftermath, Helen Dunmore moves to England after the First World War in The Lie. She chronicles the struggle of a young man without family and homeless amid the quiet landscape of Cornwall, trying to escape his memories of trench warfare.
—— Daily ExpressThe Lie by Helen Dunmore out in January, is exceptionally good. Set in Cornwall in 1920, it centres on a man who survived the war but is still living with the burden of it.
—— Western NewsAn extraordinarily affecting novel by the ever-reliable Helen Dunmore… The flashbacks to the war – and the eventual revelation of how Frederick died – are as crunchingly powerful as you’d expect. Even so, what’s most hearbreaking about the novel is the hesitant, awkward intimacy between Daniel and Felicia. By the end, and without ever losing their vivid individuality, these two bewildered characters in rural Cornwall have somehow come to represent an entire country in a state of traumatic shock.
—— Reader's DigestTHE LIE is an enthralling, heart-wrenching novel of love, memory and devastating loss by one of the UK’s most acclaimed storytellers… If you only read one novel in 2014 set during WWI, this must be the one.
—— Absolutely West magazineImmensely atmospheric, intensely moving story
—— Sainsbury's Magazine