If you liked The Girl on the Train then I think you'll like this just as much, if not more

What She Left is an extraordinary and bold creation

Every month brings another book billed the new Gone Girl, but we think we've found a winner

A deliciously modern take on the psychological thriller ... a shifting, mesmerising, mysterious story ... very well-written and intelligently realised, occupying a territory half way between literary novel and thriller ... a memorable debut

An absorbing, intricate and extremely original novel. It is also immensely clever and intriguing. It kept making me recall how I'd felt watching Twin Peaks. The kind of immediate shock and grief I felt for Laura Palmer was what I felt for Alice. The process of piecing together the heroine's life is so absorbing. I mourned her more and more powerfully as the story went on. What She Left is beautifully written and very emotionally involving. I hope that it garners all of the commercial and critical success it deserves

There are a million psychological thrillers out there right now, but this one stands out . . . Richmond keeps you guessing until the final pages in this compelling debut

Strikingly modern

A tight, clever, compelling story ... the reader must act as detective, rebuilding Alice Salmon from the digital footprint she leaves behind

A clever, imaginative and entertaining attempt to immerse the whodunit in the world of social media

An ingeniously original premise ... addictive

What a wonderful new voice. What a pleasure to read a thriller that's so ambitious and so full of emotion and suspense. Bravo!

Intriguing and successful ... a crime thriller from a different angle, Richmond's accomplished debut encourages the reader to become the sleuth ... Genuinely chilling

Likely to be one of 2015's most haunting and unforgettable debuts. Accident, murder or suicide? ... A shocking story of love, loss and obsession where everyone has something to hide. It is a great read

Guaranteed to keep you guessing

Brilliant, totally original, "can't-put-down-able"

A classic whodunnit, given a modern twist

An engaging thriller, full of suspense

An exceptional book ... a forensic jigsaw, an ingenious puzzle ... and a most promising debut

Highly original, fascinating and completely compelling. I was hooked on Alice's story from the very first page. A novel guaranteed to make you look back and question your social media footprint, and how accurately it tells your own story

Taut, multi-layered . . . A disturbing, intelligently written novel that's a psychological thriller and crime novel all rolled into one . . . Richmond shatters every assumption with a series of brilliantly delivered curve balls . . . some critics are already comparing it to Gone Girl. They're not wrong . . . the writing is strong, the narrative pace never slackens, while the climax is absolutely blistering

Intriguing ... presents enough believable suspects and motives to keep the reader gripped

This is how books should be written; full of trust and respect for the reader, allowing you to follow the darker paths and investigate yourself. This is a book of immense accomplishment, thrilling and clever - I absolutely devoured it, and I am left thinking simply that none of us are quite what we seem

What She Left leads the reader down a dark and twisty path of suspense and intrigue. This gripping and stylishly written novel left me chilled to the bone and captivated me from beginning to end

WHAT SHE LEFT is bold and inventive storytelling. The reader becomes the investigator, sorting through diary entries, letters, tweets, and emails to discover the truth beneath the tales of an entire cast of potentially unreliable narrators. This is not only a clever thriller, but an insightful exploration of identity and the personae we create in the social-media era

It's Disclaimer that turns out to be the Gone Girl of the season

An ingenious and involving tale and a very successful first novel

Fiendishly clever

Renee Knight's stunning debut is a thriller with a particularly literary flavour, but also with a heart. Best enjoyed slowly, with no skipping to the heart-wrenchign conclusion. Terrific.

A deeply probing, intense psychological thriller that was gripping and very difficult to put down

Disclaimer forms a trinity alongside Gone Girl and The Girl on the Train as the best of domestic noir . . . Disclaimer will be climbing the bestseller list

An original plot, well-paced to its unexpected climax

A highly assured debut novel with a cracking premise . . . a remarkable well written page turner

A superior piece of dark emotional fiction that will get under your skin.

Plunges us into our worst nightmare - somebody knows our darkest secret, and they're sharing it

A finely crafted puzzle box

A brilliant premise, superbly executed. I love this book

fantastic - was absolutely gripped. Great idea, could not put it down.

Disclaimer is a real one-nighter

It's knockout

The marvel of the new suspense novel “Disclaimer” is that it lives up to its unusually gripping premise.
Disclaimer forms a trinity alongside “Gone Girl” and the “The Girl on the Train” as the best of domestic noir. That this is a first novel from Renee Knight, a British television screenwriter, makes her sure hand with what’s sinister that much more stunning.

A sensational psychological thriller

excellent debut

This bestseller is definitely one of the best thrillers of 2015.

More original and sophisticated than your average psychological thriller, Renée Knight's DISCLAIMER is an accomplished and addictive tale.