Author:Euripides
One of the greatest playwrights of Ancient Greece, the works of Euripides (484-406 BC) were revolutionary in their depiction of tragic events caused by flawed humanity, and in their use of the gods as symbols of human nature. The three plays in this collection show his abilities as the sceptical questioner of his age. Alcestis, an early drama, tells the tale of a queen who offers her own life in exchange for that of her husband; cast as a tragedy, it contains passages of satire and comedy. The tragicomedy Iphigenia in Tauris melodramatically reunites the ill-fated children of Agamemnon, while the pure tragedy of Hippolytus shows the fatal impact of Phaedra's unreasoning passion for her chaste stepson. All three plays explore a deep gulf that separates man from woman, and all depict a world dominated by amoral forces beyond human control.
Vintage Nick Hornby. Very funny and very clever, and packed with wit and brilliance
—— SpectatorA beautifully crafted book of enormous heart, humility, wit, honesty and vulnerablilty. Utterly magnificent
—— Augusten Burroughs, author of Running With ScissorsAn immensely readable tale of success, revenge and small-town disappointment
—— Marie ClaireSublime talent. . . this is history with a human face and a fanciful soul
—— Good Book GuideThe funniest crime novelist to put pen to paper
—— Evening StandardA transcendentally harmonious and compassionate work
—— Times Literary SupplementA surprisingly tender book... Amid the terror a classic story about love sneaks through: love lost, love imagined, love morphed into madness
—— New York Times Book ReviewBeautifully written... It puts a human face on the suffering inflicted by the Taliban... Disturbing and mesmerizing, The Swallows of Kabul will stay with you long after you've finished it
—— San Francisco ChronicleRiveting... Spare, taut, and pristinely clear prose... An uncanny knack for making moral tension palpable... Extraordinarily moving
—— Philadelphia InquirerA novel very much in the tradition of Albert Camus, not only in its humanism and concern with the consequences of individual choices but also in its determination to bear witness to the absurdities of daily life... [A] chilling portrait of fundamentalism run amok and its fallout on ordinary people
—— New York Times
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