Author:Paolo Giordano,Shaun Whiteside
A prime number is inherently a solitary thing: it can only be divided by itself, or by one; it never truly fits with another. Alice and Mattia also move on their own axes, alone with their personal tragedies. As a child Alice's overbearing father drove her first to a terrible skiing accident, and then to anorexia. When she meets Mattia she recognises a kindred spirit, and Mattia reveals to Alice his terrible secret: that as a boy he abandoned his mentally-disabled twin sister in a park to go to a party, and when he returned, she was nowhere to be found.
These two irreversible episodes mark Alice and Mattia's lives for ever, and as they grow into adulthood their destinies seem irrevocably intertwined. But then a chance sighting of a woman who could be Mattia's sister forces a lifetime of secret emotion to the surface.
A meditation on loneliness and love, The Solitude of Prime Numbers asks, can we ever truly be whole when we're in love with another?
Moving...masterful...elegantly discreet
—— Times Literary SupplementA very accomplished book...A melancholic, but strangely beautiful, read. Shaun Whiteside's translation is exemplary and the acute descriptions of teenage competitiveness, angst and aspiration bring to mind Alan Warner's writing.
—— GuardianIn clear, heartbreakingly precise prose, the youngest ever winner of the prestigious Premio Strega (the Italian Man Booker) explores how trauma and guilt can capsize emotional stability and leave the vulnerable in a wash of unease and loss...a stunning achievement
—— Daily MailThe year's most important début
—— La RepubblicaThe story is mesmerising
—— Good HousekeepingGenius...everybody can find in Giordano's book a small piece of himself
—— Il GiornaleAn elegant fable...its recurring themes of loneliness and longing shimmer through trim and supple prose
—— Prospect MagazineThe Child in Time is a dense, atmospheric book as much concerned with philosophical debate as with plot.
—— Daily TelegraphThe Child in Time is an extraordinary achievement in which form and content, theory and practice, are so expertly and inseparably interwoven that the novel becomes an advertisement for, or proof of, its own thesis.
—— Sheila Macleod , GuardianA book of great maturity, beautifully alive to the fragility of happiness and all forms of violence... Everyone should read Saturday
—— Financial TimesThe supreme novelist of his generation
—— Sunday TimesDazzling... Profound and urgent
—— ObserverA brilliant novel.It is McEwan writing on absolute top form
—— Daily MailRefreshing and engrossing, dense with revelation. Superb
—— Independent on SundayA rich book, sensuous and thoughtful... McEwan has found in Saturday the right form to showcase his dazzling talents
—— The TimesMcEwan is word-perfect at handling the awkward comedy of this relationship and, as ever, turning it into something far more disturbing
—— ObserverTwo characters so vibrant they step straight off the page
—— Yvonne Cassidy , The TabletMcEwan's brilliance as a novelist lies in his ability to isolate discrete moments in life and invest them with incredible significance
—— Tim Adams , ObserverMcEwan's style is lean and clear...every sentence feels carefully crafted, the words all perfectly in place
—— John Harding , Daily MailA tightly focused human drama... McEwan gives the reader access to both characters' thoughts with his usual skill, and the comedy of embarrassment, or of the kind of erotic misunderstanding that Milan Kundera used to specialise in, quickly disappears as the marital bed begins to seem more and more ominous... The bedroom scene itself is carried off brilliantly
—— Christopher Taylor , Sunday TelegraphA fine book, homing in with devastating precision on a kind of Englishness which McEwan understands better than any other living writer, the Englishness of deceit, evasion, repression and regret. In On Chesil Beach McEwan has combined the intensity of his narrowly focused early work with his more expansive later flowered to devastating effect
—— Justin Cartwright , Independent on SundayMcEwan is the kind of author who can say more in a sentence than most can say in a chapter...This is a thoughtful book which provokes thought. But more immediately than that, this is a book which, while managing to be very funny, gives us a wonderful and moving portrait of a specific time, and two of its hostages, and of how to make a mess of love
—— Keith Ridgeway , Irish TimesMcEwan conveys the near-numinous significance of a single moment with quiet, almost unbearable grace
—— MetroA heavenly read
—— Marie Claire