Author:Neal Stephenson

Neal Stephenson follows his highly-praised historical novels, Quicksilver and The Confusion, with the extraordinary third and final volume of the Baroque Cycle.
The year is 1714. Daniel Waterhouse has returned to England, where he joins forces with his friend Isaac Newton to hunt down a shadowy group attempting to blow up Natural Philosophers with 'Infernal Devices' - time bombs. As Daniel and Newton conspire, an increasingly vicious struggle is waged for England's Crown: who will take control when the ailing queen dies?
Tories and Whigs clash as one faction jockeys to replace Queen Anne with 'The Pretender' James Stuart, and the other promotes the Hanoverian dynasty of Princess Caroline. Meanwhile, a long-simmering dispute between Newton and Gottfried Wilhelm Leibniz comes to a head, with potentially cataclysmic consequences.
Wildly inventive, brilliantly conceived, The System of the World is the final volume in Neal Stephenson's hugely ambitious and compelling saga. Filled with a remarkable cast of characters in a time of genius, discovery and change, the Baroque Cycle is a magnificent and unique achievement.
Neal Stephenson has saved the best until last with The System of the World, a fittingly breathtaking conclusion to his Baroque Cycle, implausibly trumping all of the trilogy's previous strengths, but unfortunately introducing one weakness in that the whole rambunctiously magnificent undertaking had to end
—— Christopher Brookmyre , Glasgow HeraldTruly remarkable
—— LA TimesHistorical fiction was never this much fun - or this successful
—— Entertainment WeeklyFull of insights about everyone and everything. He was an alpha-level gossip, the genius kind... a conversation of wit and substance that you never want to end
—— Michael Pye , ScotsmanI adored this book; I saw it as a sort of love letter to a vanished way of life, and a slice of English history at the same time, tracing as it does the lives of all the people who lived in Ashenden, a beautiful English country house, for over two hundred years. It's very touching and very compelling
—— Penny Vincenzi... ravishingly written and scrupulously observed
—— Irish TimesThe Booker prize winning author - widely regarded as one of the greatest writers in English today - has produced what many already consider a literary masterpiece.
—— Sunday IndependentWe now want them [novels] to provoke, cajole, edify, entertain, puzzle, divert, clarify and console. Banville's new novel does all these things and much more besides.
—— Irish IndependentBanville, with his forensic sensory memory, his great gift for textural (and textual) precision, his ability to inhabit not just a room, as a writer, but also the full weight of a breathing body, is exactly in his element here.
—— ObserverA novel criss-crossed with ghost roads and dead-ends and peopled by shifty characters who seem provisional even to themselves. It is written in Baville's customary prose, rhythmic and allusive and dense with suggestive imagery, prose and deliberately slows you down and frequently wrongfoots you.
—— GuardianA bittersweet rumination on first love ... The language soars, full of the beauty of nature and the sadness of loss
—— Marie ClaireBanville perfectly captures the spirit of adolescence, the body yearning for sexual experience, the mind blurring eroticism and emotion ... Banville is a Nabokovian artist, his prose so rich, poetic and packed with startling imagery that reading it is akin to gliding regally through a lake of praline: it's a slow, stately process, delicious and to be savoured ... This is a luminous breathtaking work
—— Independent on SundayAncient Light also bears resemblance to Lolita that extend beyond the obvious hallmark ecstatic prose..different periods of his life blending into a single meditation of breathtaking beauty and profundity on love and loss and death, the final page of which brought tears.
—— The Financial TimesA beautifully written tale of youthful passion
—— Good HousekeepingA novel about sexual awakening and the tricks that memory plays. Banville's lushly gorgeous prose enhances a mood of brooding passion in a place of secrets
—— The IA sumptuous novel. Read it for the sentences and smarts, and for the copious sexy parts
—— Richard Ford , Guardian, Books of the YearEverything I want from a love story: sexy, convincing, baffling, funny, sad and unforgettable
—— Juliet Nicholson , Evening Standard, "Books of the Year"Banville's exquisitely written novel unravels the deceptions of memory with wit and pathos
—— Telegraph






