Author:Alison Bond

Imagine being a nobody
When Hollywood legend Ruby Valentine shocks the world with her mysterious suicide, Kelly's father reveals something even more shocking - she's Ruby's daughter.
Who suddenly becomes a somebody.
So Kelly sets off for Tinseltown to find some answers, diving head first into Hollywood society with her new family of jet-setters and fashionistas. But she soon discovers that Ruby's real life was laced with more drama, tragedy, and intrigue than any screenwriter could imagine.
Because of something you can't tell anybody?
When Ruby's fortune turns out to be non-existent, and Kelly learns of the intense relationship her mother had with her slick, powerful agent, she begins to get suspicious about what's really going on. And the more she digs, the closer she gets to uncovering the most unbelievable secret of them all.
A powerful piece of writing...A tragicomic lament for the generations of rejects and hopefuls who fetched up in the erstwhile "muddy pool" of Liverpool
—— GuardianExhilarating...It pulses with sincere and bracing anger
—— Times Literary SupplementThe rawness and vitality that have been present in Griffiths' writing... make him more than able to present this material unflinchingly and powerfully. Red in tooth and claw, Wreckage makes bleak but compelling reading
—— Glasgow HeraldOne of Britain's most talented younger writers
—— Time OutBrilliantly paced, sexy and hilarious... An awesome bebut... I can't wait for his second novel
—— Big IssueFresh, funny and convincing
—— Mail on SundayAngry, moving, urgent
—— Times Literary SupplementOne of my favourite books of the year...This is going to be huge...I loved it
—— Sarah Broadhurst , The BooksellerAn enjoyably bumptious coming of age novel
—— Richard Godwin , Literary ReviewTolerant, funny and real, [the narrator] ducks and dives hedonistically, lazily, gunning out x-ray observations about masculinity, models and "the magic of miscegenation" that would have had Oscar Wilde licking his lips
—— Vogue'Highly coloured, linguistically inventive...Evans has a powerful and often beguiling imagination'
—— Daily Telegraph'Sensual and poetic, as well as powerful and uncompromising...A mature, compelling and beautiful first novel'
—— Times Literary Supplement'The writing is both mature and freshly perceptive, creating not only a warmly funny novel of a Neasden childhood - with its engaging minutiae of flapjacks and icepops, lip gloss and daisy hairclips - but a haunting account of the loss of innocence and mental disintegration.'
—— Maya Jaggi , Guardian