Author:Frances Leviston

'Superbly written and fearlessly imagined fiction' Sarah Hall
Ten women, all called Claire, are tangled up in complex power dynamics with their families, friends, and lovers. Though all are different ages, and leading different lives, each is haunted by the difficulty of living on her own terms.
Claire is a teenaged babysitter left alone with a strange little girl and her imaginary friend. Claire is a woman trying to escape her elderly mother by employing an android carer. Claire is a young TV journalist wrecking her first big interview. Claire's boyfriend discovers more than he bargains for when he begins to read her diary.
And whatever she does, Claire is always living in the shadow of a monstrous mother.
'Leviston is a mistress of precision and emotional insight' Hilary Mantel, TLS
I loved it. I absolutely loved it. It felt like a choose your own adventure version of somebody’s life... I cannot say enough how much I enjoyed it. It’s a writer putting herself through her paces – it’s showing us what she can do and I’m really excited to see what she does next.
—— Naomi Alderman , BBC Radio 4 Front RowBrilliant, bracing... Dazzling... One of the many triumphs of this original, peculiarly truthful book is to leave us questioning what kindness is and what care is, no longer able to take the platitudes of daily life for granted also unwilling to leave them behind.
—— Lara Feigel , GuardianIt's hard to explain how good this fiction debut by Frances Leviston is... So thrilling... Outstandingly well written.
—— Claire Harman , Times Literary Supplement *Books of the Year*Frances Leviston’s debut work of fiction positively knocked my socks off. Each of the 10 stories in The Voice in My Ear is about a different woman called Claire — an apt appellation for characters illuminating aspects of modern life… She has triumphantly succeeded in turning a poetic perceptivity to the [short story] form.
—— Mia Levitin , Financial Times[The Voice in My Ear has] a psychological and emotional coherence unusual for a story collection… You can feel the subtext pulse between the lines and occasionally, thrillingly, it surges onto the page… Extraordinary… Leviston is so skilled at noticing and cataloguing the emotional abrasion of being a daughter, the toll of motherhood and love’s ability to wound… But these responses are matched, and exceeded, by the admiration, excitement and exhilaration provoked by what she achieves on the page.
—— Chris Power , Sunday TimesA sharp, insightful story collection… Leviston is a keen observer of the ways other people can burrow deep inside an individual's mind… The emotional impact of such relationships are, in Leviston's hands, devastatingly, thrillingly clear.
—— New StatesmanAward-winning poet Frances Leviston’s impressive debut work of fiction…works brilliantly…inordinately more than a standard short-story collection… Leviston’s imagery leaps off the page… I am not going to forget [these characters] any time soon.
—— Lucy Scholes , iI absolutely loved these stories. They are by turns hilarious, horrifying and haunting – and always psychologically acute. Although it's a story collection it is very much unified as an exploration of the way that the same themes and preoccupations pursue us through our lives. A tour de force – I’m thrilled to see what Leviston does next.
—— Naomi AldermanBeautifully, psychologically exact. Leviston reveals, confronts, disarms and pares us from our unwitting, falser selves. Superbly written and fearlessly imagined fiction.
—— Sarah Hall[A] brilliant debut, Leviston's stories - each of which feature a different girl or woman called Claire - use technology, needlework, sex and horror to uncover the fractures that run through family life.
—— Guardian *Six of the best recent collections*A remarkable work of fiction – the idea behind it is both brilliant and simple, but it is the execution that brings it off so unsettlingly well. Leviston writes with lacerating psychological accuracy, and has a poet's sense for the details that give us – and so much more than us – away. In The Voice in my Ear, the dark undercurrents of our most ordinary relationships are exposed through a series of perfect plots and haunting character studies.
—— Patrick McGuinnessA beautiful, brilliant, painful book. It is subtly but unignorably haunting, and its power builds and builds – Leviston has such a clear grasp of the most difficult aspects of being human, and being a woman, from sexual dynamics to surviving your own family. Darkly comic and quietly, devastatingly urgent.
—— Daisy BuchananThe Eric Gregory award-winning poet Frances Leviston makes an auspicious fictional debut with this collection of short stories… Leviston has a beautiful way with prose.
—— Alexander Larman , ObserverSuperb. Elegant, enthralling, often frightening, Leviston walks the dangerous edge of desire and discovery in women's lives.
—— Adam FouldsThis debut of short stories from poet Frances Leviston conjures up a neat hook... The cool electricity of Leviston's style leaves you eagerly awaiting her next move.
—— Anthony Cummins , MetroFrances Leviston’s prose, like her poetry, is as illuminating as it is unsettling. Her narratives are all about what remains unsaid and the silent inexorable falling into place of deep truth.
—— Lavinia GreenlawThe Voice in My Ear is so devastatingly perceptive and intimidatingly accomplished in a range of modes that it's hard to sit still while you're reading; often I found myself pacing up and down the hallway in raptures at the quality of the prose or terror at the exquisitely harrowing turn of the plot. Aside from the formal mastery, Leviston is fearless in facing difficult truths of which lesser writers never even get within telescopic range. Uncompromising and stricken but delivered through beautiful observation and unrivalled emotional and intellectual insight.
—— Luke KennardWhat an extraordinary book, so dense with understanding about personhood and relatedness, about connection, disconnection and unconnection. Frances Leviston puts her distinctive and compelling style at the service of a precise, sinuous, at times agonisingly subcutaneous storytelling. There's a clarity and superobservancy of the everyday that she conveys along with 'the sorrow that never was said': the hidden, the unspeakable, that shapes so much of experience.
—— David HaydenThis heated, haunted debut is about the dark, violent knots we carry inside ourselves – and what happens when they start to unravel. A lyric, frightening portrayal of what it means to move through the world in female form.
—— Sue RainsfordThe absorbing stories that make up Frances Leviston's The Voice in My Ear do what fiction does best, swimming deep in complexity and ambivalence. A work of high emotional intelligence and narrative control.
—— Rob DoyleAbsolutely exquisite, combining just the right amount of sweet and sour. The characters in The Voice in my Ear haunted me long after I'd finished reading. Leviston has an uncanny ability to turn a small moment into a kind of meditation on humanity.
—— Jan CarsonThe poet Frances Leviston brings her razor-sharp observations to prose.
—— MonocleKafkaesque, unusual and packed with sex and confusion, this is high-end prose… Murakami is remarkably prolific… A weird and very wonderful descent into the madness of contemporary Tokyo.
—— Paul Critcher , GeographicalNolan's narrator rips and picks at the threads and scabs of desire, hedonism and self-worth... in this searing first novel, Nolan is holding up a fantastically intense mirror to her protagonist and letting us make up our own mind about whether or not we will look away.
—— Tara Joshi , QuietusThere are flashes of brilliance throughout, reminiscent of John Berger.
—— Stephanie Sy-Quia , Times Literary SupplementActs of Desperation creates an immersive experience of toxic romance through a suffocating and addictive narrative.
—— New StatesmanPainful, sharp and absorbing.
—— Susie Mesure , iA reflection on compulsion, addiction and what it's like to exist as a young woman in a world that is hostile to you. Read the first page and you won't be able to stop.
—— Irish TimesNolan...stakes out thrilling new territory in an intense, unflinching novel that is always intelligent and utterly unafraid of ugliness.
—— Claire Lowdon , Spectator, *Books of the Year*A devastating stripping back of the gendered and politicised conditions that shape desire, a revelation of the unnerving ways we are made vulnerable to others in unequal systems. Its crisp, knowing prose is unparalleled, its anger remarkable.
—— Anahit Behrooz , Skinny, *Books of the Year*Nolan's intelligent, elegant first novel, a gripping portrait of love turned toxic.
—— Daily TelegraphThe star feature of Nolan's narration is her ability to cut through received ideas about women, relationships and even rape. Her headlong, fearless prose, feels like salt wind on cracked lips. You wince and you thrill.
—— Claire Lowdon , Sunday TimesA raw read of vulnerability, desperation, and most definitely a new voice in fiction
—— Chloe Brown , CosmopolitanA thrilling read...if you want a visceral, honest, unputdownable summer read then this is it. You'll devour it in a day.
—— Stylist, *Summer Reads of 2022*A very elegant novel, with coercive control at the core. She has such a strong voice and not a sentence is extraneous
—— Emma Frost, author of BUSY BEING FREE , iI read this in one go... I found it raw, honest, brutal and real.
—— Lykke Li , ObserverWritten with acerbic style and wit, this is an intoxicatingly good look at romantic obsession, delusion and desire.
—— iBeautifully written…and the short chapters keep things moving at an addictively fast pace. Most importantly, it’s shamelessly real
—— Crack






