Author:Barry Grossman,Jonathan Coy,Milton Johns,Alfred Burke,Marcia Warren,Lydia Leonard,Jasmine Hyde,Sheila Steafel,Diane Fletcher,Sally Grace,Full Cast,Carla Mendonca,Rachel Atkins

Jonathan Coy stars as the much-married King in this unreliable Tudor history
'A brilliant concept... does exactly what it says on the tin' The Times
From his tiny room at Hampton Court, the royal chronicler records the comings and goings of the King of England, his six Queens - and his six mothers-in-law. Introducing us to these redoubtable ladies, he relates the surprising part they played in the destiny of Henry VIII and his unfortunate wives.
We meet Catherine of Aragon's duenna, Dona Elvira, whose introduction of paella, flamenco and bullfighting to his home leads Henry to seek his pleasures elsewhere; Lady Boleyn, whose gentleman admirer threatens danger for her daughter Anne; and Lady Margaret, whose attempt to overturn hundreds of years of tradition leads to a dramatic confrontation. There's also meddling matriarch Mrs Loew, whose devious dealmaking costs Henry dear; good-time grandmother Duchess Agnes, who encourages Catherine Howard to play the field - and neglect her husband; and Catherine Parr's mother, whose impact on the King's court will be life-changing for Henry - and for his Chancellor, Thomas Cromwell...
Created by Barry Grossman (The Attractive Young Rabbi), this tongue-in-cheek historical spoof stars Jonathan Coy as King Henry VIII, with a star cast including Carla Mendonça, Lydia Leonard, Jasmine Hyde, Marcia Warren and Geoffrey McGivern.
Production credits
Created and written by Barry Grossman
Episode 3 written by Jim Eldridge and Episode 4 by Rene Basilico
Produced by John Fawcett Wilson
Music composed by Jim Parker
Cast
Henry VIII - Jonathan Coy
Thomas Cromwell - Milton Johns
Chronicler - Alfred Burke
Catherine of Aragon - Carla Mendonça
Dona Elvira - Sheila Steafel
Wolsey - John Rowe
Pope - Stephen Greif
Lady Boleyn - Diane Fletcher
Anne Boleyn - Lydia Leonard
Maurice Crumb - David Holt
Jane Seymour - Jasmine Hyde
Lady Margaret - Eve Matheson
Sir John - John Webb
Antonio - Jonathan Kydd
Anne of Cleves - Sasha Pick
Mrs Loew - Aletta Lawson
Court fool - Chris Emmett
Hans Holbein/Sir Richard - Peter van Dissel
Catherine Howard - Helen Longworth
Duchess Agnes - Marcia Warren
William of Winchelsea - Geoffrey McGivern
Simon of Southwark - Gyuri Sarossi
Catherine Parr - Rachel Atkins
Mother - Sally Grace
First broadcast on BBC Radio 4, 17 November-22 December 2003
©2022 BBC Studios Distribution Ltd (P)2022 BBC Studios Distribution Ltd
An intriguing book that knits together music and life to touch on something profound
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—— Financial TimesTransporting, searching and poetic
—— ListThis playful, often surreal novel packs in plenty ... an elusive tale, steeped in atmosphere
—— Mail on SundayGhost Music has beautiful prose and claustrophobic imagery that intensely evokes its protagonist's alienation
—— New StatesmanSpellbinding and atmospheric . . . With its quiet, dreamy bending of reality and its precise depiction of many different strains of alienation, Ghost Music is an evocative exploration of what it means to live fully-and the potential consequences of failing to do so. Yu braids the mundane and the magical together with a gentle hand . . . There's something here of early Murakami's graceful, open-ended approach to the uncanny, as well as the vivid yet muted emotionality of Patrick Modiano or Katie Kitamura. Like these skillful portraitists of alienation, Yu conjures a visceral inbetweenness where the worlds of matter and spirit meet in a shared, suspended space
—— Alexandra Kleeman , New York Times Book ReviewStartlingly original
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—— BuzzFeed on BRAISED PORKReal magic
—— LitHub on BRAISED PORKShimmering
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—— Oprah DailyPicks up the mantel of writers like Margaret Atwood and Kazuo Ishiguro . . . but it also stands on its own as a remarkable, propulsive novel. At a moment when state control over women's bodies (and autonomy) seems ever more chilling, the book feels horrifyingly unbelievable and eerily prescient all at once
—— Vogue, The Best Books of 2022[An] enthralling speculative debut . . . A powerful story, made more so by its empathetic and complicated heroine
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—— Good Housekeeping (US)(An) infuriatingly timely debut novel... that may read more like a preview than a dystopia, depending on your faith in the future of Roe v. Wade
—— New York TimesNo book has ever made me cry this much. The School for Good Mothers is an absolute masterpiece
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—— SFXChan's high-concept novel may toy with dystopia but it remains chillingly plausible, a portrait of our fanatical culture of judgement against women, and mothers in particular, taken to a grotesquely logical extreme
—— MetroA nail-biting explosive story exploring the pressures of 'perfect' parenting
—— Woman's Own MagazineThe writing is at times hilarious and scalpel sharp
—— Independent (Ireland)Part science fiction, part incarceration narrative and part Cultural Revolution memoir, it is as gripping as it is terrifying - and for mothers struggling to 'do the right thing', all too believable
—— Spiked OnlinePropulsive and provocative
—— Daily ExpressThe School For Good Mothers is a perceptive, prescient and daring debut that presents a dystopia that doesn't feel as far away as we'd like it to
—— CultureflyAn unforgettable an haunting story about the thoughts, opinions and choices you make
—— Woman's WeeklyReminiscent of The Handmaid's Tale, this eerie page-turner is a captivating depiction of a dystopian world that feels entirely possible. It's not only the gripping story of Frida's personal struggle, but also a thought-provoking work of commentary on American motherhood
—— TIMEI was fascinated and intrigued by this feminist dystopian novel
—— Daily MailSo brilliant and haunting and ahead of its time... the only book that has ever stopped me from sleeping
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—— StylistLushly imagined, extremely charming and very, very readable
—— Stuart Kelly , Scotland on SundayOne of the most beautiful novels of the year
—— ObserverLush, evocative, dreamlike... a magical, coming-of-age story
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