Author:Vladimir Nabokov,Brian Boyd,Anastasia Tolstoy

'Masterly, hilarious, truly insightful' - Philip Hensher, The Spectator
A Times Literary Supplement Book of the Year 2019
The last major collection of Nabokov's published material, Think, Write, Speak brings together a treasure trove of previously uncollected texts from across the author's extraordinary career.
Each phase of his wandering life is included, from a precocious essay written while still at Cambridge in 1921, through his fame in the aftermath of the publication of Lolita to the final, fascinating interviews given shortly before his death in 1977.
Introduced and edited by his biographer Brian Boyd, this is an essential work for anyone who has been drawn into Nabokov's literary orbit. Here he is at his most inspirational, curious, playful, misleading and caustic. The seriousness of his aesthetic credo, his passion for great writing and his mix of delight and dismay at his own, sudden global fame in the 1950s are all brilliantly delineated.
For those of us who are Vladimir Nabokov completists perhaps we finally have closure ... Now we have the full Nabokovian ex cathedra pronouncements in all their typical vim and vigour.
—— William Boyd , Times Literary SupplementMasterly, hilarious, truly insightful ... Vladimir Nabokov's views are of compelling interest - paradoxically, because he regularly insisted that his novels sent no message, made no moral case and presented no argument ... His non-fiction stands up astonishingly well.
—— Philip Hensher , The SpectatorA rich treat for Nabokov's admirers.
—— KirkusThe writer's genius for nailing a subject in a sentence lives on in his stinging reviews and defensive interviews.
—— Christian Lorentzen , Financial TimesA fuller, and maybe truer, image of Nabokov ... The greatest pleasure in reading this book is the impression you get that you're opening your presents underneath the Christmas tree ... A lovely blend of literary elements and of personal details pertaining to Nabokov: you experience intellectual marvel when you detect the premises of a famous quote or a literary pattern, and you feel particular pleasure when you get a glimpse of the man hiding behind the famous writer and becoming suddenly relatable.
—— Julie Loison-Charles , TransatlanticaA fascinating and spooky denouement, kept me on the edge of my seat and I can't think of a better read for this Halloween than Will Maclean's suspenseful and entertaining The Apparition Phase.
—— Good ReadsThis unnerving, creepy and claustrophobic literary ghost story is perfect for fans of Shirley Jackson's gothic horror The Haunting of Hill House.
—— CultureFlyA delight for both the expert and the uninitiated, this creepy tale is a carapace of cosy nostalgia wrapped round a solid thread of dread ... A page turner that keeps you in dreaded suspense of what you are about to be shown ... A claustrophobic and entertaining read that left me breathless ... Horror for the connoisseur.
—— Alice LoweIt's the perfect time of year to read this book - the dark nights, cold weather and the noises that houses make as they settle down for the winter are the ideal backdrop for this genre. I do hope Maclean writes more stories like this, I am very keen to read what comes next. *Please let there be another!*
—— Female FirstPacing is intense, I was on the edge of my seat from the moment Tim got to that manor until the end. Maclean's writing style fits the horror genre perfectly and it was a great debut novel, not to mention it sets the bar very high for him on his next book!
—— Caffeinated ReaderThe atmosphere of this novel is effective, an example of using a kind of listless 70s landscape to explore the supernatural, growing up, and trauma (70s British gothic should be a genre by now, if it isn't already). There's a good balance between actual malevolent spirits and what is realistic troubles from non-supernatural life, making it a book less focusing on jumpy scares than a lingering sense of bleakness. This probably made it an unintentionally good read for the week before Halloween at a time when there's plenty of real life horrors going on.
—— Fiendfully ReadingSet in 1970s Suffolk, it's a riot of references that will thrill the disquieted children of the era ... a twisting and chilling story ... the perfect Ghost Story for Christmas 2020.
—— Fortean TimesThis eerie novel is a splendid, compelling tribute to the era that inspired it
—— The HeraldClear your diary, switch off your phone, and get lost in this atmospheric and madly gripping ghost story. You won't sleep until you find out - and you won't sleep afterwards, either
—— Daily MirrorPoems, Atwood argues, aren't the rhetoric of the immediate; they emerge slowly out of human understanding's glacial melt . . . Here we see Atwood at the height of her poetic powers: her imagery made tangible with sound . . . The more Atwood wields specifics, the more of the world she skewers with her fantastically sharp imagination
—— Emilia Phillips , New York Times Book ReviewDeeply moving... [Doyle is] an exceptionally gifted writer... Wonderful.
—— Barney Norris , GuardianDoyle is so adept a writer... [Love is] exhilarating.
—— Alan Massie , ScotsmanDoyle's fast-paced, dialogue-driven style is so real it feels like you're eavesdropping on the conversation. He captures the heartbreak and humour of long-term friendship exceptionally and ends the book with a tenderness that will take your breath away. It's wonderful.
—— LuxeThere are frequent flashes of humour, always part of the fabric of Doyle's work, music references galore...and moments of poignant nostalgia, especially about the joy of falling in love for the first time... [Love is] tender, moving.
—— Martin Chilton , IndependentRoddy Doyle is one of the most recognisable faces - and voices - in Irish literature.
—— Journal.ieFizzing dialogue...bawdy humour, nostalgia for times gone by, and a deeply moving ending.
—— Noreen Barr , Edinburgh Evening NewsA tangled and mesmeric novel that consists entirely of conversation which is about all the things that don't need to be spoken and the things that can't be said.
—— Claire Allfree , Daily Mail *Christmas Fiction*[A] tender, funny novel about love, loss and male friendship.
—— Jane Shilling , Daily MailWith each new novel, Roddy Doyle’s work grows deeper and more contemplative. Love is a profound examination of friendship, romantic confusion and mortality
—— John BoyneA lushly enjoyable pastiche of fin-de-siècle prose, in which Victorian euphemism is an authenticating stamp that double as a source of humour
—— Anthony Cummins , ObserverA luminous and masterly depiction of Bram Stoker’s time at the Lyceum, this wonderful book explores the complex nature of love and creativity. Utterly captivating.
—— Sophia TobinBeautifully written. O’Connor creates a vivid and vigorous world of his own
—— Andrew Taylor , SpectatorBeautifully written and gorgeously atmospheric
—— BestA beautifully written masterpiece
—— SHEmazing!A vividly written and atmospheric meditation on the creative process
—— Elizabeth Buchan , Daily MailO’Connor is masterly at evoking the late Victorian era; its train journeys, street scenes, formality and banter… O’Connor is masterly at evoking the late Victorian era; its train journeys, street scenes, formality and banter
—— Suzi Feay , Financial TimesRich and vivid
—— Daily TelegraphJoseph O'Connor has written an entertaining novel that combines narrative with transcripts of recordings, diary entries and other notes. It steeps viewers in the theatre of Irving and Terry in the late 1870s and beyond, providing much informative colour at the same time as delving deeply and frankly into a series of relationships that are generally convincing.
—— Philip Fisher , British Theatre GuideO’Connor tells his story in rich and stylish prose
—— Jonathan Barnes , Times Literary SupplementA rousing story about a remarkable woman
—— Neil Armstrong and Hephzibah Anderson , Mail on Sunday, *Summer reads of 2019*Joseph O’Connor’s vivid descriptive writing evokes Stoker’s memories of the post-famine Ireland of his youth and of Irving’s company’s fraught tours of America… [his] fine writing, his wit and sympathy create a richly enjoyable backdrop for some familiar characters
—— Lindsay Duguid , Tablet, *Novel of the Week*Enthralling… Brings to teeming life the London of the late Victorian and Edwardian eras
—— Irish TimesBrilliant... alternately deeply moving and laugh-aloud funny
—— Peter Marshall , History TodayO'Connor's gift is to weave whimsical moments in between the complexity of relationships and people... a beautiful story
—— Tracey Steel , People's FriendAn ambitious celebration of friendship, theatre and the power of darkness, Shadowplay is chilling and dramatic in equal measure
—— Jane Shilling , Daily MailA wonderfully evocative tale within a tale
—— Ben East , ObserverA thrilling novel, exquisitely contrived to show the characters whose loves and lives inspired Dracula. A great tribute, and a work of art. Deeply affecting.
—— Essie FoxI adored According to YES. It's so different to anything I've read in forever, so charming, wise, brilliantly written. I loved it all
—— Marian KeyesWitty and wise, it'll have you burning the midnight oil. A cracker
—— Woman's WeeklyVery funny and packs an emotional clout. Brilliant!
—— HeatAn enlightening and feel-good read offering a fresh look at life and how to embrace it. Funny and enjoyable to the end
—— We Love This BookThere is lots of fun to be had reading this book. It's impossible not to warm to Rosie, a funny and open-hearted woman who acts as a salve and comfort blanket for this unhappy, inhibited family. There's something quite joyous about the way she unashamedly romps her way through the novel, changing the lives of those around her for the better
—— ExpressAnother hilarious novel!
—— BellaFrench can spin a yarn . . . which sets According to YES apart. Think the vicar of Dibley, without the dog collar. YES YES YES indeed
—— IndependentWise and poignant
—— Beyond the JokeHeart-warming
—— Choice Magazine






