Author:Margaret Kennedy

According to a sensational West End play, the Victorian children's writer, Dorothea Harding, was no dowdy maiden aunt, but the passionate participant in a torrid, tragic romance. It is the task of Roy Collins to turn the play into an equally popular film. Dorothea's descendents have only weak objections to the misuse of their relation's private past - they need money more than dignity. But Roy has misgivings, and when a set of revealing letters are discovered, he begins to feel that the truth might be more important than the story.
Margaret Kennedy caught just the taste of the time, mixing a stolid domestic Englishness with 'Continental' bohemians
—— Irish TimesShe is not only a romantic but an anarchist, and she knows the ways of men and women very well indeed
—— Anita BrooknerKennedy was immensely popular in her heyday
—— Washington PostThere are some clever plot twists and fine comedy set pieces.
—— Scotland on SundayA comic riot of a novel.
—— Sunday Times - Must ReadsWorst. Person. Ever. succeeds by virtue of its verbal energy, the brio of its invention, the snappiness with which successive gags and ever more appalling atrocities are piled on.
—— Financial TimesCoupland has penned a bitterly funny tale of our time and created one of the grossest characters to deliver it.
—— SportWorst. Person. Ever., challenges the present-day with excess, satire, and biting critique
—— Dazed DigitalIt's a book of wonderful purple phases...restless, epic, allusive
—— ScotsmanPraise on Devil on the Cross:
'This novel will be regarded as one of the historic staging posts of African Fiction. Ngugi is the most celebrated of African novelists. What he offers is nothing less than a new direction for African writing.
Praise on Petals of Blood
Ambitious, caustic and impassioned
A mind-blowing political statement, an anguished cry of despair . . . a bomshell
—— The Weekly ReviewThe definitive African book of the twentieth century.
—— Moses Isegawa, author of Abyssinian Chronicles and Snakepit