Author:Richard Flanagan

FROM THE WINNER OF THE MAN BOOKER PRIZE 2014
In the winter of 1954, in a construction camp in the remote Tasmanian highlands, when Sonja Buloh was three years old and her father was drinking too much, her mother disappeared into a blizzard never to return.
Thirty-five years later, Sonja returns to the place of her childhood to visit her drunkard father. The shadows of the past begin to intrude ever more forcefully into the present, changing forever his living death and her ordered life.
Enthralling and powerful
—— The TimesThis is a confident and poignant novel and succeeds in animating a set of people rarely seen in literary fiction
—— GuardianA rare and remarkable achievement
—— Los Angeles TimesDestined to be a classic
—— Melbourne Herald SunThe Sound of One Hand Clapping achieves the difficult task of making clear and real the lives of those who normally stay hidden in history. From its wonderfully atmospheric opening to its touching conclusion, this is a heartbreaking story
—— Literary ReviewA truly extraordinary work: vivid, passionate and utterly compelling... It opens a world that is strange, brutal and poetic at once, and ultimately achieves a kind of spirit-healing few novels do
—— Niall WilliamsRichly imagined...told in a voice rarely heard in Australia: almost violently masculine, shot through with heartbreaking delicacy of feeling
—— Robert DessaixThis is a bold, cinematic novel... Parts of it are terrifically funny.
—— HeraldA genuinely stirring love story.
—— Mail on SundayHer flair for describing feelings and relationships makes this an engaging window into the messy minds of Londoners and her commentary on the city rings true.
—— Susannah Butter , Evening StandardDeterminedly and impressively intellectual… A novel of ideas that is deft enough never to be didactic because it asks more question than it answers.
—— Lara Feigel , GuardianThis is an author with a proven ability to see – truly see – and whose prose can fire like gunshots across the page.
—— Rebecca Swirsky , New Statesman[Like] Sleepless in Seattle, respun by James Joyce, and set within a London on the precipice of Brexit.
—— Culture TripHer best book in years.
—— Justine Jordan , GuardianUniquely moving love story.
—— Jess Denham , IndependentKennedy is never less than illuminating.
—— Susan Mansfield , Scotsman[Kennedy is] witty, sharp, almost too intelligent and a bit provocative.
—— Eileen Battersby , Irish TimesAn uplifting tale of the triumph of niceness over nastiness.
—— Adam Lively , Sunday TimesA writer of exquisite precision… A public novel, angrily political… Expressing her idea of a writer’s social responsibility so eloquently… Well-suited to Kennedy’s talent and her characteristically oblique and original way of seeing the world.
—— Allan Massie , Yorkshire PostWhat sets this novel apart is Kennedy’s physical and emotional sensitivity to both solitude and tenderness.
—— Fiona MacDonald , Methodist RecorderAbsorbing… Serious without being solemn, sweet without being sickly, it’s an elegant tale about the unexpected places where kindness and sympathy can flourish and deepen.
—— Charlotte Heathcote , ExpressKennedy’s comedy is ruthlessly observed – an anti-romance that warms into something moving and profound. It’s also a brilliant portrait of city living.
—— Saga MagazineTwo lonely people go about their day in London in this typically Kennedian and utterly wonderful novel… but they find their way towards each other in an agonising love story that’s all about morality and decency in a careless world… Kennedy is a stand-up comedian, and observational comedy runs through this novel in interior monologues that are heartbreakingly familiar and laugh-out-loud sad. Her sentences are some of the best in modern fiction (there’s a springer spaniel called Hector with “black, bewildered ears… [that] made him look as if he’d recently heard dreadful news and still hadn’t adjusted.”) and reading her prose is like eating those fizzy sweets that are both sweet and sour make you wince at the back of your mouth – then go back for more… It’s gorgeous.
—— BooksellerConsistently raw and powerful… emotionally exhausting… But there’s a lot to be said for a novel which sets so much store by “affection and tenderness”, and in which the emotional peaks and the possibilities of redemption and renewal are marked by the simple holding of hands.
—— Alastair Mabbott , HeraldI love, love, love the Rushdie – I think it’s my favourite of his… The fantasy elements are just magical and, of course, it’s gorgeously written.
—— Marianne Faithfull , ObserverAn apocalyptic battle between reason and unreason, good and evil, light and darkness, with all the bells and whistles of a Hollywood blockbuster.
—— Carlos Fraenkel , London Review of BooksNot only a beautifully written satire-as-fairytale but the subject matter is bang on trend… That Rushdie should still be writing so potently and still be continuing to push back the frontiers, when he could easily pull up a deck chair and languish on the frontiers he already owns is wonderful, inspirational and profoundly (but only in the best way) terrifying… 10/10, Master.
—— Starburst MagazineAmbitious, smart and dark fable that is full of rich and profound notions about human nature.
—— Katherine McLaughlin , SciFi NowI like to think how many readers are going to admire the courage of this book, revel in its fierce colours, its boisterousness, humour and tremendous pizzazz, and take delight in its generosity of spirit.
—— Ursula K Le Guin , Guardian