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The Unbearable Dreamworld of Champa the Driver
The Unbearable Dreamworld of Champa the Driver
Feb 27, 2026 4:54 PM

Author:Chan Koonchung,Nicky Harman

The Unbearable Dreamworld of Champa the Driver

SEX, LIES, AND ROCKY ROADS …

Life is simple for Champa. He has a good job as a chauffeur in his hometown of Lhasa, and if his Chinese boss Plum is a little domineering, well, he can understand that – she’s a serious art-collector after all. And he does get to drive her huge Toyota.

When he starts to sleep with his boss as well as drive her around, life becomes a whole lot more complicated. But not in a bad way. Suddenly Champa’s sex life is beyond his wildest dreams.

But then Plum brings home a Tara statue - a statue that shines with exquisite feminine beauty – and suddenly life is not simple at all, as Champa finds himself on the long road to Beijing in search of its inspiration …

THE UNBEARABLE DREAMWORLD OF CHAMPA THE DRIVER is a rollicking road novel brim-ful of sensuality and danger. Underlying the optimism and humour of its hero is a darker picture of racism and rough justice in modern Beijing.

Reviews

'The Han Chinese presence in Tibet hovers in the background like a Himalayan mist ... captures something true and fresh about modern China

—— Independent

A fast-paced read, bold and brassy, at times super-sensitive and insightful, with cheeky asides and a raw honesty that will make readers laugh out loud.

—— South China Morning Post

Manages to turn often comic human relationships into an unsettling metaphor for China's political and cultural domination of Tibet.

—— Asia Times

Peopled with characters who matter and layered with love in all its forms . . . Bettina's story reminds us that even if we try to run away, love often finds a way to steer us home

—— Claire Dyer, author of The Perfect Affair

A gripping read... This is a book that will get you thinking – and thanking your lucky stars for a good night's sleep... I loved it

—— Jenny Green , Sun

Calhoun’s prose is razor sharp, concise yet hauntingly descriptive... I wouldn’t be surprised if Black Moon turns out to be the best debut novel of 2014

—— Jim Dempsey , Bookmunch

The novel is a heart-stopping quest

—— Guardian , David Barnett

Calhoun vividly depicts the societal collapse that results when people are no longer able to differentiate dreaming from reality... Skilled and polished

—— James Lovegrove , Financial Times

One of those perfectly simple concepts which can be summed up in a sentence. Great fun

—— Bookseller

Black Moon is the kind of book I envy as a writer, and seek out as a reader -- a novel of ideas wrapped in an gripping, expertly constructed story, full of feeling and intelligence. Kenneth Calhoun has his own distinctive voice, a voice I hope (and expect) to be hearing more from in years to come

—— Charles Yu, author of Sorry Please Thank You

Calhoun’s epidemic, this new and improved insomnia, sinks us into a world where ‘sleepers’ are the target of violent rage. Here we see the erosion of the everyday ruses that allow us to soldier on, the ugly truths we run from gaining ground. Black Moon is a powerful, beautiful debut.

—— John Brandon, author of Citrus County and A Million Heavens

Meg Wolitzer’s latest offering promises to be the epic novel of the summer

—— Stella, Sunday Telegraph

A wonderful novel, written with warmth and depth of emotion

—— Kate Mosse , The Times

This is an exhilarating, aerobatic, addictive novel

—— Claire Lowdon , Sunday Times

Meg Wolitzer’s best novel yet

—— William Leith , Evening Standard

The dreamy, criss-crossing narrative proves Wolitzer one of America’s most ingenious and important writers

—— Sunday Telegraph

An engrossing look at life’s twists and turns

—— Woman's Weekly

The wit, intelligence and deep feeling of Wolitzer’s writing are extraordinary and The Interestings brings her achievement, already so steadfast and remarkable, to an even higher level.

—— JEFFREY EUGENIDES

This is a wonderful book. Intelligent and subtle, it is exquisitely written with enormous warmth and depth of emotion… Wolitzer is an affectionate and clear-sighted observer of human nature

—— Kate Mosse , The Times

Meg Wolitzer proves brilliant at writing normal, unremarkable lives, investing them with just as much detailed attention and humane humour as the lives of the beautiful, the rich and the famous… [She] also pulls off an impressive balancing act, sometimes inhabiting the moment-to-moment present of her characters, and at others times writing with a droll hindsight

—— Holly Williams , Independent on Sunday

There are certain authors whose new book you look forward to as though you were about to catch up on news from an old friend. And there are authors whose new book you fall on greedily because you know it will be tartly delicious and satisfy a hunger you didn’t know you had till you read them for the first time. For me, Meg Wolitzer has long been in both of those categories… The Interestings is full of Wolitzer’s trademark pleasures. I love her fearlessness in tackling everything … She has a sly wit and verbal brio which can even make clinical depression entertaining

—— Allison Pearson , Daily Telegraph

“What would it feel like to fall from a great height? In this highly accomplished third novel, this is a sensation that characters experience both physically, high diving at the local swimming pool, and metaphorically, plunging into despair when they lose their most uplifting relationships. The absorbing plot moves between Belfast and Brighton, culminating on 12 October 1984, when a bomb exploded at Brighton’s Grand hotel, where Margaret Thatcher was staying during the Conservative party conference. The author powerfully uses a prismatic range of perspectives: Dan, an IRA bomber; Moose, the deputy manager of the hotel; and Moose’s 18-year-old daughter, Freya. The political is intricately interwoven with the personal and the novel’s most moving sections chronicle the implosion of Moose’s marriage and morale. Lee dives deep into the minds and hearts of his characters, skilfully shoring up “the private moments history so rarely records”.

—— Observer

Jonathan Lee may not be a name tripping off many readers’ tongues today, but my guess it soon will be ... In an age when anonymity is a struggle, Lee seems to have mastered the art, with biographical details scant on this British-born writer who currently lives in New York. Such lack of context makes even more intriguing that his third novel, the utterly absorbing and beautifully wrought High Dive, should be a reimagining of the events surrounding the bombing of The Grand Hotel in Brighton by the IRA during the Conservative Party conference in 1984. The novel weaves its way towards the tragedy, between Belfast and Brighton, and in the company of three main protagonists: Dan, a young IRA convert, the long-rumoured but never located second bomber; Freya, a bright school-leaver working at the Grand Hotel; and her father Moose, the aspirant Assistant General Manager.

—— Mariella Frostrup , BBC Radio 4 Open Book

What is clear straight away is how good Lee is on character…Lee has a memorable turn of phrase…He can be funny too…Deftly captures the boorishness of a Tory conference.

—— Spectator

A beautifully realized novel about the intertwining of loyalty, family, ambition and politics. Lee’s truest antecedent is not The Day of the Jackal, but Joseph Conrad’s The Secret Agent … Its narrative works like the long-fuse bomb that is placed fairly early on in the proceedings, slowly ticking away under the floorboards of the reader’s mind, getting louder and more fraught as the detonation approaches … Although the matters at hand – terrorism, mortality, failure – are weighty, High Dive carries itself with an admirable lightness … Long after the bomb goes off, long after I closed the book, I found myself wondering about Moose and Freya and Dan. That persistence of interest is a testament to how fully realized those characters are, and how astonishingly well executed this novel is.

—— Washington Post

An idiosyncratic imagining of the Brighton boming of 1984 . . . The scenes of everyday life in the hotel are rich in the comedy of the mundane: the hopes and petty quarrels neatly contrasted with the approaching terror, the actors in the drama ignorant of what the reader knows is coming.

—— Daily Mail

A completely absorbing novel about the lives of people who struggle in small and massive ways. Lee’s writing is poignant, fluid, and very funny. Above all else it feels honest – you can see yourself in all of his characters. I really did love this book, and I’m still thinking and worrying about it.

—— Evie Wyld, author of All the Birds Singing

With wry wit and profound tenderness, Jonathan Lee’s High Dive highlights the tensions---between hope and heartbreak, struggle and surrender---at the intersection of the mundane and the momentous. A bold, thrilling triumph of a book.

—— Téa Obreht, author of The Tiger's Wife

In the run up to the bombing Lee masterfully fleshes out the three characters, moving back into their respective histories and creating around them a painfully real world populated by unfulfilled dreams (Freya), ill health (Moose) and odd jobs (Dan)…Lee masterfully ekes poetry out of everyday lifeAs a character study High Dive is faultless. Freya, Moose and Dan exist, you know them, they are gloriously and fully realized…For sheer beauty of description and engaging personal tone my recommendation is High Dive.

—— Stylist

High Dive is gripping from the very first page; we see Dan’s initiation into the IRA and we’re introduced to his elusive and enigmatic boss Dawson McCartland. Jonathan Lee ensures the novel is tense and disturbing from start to finish …High Dive is a carefully paced, melancholic and thought-provoking historical novel. Lee writes the most ordinary and mundane details of daily life in such a stunning way that none of it is boring.

—— Culturefly

In fluent, agile prose Jonathan Lee takes on one of the more famous assassination plots in recent history with striking evenhandedness and depth. His novel offers a funny, gripping and ultimately tragic view into the life of a young IRA man and the dear price he, and his victims, pay during the dark years of the Troubles.

—— Ayana Mathis, author of The Twelve Tribes of Hattie

Lee is a writer of concision, humour, wisdom and danger.

—— Colin Barrett, author of Young Skins

High Dive is both wistful and very funny. It is also genuinely lyrical. But more than anything, what distinguishes it from so many other novels is its rare sincerity.

—— Alexander Maksik, author of You Deserve Nothing

[Full of] sensitivity to the complexity of human motivations . . . memorable.

—— Literary Review

Every assassination is a plot with personal history and national history intertwined, action and inaction offsetting each other, misstep transforming into opportunity, luck submitting to fate. Jonathan Lee is a virtuoso storyteller, combining the skills of a historian, a reporter, a criminal psychologist, and most importantly, a close observer of the complexity of everyday life. What a thrilling new novel.

—— Yiyun Li, author of A Thousand Years of Good Prayers

A work of thoughtful integrity.

—— Independent

It’s 1978. Meet Dan, a Belfast boy who wants to join the IRA. Now meet Freya, a young woman who works in the Grand Hotel in Brighton. Dan checks in. So does Margaret Thatcher. We know what will happen.

—— Evening Standard, 'Paperbacks of the Year'

This year’s most exciting fiction debut is a wild ride through the grimy, glorious city of the 1970s...a book that is truly that great, rare thing: a wholly inhabitable universe, reflecting back our lives while also offering an exhilarating escape from them

—— Rolling Stone

Expert storytelling, lyricism and authenticity…Fans of Donna Tartt’s The Goldfinch: you’re going to love this book

—— The National

The hype is justified: this is the year’s must-read book

—— Shortlist

A gripping, atmospheric and authentic take on the decade when the Big Apple seemed almost rotten to the core

—— Sun

For almost a thousand pages, he swirls around a single tragedy — the shooting of a college student in Central Park — sweeping up tangential characters and making every one of them thrum with real life until the lightning strikes, the electric grid overloads and the city goes mad on that dark summer night in 1977.

—— Ron Charles , Washington Post

The grit of the city provides an equal lure. As garbage blows, graffiti scrawls, and street fashions strut through Vinyl and City on Fire, who wouldn't swoon?

—— Jim Farber , I-D Vice

A vast cast of characters and intricate sub-plots, City on Fire has been compared to everything from Bleak House to the early work of Jonathan Franzen. Not to mention nods to Don DeLillo and Tom Wolfe.

—— Alfie Baldwin , GQ Magazine Uk

Despite being a debut, it shows a technical maturity matched to a playful, sexy wit… A thriller, albeit an extremely clever and stylish one.

—— Melissa Katsoulis , The Times

Imaginative debut… His eyes for the tiny things that make up life suggests better is to come.

—— Daily Telegraph

This is one of those enormous books that might, if you’re luck, grab you and keep hold for days and days.

—— William Leith , Evening Standard
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