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They Were Found Wanting and They Were Divided
They Were Found Wanting and They Were Divided
Jan 10, 2026 12:56 AM

Author:Miklós Bánffy

They Were Found Wanting and They Were Divided

The liberal hero, Balint, is at odds with the politics of his time; he lyrically describes the idyllic pre-industrial world of Hungarian Transylvania, later to fall into the hands of first the Nazis and then the Communists, his love for Adrienne, married to an unpleasant and dangerous lunatic, and a Proustian society helplessly bent on its own destruction.This is a novel hard to put down, a masterpiece of twentieth-century literature that deserves to be much more widely known.First published in English in the early 1990s by a small publisher, and a huge word-of-mouth success, this is the first edition in hardback, and in two rather than three volumes.

Reviews

Apocalypse Cow made me snort with laughter

—— TERRY PRATCHETT

A fast-paced dark comedy stuffed with violence, sprinkled with sex, reminiscent of Tom Sharpe, including witty lines and observations that are Pratchett-esque in their pointiness

—— SUNDAY EXPRESS

A comic, blood-soaked romp...at times a hilarious social satire, and at others an action-packed gore fest, sure to please fans of the traditional zombie story...an accomplished novel by a promising writer.

—— Press Association

Michael Logan's black comedy is an absurd yet utterly addictive read.

—— Stylist magazine

Some moments are very good indeed... Apocalypse Cow is a pacy, entertaining read

—— We Love This Book

Ploughs the same furrows as Shaun of the Dead, wonderfully parodying the zombie and survival horror genre, but at the same time paying homage to it...worthy of a place amongst the best apocalyptic fiction...eminently readable, brilliantly written and side-splitting funny.

—— Bookgeeks

350 pages of rotting, rutting, oozing and flaking

—— We Love This Book

This was a very good twist on the very much overdone zombie genre

—— She Loves Reading

Hilarious comic romp

—— The Journal (Newcastle)

A lot of fun.

—— SFX

This clever and very funny twist on the traditional zombie novel is exceedingly well executed . . . Great stuff for horror and fantasy fans

—— BOOKLIST(Starred Review)

Logan has a flair for unique description . . . an impressive start for an author who’s going places

—— PUBLISHERS WEEKLY

Its unhinged, imaginative wit and respect for the genre deserve the attention of any self-respecting fan

—— FANGORIA

Apocalypse Cow treads that rare path between horrific and hilarious, which makes for a very fun read indeed. Give it a go.

—— CHRISTOPHER MOORE, author of Lamb, Fool, and A Dirty Job

Logan manages to find a great balance between the dark and disturbing and the quirky and hilarious, all the while intermingling plotlines like a seasoned pro

—— RUE MORGUE

Enthralling... a provocative, hauting debut from an author to watch

—— Elle (US)

Original, witty and devastating

—— People Magazine

How does a writer tell the story of a traumatized nation without being unremittingly bleak? NoViolet Bulawayo manages if by forming a cast of characters so delightful and joyous that the reader is seduced by their antics at the same time as finding out about the country’s troubles… A debut that is poignant and moving but which also glows with humanity and humour

—— Leyla Sanai , Independent on Sunday

A novel that deals with the immigrant experience and torn identity is nothing new; what justifies the inclusion of We Need New Names on the shortlist for the Man Booker Prize is NoViolet Bulawayo’s command of Darling’s captivating voice, as she and her friends race through Paradise – “When we hit the bush we are already flying, scream-singing like the wheels in our voices will make us go faster” – a siren call of life and laughter more powerful than the hardships that blight her childhood.

—— Lucy Scholes , Times Literary Supplement

When a novel is praised by Helon Habila and Oprah Winfrey, you have to sit up

—— Katy Guest , Independent on Sunday

NoViolet Bulawayo has created a world that lives and breathes - and fights, kicks, screams and scratches, too. She has clothed it in words and given it a voice at once dissonant and melodic, utterly distinct

—— Aminatta Forna

NoViolet Bulawayo's We Need New Names is an exquisite and powerful first novel, filled with an equal measure of beauty and horror and laughter and pain. The lives (and names) of these characters will linger in your mind, and heart, long after you're done reading the book. No Violet Bulawayo is definitely a writer to watch

—— Edwidge Danticat

I knew this writer was going to blow up. Her honesty, her voice, her formidable command of her craft -- all were apparent from the first page.

—— Junot Diaz

I was bowled over... by NoViolet Bulawayo's shatteringly good first novel, We Need New Names

—— Anne Tyler, Good Housekeeping

NoViolet Bulawayo is a powerful, authentic, nihilistic voice - feral, feisty, funny - from the new Zimbabwean generation that has inherited Robert Mugabe's dystopia

—— Peter Godwin, author of When a Crocodile Eats the Sun

A work of gritty naturalism

—— Adam Kirsch , Prospect

Witty... ebullient... heartbreaking... our feisty heroine's sparkle never dims

—— i

A truthful, profound snapshot of the kind of life that often gets overlooked. Moving, fresh, enlightening. A fantastic novel

—— Alice , Waterstone's Aberystwyth

A fresh, engaging take on the relationship between rich and poor

—— Wanderlust

A bittersweet coming-of-age tale of displacement during the southern African nation's 'lost decade'

—— Voice

A tale of our time, a powerful condemnation of global inequality from the point of view of a 10-year-old in impossible circumstances... a stunning piece of literary craftsmanship

—— Weekly Telegraph

Bulawayo, whose prose is warm and clear and unfussy, maintains Darling's singular voice throughout, even as her heroine struggles to find her footing. Her hard, funny first novel is a triumph.

—— Entertainment Weekly

Wonderfully, this is a novel whipped with the complexities of African identities in a post-colonial and globalised world and its most compelling theme is that of contemporary displacement, a theme that will resonate with many readers

—— We Sat Down Blog

This is a young author to watch

—— Suzi Feay , Financial Times

This is a very readable tale, thanks to some excellent writing and its central character: a likeable heroine in a difficult world

—— Sarah Warwick , UK Regional Press Syndication

We Need New Names is a distinct and hyper-contemporary treatment of the old You Can’t Go Home Again mould, and the book has more than enough going for it to easily graduate from the Booker longlist to the final six

—— Richard Woolley , Upcoming

deeply felt and fiercely written first novel

—— Scotsman

Bulawayo's novel may scream Africa, but her deft and often comic prose captures memories and tastes, among them the bitterness of disappointment, that transcend borders

—— Jake Flanagin , Atlantic

Bulawayo excels... there is an inevitable nod to Achebe and the verbal delights and child's-eye view of the world is redolent of The God of Small Things. Otherwise, the magic is all Bulawayo's own

—— Literary Review

Proof again that the Caine prize for African writers really knows how to pick a winner… [It’s] a tour de force. Ten-year-old Darling is an unforgettable and necessary new voice: add her to the literary cannon

—— Jackie Kay , Observer

This brilliant novel was shortlisted for the Man Booker Prize

—— Marie Claire UK

An exceptionally fine novel, as powerful and memorable as Coetzee's magnificent Disgrace... We need new novels like this – authentic, original and cathartic

—— Judy Moir , Herald

There is no doubt that a new star of African female writing is truly born. The one-to-watch

—— New African

Follow ten-year-old Darling from the Paradise shantytown to America in this searing indictment of Mugabe’s Zimbabwe

—— Patricia Nicol , Metro

Shocking, often heartbreaking – but also pulsing with energy

—— The Times

A poignant, witty, original and lyrical coming of age story

—— Caroline Jowett , Daily Express

Talented and ambitious

—— Helon Habila , Guardian

A powerful fictional condemnation of global inequality

—— Sunday Telegraph

From the opening chapter…the first-person narrative achieves a breathtaking vibrancy, ambition and pathos

—— Irish Examiner

Deserved all the publicity it got

—— Michela Wrong , Spectator
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