
' "She's an adventuress. Yes, an adventuress, but an end-of-the-century one. She doesn't travel for profit, but for pleasure." '
Offering an entertaining introduction to the fin-de-siècle, this selection from the notorious magazine The Yellow Book includes stories and poems by famous writers such as Arnold Bennett and John Buchan, brilliant pieces by lesser-known writers such as Ada Leverson and Ella D'Arcy, and illustrations by Aubrey Beardsley.
One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
I am only just returned to a sense of real wonder about me, for I have been reading Villette - there is something preternatural about its power
—— George EliotA terrific novel, funny and moving, wistful and wise. Evison's writing crackles on the page.
—— Jess WalterEvison is a ridiculously gifted storyteller … an irresistible, inventive novel full of important ideas about how we live our lives as parents, children, partners, and human beings.
—— Jami AttenbergA gifted raconteur with a wicked sense of humor and an unflagging empathy for humankind in all its sad, foible-filled magnificence.
—— Patrick DeWittTold through flashbacks, the novel is adeptly narrated by a third-person figure…This wistful story is a charming read about life, love and mother-daughter relationships!
—— i (Independent)Jonathan packs an entire life - many lives - into this fine book, and does so with the empathy and insight of a writer at the top of his game.
—— Ben FountainInsightful, richly entertaining … Evison writes humanely and with good humour of his characters, who like the rest of us, muddle through too often without giving ourselves much of a break. A lovely, forgiving character study that’s a pleasure to read.
—— Kirkus ReviewsGoodhouse grabbed me by the throat and lifted me off the ground and held me suspended there until its final sentence. Then the book began its real work on me: haunting my waking thoughts, invading my dreams. (...) This is an astonishing novel.
—— Antoine Wilson, author of Panorama City, and The InterloperMagnificently written ...powerful
—— New York Times Book ReviewA fantastic cautionary tale that will leave you muttering "one more chapter" as the night stretches on. We highly recommend it
—— SciFiNowMinority Report meets Never Let Me Go
—— SFXA terrifying, yet grimly realistic portrait of near-future America
—— Brechin AdvertiserThought-provoking, and at times brutal, this thriller will surely be the basis of many discussions about the nature of society and the times we live in
—— Irish ExaminerPeyton Marshall is a writer of intelligence and keen observation with a great future. GOODHOUSE is a startling debut. In James, she has created a compelling and convincing hero for the all-too-probable dark times ahead
—— A L KENNEDYAn eerie, compelling novel, its deceptively simple language is a 'slight rush of words' which hold much more than they seem capable of containing...This novel is about the need to create a story we can live with when the real story cannot be told...
—— Financial TimesStrout uses a different voice herself in this novel: a spare simple one, elegiac in tone that sometimes brings to mind Joan Didion's
—— The TabletThis is a glorious novel, deft, tender and true. Read it
—— Sunday TelegraphAn exquisitely written story...a brutally honest, absorbing and emotive read
—— Catholic UniverseHonest, intimate and ultimately unforgettable
—— StylistSympathetic, subtle and sometimes shocking
—— Emma HealeyPlain and beautiful...Strout writes with an extraordinary tenderness and restraint
—— Kate SummerscaleOne of this year's best novels: an intense, beautiful book about a mother and a daughter, and the difficulty and ambivalence of family life
—— Marcel TherouxElizabeth Strout's prose is like words doing jazz
—— Rachel JoyceElizabeth Strout's Olive Kitteridge is the best novel I've read for some time
—— David NichollsAn exquisite novel of careful words and vibrating silences
—— New York Times Book Review 100 Notable Books of 2016In this quiet, well observed novel, a mother and her mysteriously ill daughter rebuild their relationship in a New York hospital room. Deft and tender, it lingers in the mind
—— Daily Telegraph Books of the YearA worthy follow-up to Olive Kitteridge
—— David Nicholls , Guardian Books of the YearI loved My Name is Lucy Barton: she gets better with each book
—— Maggie O'Farrell , Guardian Books of the YearThe standout novel of the year - a visceral account of the relations between mother and daughter and the unreliability of memory
—— Linda Grant , Guardian Books of the YearIn a brilliant year for fiction, I've admired the nuanced restraint of Elizabeth Strout's My Name is Lucy Barton
—— Hilary Mantel , Guardian Books of the YearElizabeth Strout's My Name is Lucy Barton shouldn't work, but its frail texture was a triumph of tenderness, and sent me back to her excellent Olive Kitteridge
—— Cressida Connolly , The SpectatorA rich account of a relationship between mother and daughter, the frailty of memory and the power of healing
—— Mark Damazer , New StatesmanThis physically slight book packs an unexpected emotional punch
—— Simon Heffer , Daily TelegraphA novel offering more hope
—— Daisy Goodwin , Daily MailMy Name Is Lucy Barton intrigues and pierces with its evocative, skin-peeling back remembrances of growing up dirt-poor.
—— Ann Treneman , The TimesMasterly
—— Anna Murphy