Author:Sophie McManus

CeCe Somner, an eccentric heiress once known for her cruel wit as much as for her tremendous generosity, now faces opulent decline. Afflicted with a rare disease and touched by mortality for the first time, her gilded, bygone values collide with an unforgiving present. As her troubled, spoiled son George and his outsider wife Iris struggle to resolve mounting financial and familiar troubles, Cece must face the Somner dynasty’s dark legacy. But when George’s secrets culminate in an unexpected crime, no riches can put things right for the unfortunate Somners. What will become of all three, who must learn what life will be like beyond the long, shimmering shadow cast by the family’s past?
Sophie McManus, whose writing reminds me of Anne Tyler or Jonathan Franzen ... shows us the world through the cloudy lens of the truly moneyed, and gives us a riveting sense that something horrible is about to happen to these people. She corrals our prurience beautifully.
—— Evening StandardMcManus renders her opulent protagonists sympathetic by investigating their family ‘values’ with wit and generosity
—— Daily MailA very sharp novel
—— Evening Standard, Books of the YearMcManus, with her intricate re-creation of CeCe’s regal life, hearkens to an earlier artist far less frequently invoked: Edith Wharton . . . some of the funniest writing I’ve read in years: Martin Amis funny; wheezing, choke-on-your-laughter funny. After reading so many comic novels that eventually shatter in brittle cynicism or evaporate in gassy sentimentality, I moved through The Unfortunates with a slowly accruing sense of awe as these characters grew simultaneously more outrageous and more sympathetic.
—— Washington PostA truly dexterous writer, one who eyes the insular world she has chosen to crack open for us with as much wisdom as wit…formidable gifts for social satire
—— New YorkerReads as a cross between Tom Wolfe and Brett Easton Ellis at their respective peaks
—— Paste magazineThe Unfortunates is both a mirror on the income inequality of the current moment and a social novel in the old, grand, plotty mode: voracious for detail and punctuated by gasp-inducing turns of fate. Its subjects are money and the people unfortunate enough to have it. Who knew the rich deserved so much to be pitied?
—— Salvatore Scibona, author of THE ENDWhat is truly rich about this stunning debut novel, beyond the over privileged social class in question, is the brilliant language—lucid, quick, accessible, yet almost cubist in its syntactical swerves and surprising word choices—with which Sophie McManus invests the inner lives of the Somners, mother, son, and daughter-in-law – three unforgettable protagonists.
—— Jaimy Gordon, author of LORD OF MISRULEIn finely etched detail as sharp as shards of glass, McManus reveals the corrupting power of wealth and the myriad ways it infects individual lives, and families.As relevant as it is compulsively readable.
—— Amanda Coplin, author of THE ORCHARDISTIs there anything Sophie McManus can’t do? The virtuosity in these pages is astonishing, but just as astonishing is this novel’s abiding heart.
—— Joshua Henkin, author of THE WORLD WITHOUT YOUSophie McManus has a shrewd eye for telling gestures and an ear for cruel speech and kindness.She is an incisive, surprising prose stylist, and her debut novel, The Unfortunates, heralds an exciting new talent with an old soul.
—— Christine Schutt, author of PROPSEROUS FRIENDSIs Sophie McManus the next Emma Straub?
—— New York ObserverStibbe is herself becoming a worthy successor to Pym, that peerless chronicler of the melancholy pleasures and small struggles of 20th-century English life on the sort of days when, as Lizzie puts it, "there was nothing for lunch except ginger cake and tins of marrowfat peas
—— Financial TimesWinsomely naïve yet confident
—— Sunday TimesWitty and thoroughly chortle inducing
—— The LadyA dollop of nostalgia and very British humour
—— GlamourWarm, funny story
—— ElleDeeply philosophical…full of real heart
—— Heat MagazineYou’re instantly hooked. There’s a touch of Graham Greene here. The story takes off beautifully.
—— William Leith , Evening StandardFaulks, always good, describes the transaction between shrink and sex worker and you’re hooked. A touch of Graham Greene here.
—— IDaring, ambitious and in the end profoundly moving, this is Faulk’s most remarkable book yet.
—— BestThrilling, exciting, twisted, engaging and unique. As a slightly darker book, the storyline keeps the reader on the edge of their seat and eager to read on . . . perfect for someone who enjoys riveting stories and is a must-read for any keen readers like myself
—— Bridie, 15 , Big IssueFowley-Doyle’s stunning debut novel weaves the temporal and the spiritual into a seamless reality, rich in emotional impact . . . Will cast its spell over older teens and adults alike
—— School Library JournalA haunting and atmospheric coming of age story whose offbeat characters and lyrical prose style beguile the reader from the first page. An arresting & memorable debut
—— Peters NewsletterThe whole package: teenage angst (but of course), broken families, strong friendships, a sprinkle of romance and a lot of mystery
—— StarA bold tale of slavery for a new 'Roots' generation
—— Washington PostRich, epic. . . Each chapter is tightly plotted, and there are suspenseful, even spectacular climaxes
—— New York MagazineRarely does a grand, sweeping epic plumb interior lives so thoroughly. Yaa Gyasi's Homegoing is a marvel
—— Shelf AwarenessTerrific
—— Ann PatchettSpectacular
—— Taiye SelasiHomegoing is stunning - a truly heartbreaking work of literary genius
—— BustleThis is, hand on heart, a completely brilliant novel...a brilliant debut. If this isn't shortlisted for some prizes next year, I'll be disappointed
—— Stylist's pick of the best new books for 2017Encompassing events major and minor, but skilfully skipping the civil war, it humanises big issues by giving us unforgettable characters. It could not be more relevant or needed
—— Damian Barr , Observer Books of the YearGyasi imbues indigenous life with richness and dignity, in a style that owes something - though by no means everything - to Chinua Achebe...it serves as the engine for a powerful message
—— Daily TelegraphA future classic and a novel that you'll want to pass on to everyone you know...the real deal...2017 is set to be the year of Homegoing
—— StylistWhile the issues she wrestles with are heavy, her writing is a joy....Now, more than ever, we need books like this one
—— RedHugely courageous and really important
—— Sathnam SangheraHomegoing is remarkable...the writing at the end of the book is every bit as vital as that at the start...she has produced a contemporary classic - one you'll actually want to read
—— Daily MailAn epic debut novel
—— Good HousekeepingIntriguing debut...a noble enterprise
—— Mail on SundayBrilliant
—— Sunday TelegraphVivid and ambitious debut
—— Sunday ExpressToni Morrison's Beloved spoke to a generation. Yaa Gyasi's Homegoing will do the same for a new one. In a word, it's brilliant. And not just "for a debut"
—— The PoolThe powerful narrative of Yaa Gyasi's accomplished first novel do more than reveal the history that still troubles the United States. They make that history immediate
—— Harper's BazaarA fascinating view of the history of slavery...Gyasi gives voice to suppressed stories, and that feels hugely important....it certainly deserves our attention
—— Sunday TimesA searing indictment of racism and a very impressive debut
—— Sunday ExpressAmbitious, superbly written, important - don't miss this one
—— Woman & HomeIt is written with such maturity and beauty, that it is hard to believe it is Gyasi's first published work...Gyasi has created a masterpiece which is educational, highly ambitious and extremely touching. Her writing style is raw and intense and leaves one desperate to see what work she will produce in the future
—— Press AssociationExtraordinary
—— GlamourThe hype is justified
—— Emerald StreetThis unputdownable tale spans three continents and seven generations to tell the story of a family and of America itself
—— Reader's DigestA bold and ambitious debut...full of fire and youthful confidence
—— Daily ExpressHere is a book to help us remember. It is well worth its weight
—— GuardianHands down the best book I've read in months...I can't wait to see what Yaa Gyasi does next
—— GraziaGyasi has created a masterpiece which is educational, highly ambitious and extremely touching
—— The iThrough her words we come to understand parts of history that are sometimes ignored
—— PrideAn epic saga
—— ScotsmanA wonderfully evocative and compassionate novel - one that shows deftness, depth and maturity. Homegoing is a gift to its readers and a treasure to cherish
—— Petina Gappah , Financial TimesThe structure is fantastically strong, but it would have been nothing without Gyasi's ability to bring each character alive. At every turn she resists cliché and dogma ... she deftly weaves in just enough historical information without sacrificing its complexity ... Homegoing has something better than perfection, and that is a touch of magic... [Gyasi is] the right artist at the right time
—— Alice O'Keefe , New StatesmanGyasi's debut novel has a distinctive strength and courage ... a descendent of Alex Haley's Roots and Toni Morrison's Beloved, an extended response to Joyce Carol Oates's Last Hundred Years trilogy
—— Times Literary SupplementA confident, vivid, engrossingtale [that] winds towards a moving conclusion
—— Radio TimesGyasi's widescreen view of history powerfully drives home her view that we are all responsible for ourselves and for each other ... a highly compassionate feat of storytelling
—— MetroEntwining history, politics and personal events, this is an ambitious novel that is, and will continue to be, highly culturally relevant
—— Big IssueAstoundingly ambitious
—— New BooksAmbition and talent don't always go hand-in-hand; here they unquestionably do
—— Daily MailTracing the descendants of two women across seven generations, this unflinching debut from Ghanaian-American author Yaa Gyasi examines the lingering effects of slavery from the 18th-century Gold Coast to the US at the turn of the 21st century
—— Financial TimesThis chilling story of fractured innocence is beautifully written in wonderfully descriptive, sometimes dream-like prose. A stunningly powerful, spellbinding cautionary tale.
—— Deirdre O''Brien , Sunday MirrorBoth in person and on the page Cline is wise beyond her years. I read the book with a biro underlining phrases that I wish I could write. I am no longer jealous, I am just in awe.
—— Marlanne Power , Irish Independent'I really enjoyed it... A compelling coming-of-age story... Cline focuses not on the murders themselves, but on the landscape of adolescence, accurately portraying the boredom and lassitude, the yearning and insecurities of that awkward transitional stage... Stunningly written, in fresh, youthful prose, expect to see The Girls on deckchairs, beach towels and best-seller lists over the coming months
—— Justine Carbery , Irish IndependentUnnervingly perceptive … Part murderous thriller, part meditation on the vulnerability of teenage girls, it’s an exquisite, insightful and chilling read.
—— Alexandra Heminsley , PoolUnexpected and brilliant debut novel.
—— Yaa Gyasi , I-D ViceAn intense evocation of adolescence…absorbing debut novel.
—— Lidija Haas , TelegraphAs gripping as a thriller, it’s a powerful exploration of hero worship of all kinds, and the shapes into which girls force themselves as they attempt to grow up.
—— Anna Carey , Irish TimesThis year's Miniaturist
—— Sam Baker , PoolA fantastic writer, her intelligence is extraordinary
—— Linda Grant , Radio 4Gripping novel… Cline’s debut is a real page-turner.
—— Olivia-Anne Cleary , RevealIt is the language which elevates the novel to brilliance… Cline takes ordinary words and fits them together in patterns that shouldn’t work but…bring[s] a vibrancy to her prose that captivates.
—— Mature TimesNot the cheeriest summer read of the year, but it is one of the most powerful… Cline masterfully uses the sultriness of the season to explore the complex negotiations of girlhood.
—— SkinnyHighly charged literary debut… Visceral, seductive and delicately seething, Cline articulates the labyrinth anxieties of adolescence and the importance of belonging with a personal, finely tuned prose and a restrained, drip-feed pace that belies her age.
—— Natalie Rigg , AnotherA dark, erotically charged story of seduction, coercion and abuse emerges that has deliberate echoes of the Manson Family massacres in 1969… Cline brilliantly conveys the predatory cultural and sexual forces to which teenage girls are so often vulnerable. And her prose is completely to die for.
—— MetroThe Girls stands apart from other treatments of Manson.
—— Scotland on SundayGripping, and highly impressive.
—— Stephanie Cross , LadySumptuous prose… Believe the hype: she’s one to watch.
—— The Big IssueThe narrative is layered and complex, as even the young Evie seems to be an astute observer of human nature, who does not gloss over the less glamorous details, even in those she loves and admires. Throughout the novel, the fragility of the relationships are laid bare… [An] Immersive experience, both for the reader, and a narrator looking to reclaim some of her most vivid memories.
—— Conor O'Donovan , HeadstuffA gripping read.
—— Joannae Finney , Good HousekeepingCline brilliantly captures the precise, sultry prose the vulnerable and highly-charged sensibility of adolescence in a hotly-tipped debut inspired by the Manson Family massacre that – for once – justifies the hype.
—— Claire Allfree , Daily MailEloquent, coming-of-age debut… I was quite sure it could never live up to the hype. How wrong I was… Well-crafted prose… This is a perceptive, insightful and beautifully written book on the often harsh realities of the formative teenage years and a telling truth of what some will do to belong and feel loved. It is a must-read.
—— Jennifer McShane , ImageIt unsettles and disturbs in unpredictable ways. Above all, Cline is excellent on the female coffee table book adolescent psyche and the ways in which girlhood is so often an act performed for the opposite sex… The end result is gripping, and highly impressive.
—— Stephanie Cross , LadyAn intense evocation of adolescence…set to be the breakout book of summer. Every page throbs with the threat of violence.
—— Daily TelegraphThe writing is lush and surprising.
—— Marisa Meltzer , Vogue[It is] shockingly assured for a first novel.
—— Mark Haddon , GuardianAlready I’m hooked… The writing style…is totally engaging – shrewd and observant but with a certain softness. I’ll report back when I’ve finished, but I think this will be a great summer read.
—— Ruth Crilly , A Model RecommendsThe Girls is compulsively readable… A strikingly accomplished debut. Evie’s voice shimmers with vivid metaphorical language… There are some truly breathtaking passages — lush and lapidary and full of startling imagery… A fierce challenge to our received notion of the 1960s as an era of peace signs, protest marches and free love, and [this] adds a note of profundity to this highly impressive first novel.
—— Alex Preston , Financial TimesEmma Cline's The Girls is so brilliant.
—— Hadley Freeman , Guardian WeeklyA compelling novel… [A] nuanced and deeply drawn character study of teenage ennui and anger… In luminous prose, the novel maps Evie’s obsessive psyche… A compelling and startling new work of fiction. Ms. Cline brilliantly shows how far adolescent loneliness can push a girl in her desire to be loved.
—— The Economist[A] steamy hit.
—— Metro[It] is so brilliant… The only thing more perfect about this book than Cline’s woozily dreamy prose is her timing.
—— Hadley Freeman , GuardianThe Summer read for you... Cline’s gorgeous novel is both stunning and shocking. We dare you not to devour in one sitting
—— Amie-Jo Locke , In-Style[A] literary page-turner.
—— Claire Coughlan , Irish IndependentA startlingly intense, brilliant and brooding debut novel….written with luminous foreboding lyricism.
—— Simon Sebag Montefiore , Evening Standard, Book of the Year[It is] intelligent and thoughtful.
—— MumsnetCline’s portrayal of the fragile teen years and the power they have in shaping the woman you become will resonate with everyone.
—— Sarah Holmes , Woman's WeeklyCline’s language…is splendid at conjuring pictures.
—— Kathy Watson , TabletCline - from California, where the novel is set, has crafted a distinct poetic timbre that devises similes galore to augment the imagery and the protagonist’s insight… Inspired, I look forward to reading more from this highly talented author. I will indeed re-Cline.
—— KettleCline’s structure…allows her to apply her acute observations about girlhood to today’s world.
—— Isobel Thompson , Times Literary SupplementThe summer’s standout debut… A tense, febrile imagining… The Girls is a subtle, restrained and beautifully textured telling of one of pop culture history’s most luridly hideous moments, with a heightened, dreamlike quality that tips irrevocably into nightmare.
—— Writing MagazineI read this in a single sitting a few months back, and it remains my favourite read of 2016. The writing is so beautiful; the sentences perfectly formed, cumulated in a plot that slowly draws you in… Eloquent, perceptive and insightful, you won’t be able to put this one down.
—— ImageThis book was sublime. I read it as the last of the sunshine faded into autumn and I felt transported into 1969 California.
—— Max and Mummy[A] clever debut novel… Gripping.
—— Jan Moir , Daily Mail, Book of the YearUndeniably the dazzling fiction debut of the year, this brilliant American novel is a vivid evocation of California in 1969… It is the author’s luminous prose style that excels. Exhilarating.
—— Tatler, Book of the YearA spellbinding, supremely evocative coming-of-age story
—— Deborah Ross , The Times, Book of the Year[A] compulsively readable debut [which] is a vivid examination of adolescence.
—— Rebecca Rose , Financial Times, Book of the YearA fluent, engrossing debut novel.
—— A Little Bird, Book of the YearThe Californian setting is intoxicating, as laced with sunlight as filth, and its insight into the teenage girl’s mind is extraordinary.
—— Alexandra Heminsley , Pool, Book of the YearA book of glistening prose.
—— RTE Guide, Book of the YearBelieve the hype; it is simply brilliant.
—— Jennifer McShane , Image Magazine, Book of the YearA shimmering tale of adolescence and sexual awakening written in prose that aptly feels almost hallucinatory
—— Claire Allfree , Metro, Book of the YearA haunting and gripping read.
—— Irish Country Magazine, Book of the YearHighly recommended if you’re in need of a good read.
—— Jennifer Selway , Daily ExpressBoth shocking and subtle, its real power lies in the exploration of girlhood itself.
—— Kate Hamer , Big IssueBrilliantly done… The year is 1969. Evie notices a group of scavenging girls – they belong to a nearby cult. And this cult is horrific. Think of the Manson family… A seriously excellent debut novel.
—— William Leith , Evening StandardAs Lena Dunham says, it'll both break your heart and blow your mind.
—— Hannah Dunn , Red OnlineThrough the story of the Manson family and their brutal crimes, Cline explores the intensity and loneliness of female adolescence with an impressive mastery of language.
—— Alexander Newson , UpcomingA superb, chilling novel of doom-laden adolescence.
—— Simon Sebag , WeekA thrilling, savage exploration of how a teenager gets sucked into a cult led by a Charles Manson figure.
—— Allison Pearson , Sunday TelegraphThe writing is so beautiful; the sentences perfectly formed, cumulated in a plot that slowly draws you in… Eloquent, perceptive and insightful, you won’t be able to put this one down.
—— Jennifer McShane , ImageFew books have such a dramatic effect on me but Emma Cline’s stirring debut The Girls is one I’ve never managed to get out of my head… This is a perceptive, insightful and beautifully written book on the often harsh realities of the formative teenage years and a telling truth of what some will do to belong and feel loved. It is a must-read and one that is more than worth sitting down with a second or third time.
—— Jennifer McShane , ImageThe novel has a number of things going for it, from Cline's gorgeous prose to her knack for plot and timing, to her way of presenting Evie's electric, often jolting moments of self-recognition. But the aspect of The Girls that captivated me the most was how Cline channels that particular period in a girl's life when she is consumed with the need to be seen, to be known—by her mother, by slightly older girls, and most often, by men.
—— Jennifer Schaffer , ViceThanks to Cline’s lyrical prose, which is at once as clear as the Californian skies of the novel’s setting and as evocative as a sunshine drenched Polaroid picture, The Girls perfectly captures the twilight years of the hippie era, where the rot of its seedy drug-fuelled underbelly shattered the dream of peace and love and culminated in a gruesome massacre that shocked the world.
—— Dean Muscat , NudgeThe Girls exemplifies the uncomfortably thin line between healthy and unhealthy relationships
—— Emily Watkins , i






