Author:Lee Carroll

The last in a long line of women sworn to guard our world against evil, jeweller Garet James is struggling to come to terms with who - or what - she really is.
Will Hughes, the alluring four-hundred-year-old vampire who tasted her blood and saved her life, could help, but he's disappeared. Garet believes he's in France, searching for the Summer Country, the legendary land of the Fey where he might be freed from his vampire curse.
Desperate to understand her legacy, Garet follows Will. In Paris, she encounters strange, mythic beings - an ancient botanist metamorphosed into the city's oldest tree, a gnome who lives beneath the Labyrinth at the Jardin des Plantes, a dryad in the Luxembourg Gardens - meetings that convince her she is on the right path.
But Garet is not the only one trying to find the way in to the Summer Country - and the closer she gets, the more dangerous it becomes...
Fey mythology with alchemy, demons and vampires...a winning combination
—— LOVEVAMPIRES.COMWill enthral and enchant the reader
—— FALCATATIMES.COMI now can't wait for the third book in this trilogy!
—— NOTESOFLIFE.CO.UKNothing less than show-stopping
—— GuardianA page-turner in the smartest possible sense, written with the historical authenticity and taut command of language that has established Irving as one of America's greatest living novelists
—— GQHaley Tanner has created a world peopled with characters of great poignacy and they will linger in the mind - and heart - long after the book is put down.
—— Elizabeth Strout, Pulitzer Prize winning author of Olive KitteridgeVaclav and Lena is a wonderful achievement, generous, playful, moving, and refreshing... Give this novel a few short pages, and I guarantee you'll want to read it to the end.
—— Kevin Brockmeier, author of The View from the Seventh Layer and The Brief History of the DeadThere are books you enjoy, and then there are books you live in. Haley Tanner plunges you into the Russian émigré community in Brooklyn, where two souls connect under a maternal watchful eye. Tanner's assured narrative voice finds new ways to describe emotion and character, bringing the reader up short again and again with small shocks of awareness. This book is sad, funny, true, and shot through with grace.
—— Judy Blundell, National Book Award winning author of What I Saw and How I LiedWhat is most intriguing about Tanner's debut, it its surprising darkness, the secrets that lie beneath the cheerful boy-meets-girl of its surface narrative...there are unexpected moments that linger in the memory long beyond the final page of this smart, proficient debut.
—— Literary ReviewSet in New York's Russian émigré community, this is a quirky tale about two children from different worlds who are destined to be together. Amid dark revelations, the relationship between these vividly painted characters will stay with you.
—— Easy LivingA moving, funny, richly drawn story of a young man's attempts to find out who he wants to be when there are so many others who know best. Full of real pleasures and unexpected wisdom, this book sweeps you along
—— Esther FreudA beautiful, bittersweet novel
—— Gin PhillipsWritten with wisdom and deliciously subtle wit, in the tradition of Jane Austen and Nancy Mitford. Francesca Segal has a remarkable ability to bring characters vividly to life who are at once warm, funny, complex, and utterly recognizable. This is a wonderfully readable novel: elegant, accomplished and romantic
—— Andre AcimanAn elegant little novel and a real delight to read... an updated version of the 1920 Pulitzer-prize-winning The Age of Innocence by Edith Wharton - the parallels are close, but given how deeply anti-Semitic the New York social elite was in that period, transplanting the story to a Jewish community is not only clever, it also gives a wider, more general point of reference, in quite a subtle way
—— Sara Maitland , Book Oxygen·A mature love story that meditates on community and ties that bind…a contemporary recasting of that adroit classic, The Age of Innocence…Just like Old New York, this is a community that has its own way of doing things, and The Innocents takes its cue from Wharton’s anthropological musings, doubling as a primer on the importance of the Friday night dinner, the symbolism of the Rosh Hashanah, and the evolution of the Christmakah party…Segal…is a writer of instinctive warmth who can divertingly lavish a full page on a breakfast spread, yet she never loses sight of this haunted truth’
—— Hephzibah Anderson , StandpointThe Innocents has garnered her a next-Zadie-Smith style buzz.
—— TatlerSegal writes with delicacy, accumulating details that create the texture of Adam and Rachel’s world… Adam is well drawn and not unsympathetic, and Segal has skillfully created a cast of secondary characters, including Ziva, a survivor of the Holocaust.
—— Tina Jackson , MetroIt takes chutzpah to appropriate such a well-loved classic but Segal parallels the two convention-bound worlds with aplomb… [a] classily composed comedy of manners
—— Emma Hagestadt , IndependentImpresive debut…a poised text
—— Elizabeth Buchan , Sunday TimesWittily observant
—— Caroline Jowett , Daily ExpressHugely enjoyable first novel... The end result falls somewhere between Charlotte Mendelson's When We Were Bad (about a matriarchal Jewish rabbi) and David Nicholl's One Day (with its theme of mismatched love) and is all the more pleasing for that
—— Viv Groskop , ObserverElegant little novel and a real delight to read
—— BookOxygen.comIt's an old saying that you choose your friends but not your family and the family reunion has been well-used in literature, but Haddon breathes new life into it. He's never shied away from the difficult subjects and he deals sensitively with a child's burgeoning homosexuality but his real skill, his genius is in his understanding of mental problems, that disassociation between the mind and the brain. It's a book which is so right in every small detail but a gem when taken altogether.
—— The BookbagThe book gave me the ever-changing, fascinating and the feeling that I was looking through a looking glass. The eight of them have their own secrets, longings and resentments which only make them as human as you and I. The writing zips in montages and sometimes it becomes difficult to figure who is carrying the baton, though once you get used to the writing, it isn’t difficult to figure. The language and symbolism is weaved very well for a story of a dysfunctional family. In some parts, it almost reminded me of Faulkner’s, “The Sound and the Fury”. The Red House by Mark Haddon is a rollercoaster of emotions and all it works surprisingly well and all adds up at the end of the book. I would definitely and most certainly recommend this read for the long summer weekend that comes up.
—— The Hungry ReaderHaddon can marry extraordinary perception with uncluttered language... He also burrows into the minds of his protagonists with astute precision
—— Leyla Sanai , TLSIt looks like Mark Haddon is about to have a great big success all over again
—— David Sexton , Evening StandardBrilliantly readable… Comic and bittersweet
—— ObserverA closely observed domestic drama…
—— Carol Birch , GuardianCharacteristically original, deftly observed...
—— Mail on SundayA beautifully orchestrated novel that gently questions how we define success
—— James Urquhart , Financial Times[Haddon] shows a knack for portraying family dynamics…
—— Alastair Mabbott , HeraldMark Haddon proves himself a master of the domestic drama
—— Big Issue in the NorthGripping drama
—— EasyJet TravellerWith its slightly skewed perspective and the relative freshness of its approach, HHhH compels us once again to consider that this, surely, was humanity's lowest point: a war waged, not against those who thwarted Germany's territorial ambitions, but against all that was good and decent in the human soul. In so doing, it confounds those who would decry post-modernism as wilfully obscure, relativistic and lacking in conviction
—— Alastair Mabbott , HeraldFrench newcomer Laurent Binet hits the ground running in the engrossing novel within a novel
—— Sunday TelegraphA breezily charming novel, with a thrilling story that also happens to be true, by a gifted young author amusingly anguished over the question of how to tell it … In principle there's nothing not to like about Laurent Binet's acclaimed debut, and HHhH is certainly a thoroughly captivating performance
—— James Lasdun , GuardianThis book fully justifies the lavish praise adorning its author
—— Absolutely ChelseaDazzling... It's stunningly brilliant
—— Simon Shaw , Mail on SundayStunning
—— Donal O’Donoghue , RTE GuideBinet provides both context and impressive detail on the eventual assassination of Heydrich
—— Mark Perryman , Philosophy Footbal






