Author:Paul Bowles

Fez, 1954, and American ex-pat Stenham reluctantly accepts a guide for his night-time walk home through the streets of the Medina. A nationalist uprising is transforming the country, much to the annoyance of Stenham, who enjoys the trappings of the old city. His path soon crosses with the young, illiterate son of a healer, another outsider to the newly politicised life of Morocco, in this brutally honest novel of life in the midst of terrorism, violence and the ugly opportunism that accompanies both.
Bowles's most masterly novel combines his classic themes: the conflict of Eastern and Western cultures and the trials of otherness.
The tale of a mixed-race British American family in conflict with another family of opposing sensibilities. As with all Smith's work, it's smart, funny and a masterclass in the complexities of identity
—— Luan Goldie , GuardianDeeply moving and empathetic ... very poignant and well-informed
—— NBExquisitely written [with] terrific characterisation [that is] unforgettable
—— Irish ExaminerIn this darkly delightful Gothic treasure, Mas explores grief, trauma and sisterhood behind the walls of Paris' infamous Salpetriere hospital.
—— PAULA HAWKINS, Sunday Times bestselling author of A SLOW FIRE BURNING and THE GIRL ON THE TRAINElegantly written, Victoria Mas's slender, potent debut celebrates sisterhood, while also exposing the corrupt powers of the patriarchy at home and in the wider world.
—— DAILY MAILEnthralling and wonderfully imagined... written with terrific verve and sympathy.
—— LITERARY REVIEWA deftly woven tale of hope and pain, judgement and redemption, cruelty and kindness. Utterly captivating and profoundly affecting, the story of The Salpêtrière lingers long in the mind after the stunning conclusion. I loved it.
—— Miranda DickinsonA beautifully written debut set in Paris in 1885, Victoria Mas' characters come to life within a sentence while her storytelling compels you to turn the page. I loved The Mad Women's Ball and have absolutely no doubt it will be one of my favourite novels of 2021.
—— AJ PEARCE, author of DEAR MRS BIRD'Beautifully written and captures the world so well. A delight to read.'
—— Renee KnightA gothic, feminist book ...so cinematic it is already being turned into a film...it evokes the Brontës, with its dormitories, its phials and its ghosts. But thematically, it is bang up to date.
—— BIG ISSUEThe Mad Women's Ball is as lush on the inside as it is on the outside! It's richly immersive, taking us right into the heart of nineteenth-century Paris. From Genevieve, Eugenie and the women of Salpêtrière we learn what it is that keeps women locked up - and the extraordinary ways in which they might escape.
—— Shelley Harris, author of Jubilee'Enter the dance of this little masterpiece and let yourself be dazzled. Assured of hitting the bestseller lists'
A well-written historical novel... book groups will thoroughly engage with the plot and characters.
—— NB MagazineLooks at the knife crime phenomenon from street level, rather than top down . . . Given the subject matter, the book is surprisingly hopeful
—— Max Daly , UnHerdIn a potent mix of personal anecdote, social history and politics, he interweaves the stories of people caught up in the violence, to show how society is fracturing along lines of race, class and postcodes. The result is a trenchant, page-turning and sometimes challenging reading, but also a blueprint for positive change
—— Caroline Sanderson , Bookseller, Editor's ChoiceA crucial contribution and a compelling read. Thapar combines captivating narratives with a sophisticated understanding of the policy landscape - a must-read book for anyone interested in, or working to improve, the safety and well-being of children and young people
—— Keir Irwin-Rogers, Lecturer in Criminology, The Open University; lead criminologist to the Youth Violence CommissionCut Short is at once a compelling memoir, a biting critique of Britain's hideous inequality, and a beautiful tribute to the remarkable strength and spark of London's youth - and those who work with them. Weaving together reflective autobiography, expert interviews and the stories of young people he works with, Ciaran Thapar paints a portrait of London's greatest assets and deepest injustices. Everyone - from teenagers to government ministers - can learn a lot about contemporary Britain from Cut Short
—— Luke Billingham, youth & community worker, co-author of the Youth Violence Commission Final ReportBig up Ciaran x10 on the new book. Ciaran was basically there from where we really started to take off and it's good to see him doing big things and always tryna encourage and give back to the youth 'cause they need that
—— Skengdo, rapperShout out Ciaran on the new book, everyone go cop that and take in the gems - real life issues being addressed. It's important to know that even though the book's called Cut Short your life don't have to be cut short, as long as you're breathing you got opportunities if you just focus and stay consistent
—— AM, rapperThis book strongly gives a voice to the voiceless . . . essential reading
—— Kenny Allstar, DJTakes us to the heart of London's street culture . . . more necessary than ever
—— Alistair Fraser , TLS