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They Can't Kill Us All
They Can't Kill Us All
Mar 5, 2026 7:14 PM

Author:Wesley Lowery,Ron Butler

They Can't Kill Us All

Brought to you by Penguin.

**Winner of the Christopher Isherwood Prize for Autobiographical Prose**

A deeply reported book on the birth of the Black Lives Matter movement, offering unparalleled insight into the reality of police violence in America, and an intimate, moving portrait of those working to end it

In over a year of on-the-ground reportage, Washington Post writer Wesley Lowery traveled across the US to uncover life inside the most heavily policed, if otherwise neglected, corners of America today.

In an effort to grasp the scale of the response to Michael Brown's death and understand the magnitude of the problem police violence represents, Lowery conducted hundreds of interviews with the families of victims of police brutality, as well as with local activists working to stop it. Lowery investigates the cumulative effect of decades of racially biased policing in segregated neighborhoods with constant discrimination, failing schools, crumbling infrastructure and too few jobs.

Offering a historically informed look at the standoff between the police and those they are sworn to protect, They Can't Kill Us All demonstrates that civil unrest is just one tool of resistance in the broader struggle for justice. And at the end of President Obama's tenure, it grapples with a worrying and largely unexamined aspect of his legacy: the failure to deliver tangible security and opportunity to the marginalised Americans most in need of it.

'A devastating front-line account of the police killings and the young activism that sparked one of the most significant racial justice movements since the 1960s: Black Lives Matter ... Lowery more or less pulls the sheet off America ... essential reading' Junot Díaz, The New York Times, Books of 2016

'Electric ... so well reported, so plainly told and so evidently the work of a man who has not grown a callus on his heart' Dwight Garner, The New York Times, 'A Top Ten Book of 2016'

'I'd recommend everyone to read this book ... it's not just statistics, it's not just the information, but it's the connective tissue that shows the human story behind it. I really enjoyed it' Trevor Noah, host of Comedy Central's 'The Daily Show'

© Wesley Lowery 2017 (P) Penguin Audio 2020

Reviews

A courageous chronicle of how police violence sparked a political movement ... A century and a half after slavery, and 50 years since the end of legal segregation, They Can't Kill Us All impressively brings us up to date with America's fraught history of racial injustice

—— K Biswas , New Statesman

A devastating front-line account of the police killings and the young activism that sparked one of the most significant racial justice movements since the 1960s: Black Lives Matter. In his quest to understand how and why this movement sprang up when it did, Lowery seems to have been everywhere and spoken to everyone (his interview of Alicia Garza is especially noteworthy). Lowery more or less pulls the sheet off America, exposing the malign disavowals and horrendous racial structures and logics that make the unjust deaths of young men like Trayvon Martin, Michael Brown and Sean Bell not only possible but inevitable. As a primer for the Black Lives Matter movement and as a meditation on the death-grip that white supremacy has on the American soul, "They Can't Kill Us All" is essential reading

—— Junot Diaz, 'Book of the Year' , The New York Times

Electric... So well reported, so plainly told and so evidently the work of a man who has not grown a callus on his heart... Valuable for many reasons

—— Dwight Garner , New York Times

Lowery is unflinchingly honest...a skillful reporter and storyteller. He takes the reader through the laborious task of reportage with a humanity and forthrightness, making this book more than just a catalog of tragedy. He succinctly presents a story of human grief

—— New York Times Book Review

You've really captured it. One reason I'd recommend everyone to read this book is because it's not just statistics, it's not just the information, but it's the connective tissue that shows the human story behind it. I really enjoyed it

—— Trevor Noah, host of Comedy Central's 'The Daily Show'

Vital and important.

—— Washington Post

Each voice in this quartet cuts through the pages so cleanly and clearly that the overall effect is one of dangerously glittering harmony. The tale told here is as engrossing as a war chant, or a mosaic formed with blades, every piece a memento sharpened on those unyielding barriers between us and our ideal lives.

—— Helen Oyeyemi, award-winning author of GINGERBREAD

If I Had Your Face is hilarious, cuttingly observant, feminist, and all-around delightful. It is hard to write a book about four protagonists and make you care for all of them-yet somehow Cha succeeds.

—— Rowan Hisayo Buchanan, Costa-shortlisted author of 'Starling Days'

One of the buzziest debuts of the year, If I Had Your Face transports readers to glittering, futuristic Seoul. Essential reading in what Jia Tolentino memorably called the age of Instagram face.

—— Vogue

Compelling, understated, casually brutal, and very cynical. I love it.

—— Hanna Jameson, bestselling author of 'The Last'

Troubling, kaleidoscopic, and hugely enjoyable

—— Nell Zink, author of THE WALLCREEPER, NICOTINE and MISLAID

It's difficult to believe this is Frances Cha's first novel-she's a masterful storyteller. I couldn't put IF I HAD YOUR FACE down; I was riveted by the stories of four young women navigating life in the extreme, competitive environment of modern Seoul. I loved reading about a world I knew nothing about, and from the first page, it was clear Cha was the best possible guide. I highly recommend this novel.

—— Ann Napolitano, author of DEAR EDWARD

Wonderful... unsettling and deeply affecting - the writing is beautifully spare, and captures with such clarity what it means for these four young women to be taught to hope for everything and yet continuously to receive nothing

—— Rosie Price, author of WHAT RED WAS

If I Had Your Face is a vivid, eviscerating depiction of social realism in contemporary Seoul. Frances Cha renders gender and class struggles with forensic detail, in a luminous voice both knowledgeable and compelling.

—— Sharlene Teo, author of 'Ponti'

I love the way Frances Cha rotates between mindsets to look at how beauty and privilege influence the way women live, whilst maintaining a sly lightness

—— Rebecca Watson, author of 'little scratch'

Make way for Frances Cha, an entrancing new voice who guides us into the complexities and contradictions of modern-day Seoul... I devoured it in a single sitting, and so will you.

—— Janice Lee, NYT Bestselling Author of THE PIANO TEACHER

I loved this book. It offers a fascinating window on a place and culture I knew little about, and yet from the first page it was intensely relatable - I recognised these women like friends, colleagues or sisters. Invigorating in its honesty and near-filmic in its descriptive power, If I Had Your Face is brilliantly-drawn tableau of the universalities of womanhood, the pressures we grapple with, and the way female bonds can carry us through.

—— Lauren Bravo, author of WHAT WOULD THE SPICE GIRLS DO?

Cha's striking first novel follows four young women in Seoul, South Korea trapped in a sphere of impossible beauty standards

—— Oprah Magazine, Most Anticipated Books of 2020

A story of four women in Seoul and the way that economic and social realities determine the paths available to them

—— The Millions, Most Anticipated

An intimate, panoramic debut... An enthralling read from the very first page.

—— Ed Park, Author of PERSONAL DAYS and Hemingway Foundation / PEN Award Finalist

A provoking, ultimately inspiring tale of women pushing back against oppressive customs both traditional and new . . . Frances Cha, like her quartet of narrators, has a rebel's heart

—— Jonathan Dee, author of THE LOCALS

An endearing story of female friendship staged against a backdrop of elitism, sexism and the relentless quest for cosmetic perfection... Enthralling

—— Vanity Fair

An insightful, powerful story from a promising new voice

—— Publishers Weekly

Cha's timely debut deftly explores the impact of impossible beauty standards and male-dominated family money on South Korean women

—— Kirkus

An eye-opening story of female friendship set against the brutal beauty standards of south Korea

—— Glamour

Mesmerizing... weaves together the complexities and contradictions of modern-day Seoul, in an ultimately uplifting story of women living in defiance of oppressive customs

—— Dazed

A gripping tale at once unfamiliar and unmistakably universal

—— BookRiot

A gripping portrait of four young women in South Korea... its focus on the tangled and complicated nature of female friendship is universally familiar and fascinating

—— Refinery 29

Hypnotising... you won't want to put it down until the very last page

—— Harper's Bazaar

You'll find sisterhood at the heart of this ambitious book

—— New York Times Book Review

Tremain's extraordinary imagination has produced a powerful, unsettling novel in which two worlds and cultures collide

—— Cath Kidson Magazine

Tremain writes about this part of France so well because she has known it since childhood, and she captures a sensuality in the landscape that is both attractive and eerie... It is an enthralling book about the catastrophic disruption honesty can bring

—— Siobhan Kane , Irish Times

The novel has all the formal structure of a medieval morality tale, along with its traditional dichotomies: rus and urbe, avarice and asceticism, chastity and lust

—— Guardian

Rose Tremain's thrilling Trespass is set in an obsure valley in Southern France... To be read slowly; Tremain's writing is too exquisite to hurry

—— The Times

Timeless but rooted; tangible but otherworldly. Meticulously plotted, with the musty sadness that comes of cleaving to the past, Trespass will reward your reading time

—— Scotland on Sunday

Rose Tremain's novel begins with a scream and barely loosens its grip amid the sumptuously written pages that follow...subtly harnesses the stifling heat and dangerously feral landscape of southern France to unspool a psychologically disconcerting story of family skeletons and outsider tensions

—— Metro

Like a sinister edition of A Place In the Sun directed by Alfred Hitchcock, with the depth and subtlety that make the book far more than a mere thriller

—— You Magazine (Daily Mail)
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