Author:James Robertson

SHORTLISTED FOR THE WODEHOUSE COMIC FICTION PRIZE 2017
An utterly mad, entirely heart-warming Highland adventure from the Man Booker-longlisted author of And the Land lay Still
Douglas is fifty years old - he's just lost his job, been kicked out by his girlfriend and moved back into his dad's house. Just when things are starting to look hopeless, he makes a very unexpected new friend: a talking toad.
Mungo is a wise-cracking, straight-talking, no-nonsense kind of toad - and he is determined to get Douglas's life back on track. Together, man and beast undertake a madcap quest to the distant Highlands, hot on the trail of a hundred-year-old granny, a beautiful Greek nymph, a split-personality alcoholic/teetotaller, a reluctant whisky-smuggler, and the elusive glimmer of redemption . . .
A real romp of a road novel featuring a talking toad. I can't wait
—— Val McDermid, The ObserverPublisher's description. A madcap Highland adventure about midlife crises, new friends, and second chances. Douglas Findhorn Elder is fifty years old, recently dumped and suddenly jobless. Mungo Forth Mungo is a talking toad. And as luck would have it, this toad is determined to help his hapless human chum to sort his life out...
—— PenguinJoyful, warm-hearted, funny ... but buried within are serious points about the stories we tell about ourselves, how history shapes our identity, scarred landscapes and self-selecting communities. In heartsore times we need more books like this.
—— GuardianFunny and fun ... To Be Continued manages to be sad and happy at the same time. You can engage with the post-modern games and references if you like, or you can just sit back and laugh, and cry. A Scottish baroque novel, full of tricks and trinkets, written with warmth and wit.
—— The NationalRobertson manages to skilfully join the quirky with the serious; the surreal with the real. His take on contemporary Scotland is insightful, eccentric and highly readable.
—— The ScotsmanTo Be Continued, with its harem-scarem scenarios and surreal twists, was written to entertain.
—— Sunday HeraldA wildly eccentric tale laced with dry, deprecating wit
—— The TimesEmotional depth and dramatic maturity... Unarguably Foer's most substantial and impressive work yet
—— HeraldLays bare the interior of a marriage with such intelligence and deep feeling and pitiless clarity, it's impossible to read it and not re-examine your own family.
—— TIMEA brilliantly acrobatic imagination
—— Sunday TimesProvocative . . . very, very funny. Dialogue pings, as animated and inventive as an Aaron Sorkin script.
—— Sunday TimesTerrific, truthful, extremely funny and heartbreaking.
—— New StatesmanA rich, beautifully written, ambitious and grandly moving novel, which looks both at the world at large and at the deepest concerns of individual lives.
—— Evening StandardAstonishing. So sad and so funny and so wry. The book that The Corrections ought to have been
—— Scotland on SundayBrilliant, masterly, always original
—— New York Times Book ReviewA delightful fish-out-of-water account stitched together with gentle yet wondrous prose
McCloskey is a keen, sympathetic observer; her tight, controlled prose meticulously details Alice's honest consideration of her flaws and desires. The melancholic complexity of Alice's very human struggle carries this elegant novel with no easy answers.
—— Publishers Weeklyp.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Calibri; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Humane and lucid ... The real heartbreak in this wise, discomfiting novel turns out to be the love between mother and daughter
—— New York TimesMcCloskey interrogates the universal need of finding our place in the world in this luminous novel about longing and belonging. ... McCloskey's slim novel has an emotional heft and power that stirs you long after you've closed its pages.
—— RTE GuideMasterly
—— Irish ExaminerMcCloskey's prose is lovely and light-filled
—— Sunday ExpressTerrific, sharply observed… Segal gets the precarious mother-teenage daughter relationship spot on
—— Sue Price , SagaSegal’s is a clever, cruel, redemptive, psychologically acute novel that made this reader glad to have been at school just too early for Facebook, selfies and an “online community” baying for news of your latest boyfriend
—— Laura Freeman , StandpointThoughtful and beautifully observed
—— Fanny Blake , Woman & HomeA gripping foray into second families
—— Nina Pottell , PrimaThanks to its occasional moments of emotional veracity, The Awkward Age will be praised as a worthy successor to Segal’s debut
—— Ada Coghen , Literary ReviewFrancesca Segal is an accomplished writer. She neatly describes the clash of cultures between the academically rigorous education enjoyed by Nathan and Gwen’s freer, no-holds-barred comprehensive school. There is an engaging and colourful cast of characters… Segal vividly conveys the difficulties faced by imperfectly blended families
—— Vanessa Berridge , Daily ExpressThis is a warm, funny book dealing with a most modern matter
—— Running In HeelsA brilliant, thoroughly modern family drama from the author of The Innocents
—— Hayley Maitland , VoguePunchy… Segal tackles her subject with humour and intelligence and a wealth of memorable characters
—— Giulia Miller , Jewish QuarterlyExuberant and entertaining… The rest of the narrative then considers how the competing needs and duties of its four main characters can be met, handled and resolved. It does so with brio, insight and empathy, and with carefully modulated comic energy
—— Matthew Adams , ProspectA compelling story on the complexities that come with a very modern family that we just couldn’t put down
—— TopshopLove, loss, new beginnings and saying goodbye, it's all in here. A moving read
—— Frankie Graddon , PoolA terrific novel.
—— John Boyne , Irish Independent[Segal's] descriptions are spare and unerring; everyday family interactions are observed warmly and yet with precision
—— Alice O’Keeffe , Guardian