Author:Johanna Skibsrud
These loosely connected hypnotic stories about memory and desire, from Giller Prize winner Johanna Skibsrud, introduces us to an astonishing array of characters who time and again find themselves face to face with what they didn’t know they didn’t know, at the exact point of intersection between impossibility and desire.
A young maid at a hotel in France encounters a man who asks to paint her portrait, only later discovering that he is someone other than who we think he is. A divorced father who fears estrangement from his thirteen-year-old daughter allows her to take the wheel of his car, realising too late that he’s made a grave mistake. Taking readers from South Dakota to Paris, to Japan, into art galleries, foreign apartments, farms and beach hotels, This Will Be Difficult to Explain is a masterful and perceptive series of tales from one of fiction’s brightest new voices.
The characters in these note-perfect stories tend to make their most important discoveries by stumbling against them…The writing here is an absolute joy to read; clear, economical and condensed.
—— Kate Saunders , The TimesFunny, thoughtful and oblique, Skibsrud’s stories explode with sudden meaning.
—— IndependentWhat is it about Canada that keeps on producing some of the best short stories writers in the world? The latest of the younger generation and the most talked about is Johanna Skibsrud. It’s a name that might be hard to remember, but her stories are difficult to forget.
—— Christena Appleyard , Daily MailTwisted, funny, sci-fi and high-concept. It’s a great, great book
—— Rebecca Romijin-Stamos , IndependentA brilliant wacky ideas-monger
—— ObserverA cool writer, at once throwaway and passionate and very funny
—— Financial TimesThese father-son stories bring us the first meeting with one of Nordic literature’s most lovable characters, Arvid Jansen. A mixture of Alfons Åberg, Ingemar from My Life as a Dog and in part Oskar from The Tin Drum ... New readers should begin nowhere but here
—— Euroman (Denmark)There is both humour and tenderness in Per Petterson’s debut collection from 1987 … Petterson masters the art of writing simply of big subjects. As a reader, you have to read slowly and attentively to register everything, or read the book twice, which you gladly will
—— Kristeligt Dagblad (Norway)If you loved Out Stealing Horses, you won’t be disappointed by his razor-sharp debut… The language is simple, beautiful and cleansed of literary affectation. There is not a single superfluous word
—— Ekstrabladet (Denmark)There is both humour and tenderness… Petterson masters the art of writing simply of big subjects. As a reader, you have to read slowly and attentively to register everything, or read the book twice, which you gladly will
—— Kristeligt Dagblad (Norway)Dreamy and evanescent, [the stories] recall the opening pages of James Joyce’s A Portrait of the Artist as a Young Man
—— Jon Michaud , Washington PostFull of heartache and the ways in which we hurt each other, and ourselves... Fans of Kennedy's quirky expressionism won't be disappointed.
—— Sunday TimesEvidence that, at her best, there’s no-one to touch Kennedy.
—— Neil Stewart , CivilianFull of challenges and beauty.
—— StylistThis is a sure-footed and intelligently organized collection. These small pieces encompass an extensive emotional territory
—— Chris Power , GuardianAn arresting collection that blends poetic imagery, raw emotion and cerebral insight
—— Juanita Coulson , LadyAs subtle as the colour of Kitsune's silk
—— M John Harrison , GuardianRussell is an amazing storyteller, and this book certainly whets the appetite for her next offering
—— Irish Times‘[Barrett] cuts across all kinds of boundaries of class and education to produce immensely tender portraits of living characters.
—— Anne Enright , Irish ExaminerThis is an exceptional debut, and one of the best collection of short stories that I have read in years.
—— Louise O’Neill, 5 stars , Irish PostAn exciting debut
—— Sunday TimesI don’t think I’ve ever read a better collection by somebody I had never heard of
—— William Leith , Evening StandardA technically-assured collection that never disappoints
—— Country & Town House