Author:William Faulkner,Richard Hughes

A complex, intense American novel of family from the winner of the Nobel Prize for Literature
With an introduction by Richard Hughes
Ever since the first furore was created on its publication in 1929, The Sound and the Fury has been considered one of the key novels of this century. Depicting the gradual disintegration of the Compson family through four fractured narratives, the novel explores intense, passionate family relationships where there is no love, only self-centredness. At its heart, this is a novel about lovelessness - 'only an idiot has no grief; only a fool would forget it.
What else is there in this world sharp enough to stick to your guts?'
One of the most important works of American literature this century
—— ObserverFaulkner has inexhaustible invention, powerful imagination, and he writes like an angel
—— Arnold BennettFor range of effect, philosophical weight, originality of style, variety of characterisation, humour and tragic intensity [Faulkner's works] are without equal in our time and country
—— Robert Penn WarrenIts unlike anything else in literature... The experience of reading it seemed closer to the experience of life than anything provided by a neatly contrived story line... After the war I read all I could of William Faulkner, and he continued to present some unique and, it seemed to me, valid way of looking at life
—— Nicholas Mosley , GuardianNot only was the book a kind of beginning for me, but that it endured still, it moved me deeply and remains "the damndest book I ever read"
—— Niall Williams , Sunday TimesPeter Stenson has done the near impossible in delivering a savage fire-storm of a page-turner while also enabling a hard and earnest look at addiction and love. I tore through Fiend with the crazed fervor of an addict, but like all great stories these characters lingered in my thoughts long after I turned the last beautiful and brutal page.
—— Alan Heathcock, author of VoltWith a pared down snappy writing style, Fiend opens an exciting new chapter for modern horror.
—— Big Issue in the NorthThere is something witty or striking on almost every page
—— Mail on SundayMartin Amis's new novel shows a regathering of his artistic energies
—— GuardianThe buzzing sense of fresh, limitless erotic licence is captured brilliantly...he is beginning to write with Old Master assurance on the important subjects... If Amis keeps writing like this about death, he can still prove everyone wrong
—— The TimesThe recent death of Iain Banks left a gaping hole in contemporary literature, but nowhere was the loss felt more than in his native Scotland. Banks took ordinary situations and rendered them extraordinary; a talent that fellow Scot Sue Peebles, whose first novel won both the Scottish and Saltire book awards, shares in spades… The "sacred geometry" of ageing and the timeless measuring out of love are what sustain this subtle, beautiful book.
—— Catherine Taylor , GuardianDeeply humane tale of memory, loss and the struggle to understand a family’s past… It’s a novel of generous warmth
—— Ben Felsenburg , Metro HeraldA beautiful, brilliant novel destined to cement Sue's place as one of the leading lights of the Scottish literary scene
—— WaterstonesPeebles' keen eye for social observation adds a comic touch to the narrative, expertly showing how black humour is used in bleak times.
—— Rowena McIntosh , The SkinnyPeebles writes poetic prose, capturing Aggie's imaginative character and her need to find meaning in the puzzle of circumstances she finds herself in. The insight into dementia and its impact upon a family is poignant, with Aggie desperate to recapture the history of a beloved Gran who is disappearing in front of her eyes. The novel strongly evokes the Scottish countryside, its link to the past and the secrets it keeps. The story may be a slow burner, but keep going because its gentle pace builds up to a satisfying conclusion
—— Penny Batchelor , We Love This Book