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The Wolf & Taurus
The Wolf & Taurus
Dec 21, 2025 11:52 PM

Author:Joseph Smith

The Wolf & Taurus

'I am the wolf, taker of life: the predator. I attack with my eyes open and see death bright and fierce leap in the glance of my prey'

In a bleak winter landscape a wolf is starved and weakening. He is the predator, but the harshness of nature, the death that stalks all of the wild forest, beings to challenge his supremacy, and his understanding of himself.

'I can see myself - I can see the large black shape planted on short legs, the thick shoulders and neck and the huge broad head with horns pointing skyward. I swish my tail and snort and stamp and I can see a bull, doing these things'

Under a blazing sun a bull paces back and forth, his skin flickering in the heat. Weighed down by his own mass, his senses are dulled by the dust and lethargy of the farm. A boy tends him from a distance, and in this boy he senses the possibility of a different path: of swirls of colour and movement, of his own power and strength - a premonition of what he might create through violence.

In these two novellas, presented here in one edition for the first time, Joseph Smith transports the reader wholly into the mind of an animal, exploring the violence of the forest and the bull-ring from a new perspective, in writing both immediate and incandescent.

Reviews

[On The Wolf :] He is an intriguing narrator, brough to life in lean, elegant and rather beautiful prose

—— Guardian

[On The Wolf: ] It's convincing... Give that alpha male an alpha for eloquence

—— John Sutherland , The Times

Like nothing you have ever read, except perhaps William Blake's daunting vision as articulated in 'The Tyger'... There is a wonderful, soaring artistry at work... Taurus is a subtle morality play; beautiful, relentless and unforgettable

—— Eileen Battersby , Irish Times

Beautiful and cruel, ancient and new, it expands on Smith's previous novella, The Wolf, by adding more human cruelty into the mix. As a bull gradually awakens into its true self, its appointment with the corrida grows ever closer. It's a stunning but uncomfortable read and one Jill feels absolutely privileged to have read

—— The Bookbag

Taiye Selasi writes with glittering poetic command, a sense of daring, and a deep emotional investment in the lives and transformations of her characters . . . a powerful portrait of a broken family

—— Diana Evans , Guardian

A most impressive first novel. . . She manages a generous coverage of time and space with adroit concision, along with a vibrant range of characters. The family is so convincing, with those telling problems of divided culture. Very much a novel of today

—— Penelope Lively

Taiye Selasi is a young writer of staggering gifts and extraordinary sensitivity. Ghana Must Go seems to contain the entire world, and I shall never forget it

—— Elizabeth Gilbert, author of , Eat, Pray, Love

With mesmerizing craftsmanship and massive imagination [Taiye Selasi] takes the reader on an unforgettable journey across continents and most importantly deeply into the lives of the people whom she writes about. She de-"exoticizes" whole populations and demographics and brings them firmly into the readers view as complicated and complex human beings. Ghana Must Go is a big novel, elemental, meditative, and mesmerizing

—— Sapphire, author of , The Kid and Push

In Ghana Must Go, Selasi drives the six characters skillfully through past and present, unearthing old betrayals and unexplained grievances at a delicious pace. By the time the surviving five convene at a funeral in Ghana, we are invested in their reconciliation--which is both realistically shaky and dramatically satisfying ... Narrative gold

—— Elle

Selasi's ambition - to show her readers not "Africa" but one African family, authors of their own achievements and failures - is one that can be applauded no matter what accent you give the word

—— Nell Freudenberger , The New York Times

The first line of Taiye Selasi's buoyant first novel, Ghana Must Go, captures the book in miniature: "Kweku dies barefoot on a Sunday before sunrise, his slippers by the doorway to the bedroom like dogs." The springy dactylic meter of the prose (KWEku dies BAREfoot on a . . .), the sly internal rhymes (Sunday, sunrise, doorway), the surprising twist on a cliché (to die like a dog), the invigorating mixture of darkness and drollery are a big part of what makes this book such a joy... It's an auspicious how-do-you-do to the world, and nearly every page of the novel displays the same bounce and animation... rapturous.

—— Wall Street Journal

A terse and subtle tour-de-force

—— Cara

A slim but sure tale of love, death and imperialism

—— RTE Guide

A quietly compelling and provocative work

—— Sunday Business Post

A dark and sinewy novel, written with sparse clarity and affecting subtlety

—— Stuart Evers , Observer Books of the Year

In a year marked by epics, it's a relief to delve into this quiet, surprisingly tense debut novel - small enough to stuff in a stocking but packing a huge emotional punch

—— Entertainment Weekly

A novel of subtle beauty and quiet grace; I found myself hanging on every simple word, as tense about the consequences of a man finding an apartment as if I were reading about a man defusing a bomb. ... It is one of the best novels I have read in a long time. ... With elegant restraint, Baxter layers the narratives, anecdotes and experiences in the manner of life as continuous essay, the topic of which might be stated as, "What is a right way to be in the world?" ... It is very much to Baxter's credit that he presents this struggle as if it were thriller, love story, philosophical novel and dark comedy combined, in a novel not liek a bullet but like an arrow flying straight to the heart of the matter.

—— New York Times Book Review

A quiet and powerful read through and through. Baxter's clean and direct prose generates its own momentum. He chooses not to create a tidy drama where characters are explained by their pasts. Rather, he creates something bigger and more true.

—— Daily Beast

Compelling ... captures the mood of the current moment and what seems to be a new "lost generation", one formed not so much by exposure to violence, as immunity to and alienation from it. Once upon a time, there was no place like home; in Mr. Baxter's world, home, it seems, is no place.

—— New York Times

Absorbing, atmospheric and enigmatic ... With its disorienting juxtaposition of the absolutely ordinary and the strange and vaguely threatening, the novel evokes the work of Franz Kafka and Haruki Murakami, while its oblique explorations of memory suggest a debt to W.G. Sebald

—— Los Angeles Times

A thrilling follow-up to Robert Louis Stevenson’s Treasure Island...Silver is a novel that will appeal to readers of all ages. Beautifully written and genuinely exciting...Best of all, Motion’s novel stays true to Stevenson’s original tale while adding an extra dimension.

—— Emma Lee-Potter , Daily Express

Elegant, thrilling sequel...The plot is gripping, a mixture of high adventure, low cunning and desperation...Motion’s prose vivid and glowingly poetic, is a brilliant counterpoint to the fascinating action.

—— Eithne Farry , Daily Mail

This is a pacey tale with an appropriately feisty young heroine for modern readers

—— Lesley McDowell , Independent on Sunday

Andrew Motion brings lyricism but, more importantly, rollicking adventure to this sequel to Treasure Island

—— Mail on Sunday
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