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The Six Mothers-in-Law of Henry VIII
The Six Mothers-in-Law of Henry VIII
Jan 2, 2026 6:25 AM

Author:Barry Grossman,Jonathan Coy,Milton Johns,Alfred Burke,Marcia Warren,Lydia Leonard,Jasmine Hyde,Sheila Steafel,Diane Fletcher,Sally Grace,Full Cast,Carla Mendonca,Rachel Atkins

The Six Mothers-in-Law of Henry VIII

Jonathan Coy stars as the much-married King in this unreliable Tudor history

'A brilliant concept... does exactly what it says on the tin' The Times

From his tiny room at Hampton Court, the royal chronicler records the comings and goings of the King of England, his six Queens - and his six mothers-in-law. Introducing us to these redoubtable ladies, he relates the surprising part they played in the destiny of Henry VIII and his unfortunate wives.

We meet Catherine of Aragon's duenna, Dona Elvira, whose introduction of paella, flamenco and bullfighting to his home leads Henry to seek his pleasures elsewhere; Lady Boleyn, whose gentleman admirer threatens danger for her daughter Anne; and Lady Margaret, whose attempt to overturn hundreds of years of tradition leads to a dramatic confrontation. There's also meddling matriarch Mrs Loew, whose devious dealmaking costs Henry dear; good-time grandmother Duchess Agnes, who encourages Catherine Howard to play the field - and neglect her husband; and Catherine Parr's mother, whose impact on the King's court will be life-changing for Henry - and for his Chancellor, Thomas Cromwell...

Created by Barry Grossman (The Attractive Young Rabbi), this tongue-in-cheek historical spoof stars Jonathan Coy as King Henry VIII, with a star cast including Carla Mendonça, Lydia Leonard, Jasmine Hyde, Marcia Warren and Geoffrey McGivern.

Production credits

Created and written by Barry Grossman

Episode 3 written by Jim Eldridge and Episode 4 by Rene Basilico

Produced by John Fawcett Wilson

Music composed by Jim Parker

Cast

Henry VIII - Jonathan Coy

Thomas Cromwell - Milton Johns

Chronicler - Alfred Burke

Catherine of Aragon - Carla Mendonça

Dona Elvira - Sheila Steafel

Wolsey - John Rowe

Pope - Stephen Greif

Lady Boleyn - Diane Fletcher

Anne Boleyn - Lydia Leonard

Maurice Crumb - David Holt

Jane Seymour - Jasmine Hyde

Lady Margaret - Eve Matheson

Sir John - John Webb

Antonio - Jonathan Kydd

Anne of Cleves - Sasha Pick

Mrs Loew - Aletta Lawson

Court fool - Chris Emmett

Hans Holbein/Sir Richard - Peter van Dissel

Catherine Howard - Helen Longworth

Duchess Agnes - Marcia Warren

William of Winchelsea - Geoffrey McGivern

Simon of Southwark - Gyuri Sarossi

Catherine Parr - Rachel Atkins

Mother - Sally Grace

First broadcast on BBC Radio 4, 17 November-22 December 2003

©2022 BBC Studios Distribution Ltd (P)2022 BBC Studios Distribution Ltd

Reviews

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Transporting, searching and poetic

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Ghost Music has beautiful prose and claustrophobic imagery that intensely evokes its protagonist's alienation

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Spellbinding and atmospheric . . . With its quiet, dreamy bending of reality and its precise depiction of many different strains of alienation, Ghost Music is an evocative exploration of what it means to live fully-and the potential consequences of failing to do so. Yu braids the mundane and the magical together with a gentle hand . . . There's something here of early Murakami's graceful, open-ended approach to the uncanny, as well as the vivid yet muted emotionality of Patrick Modiano or Katie Kitamura. Like these skillful portraitists of alienation, Yu conjures a visceral inbetweenness where the worlds of matter and spirit meet in a shared, suspended space

—— Alexandra Kleeman , New York Times Book Review

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Real magic

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Electric

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This taut, explosive novel is all the more terrifying because it edges so close to reality. Frida's predicament embodies the fraught question so many women are taught to ask: Am I good enough?

—— Leni Zumas, author of RED CLOCKS

This book is like nothing I've read before. Haunting and unforgettable, and I'm in awe of Jessamine Chan's mind.

—— Liz Moore, author of LONG BRIGHT RIVER and HEFT

Heartbreaking and daring, propulsive and wise. I read it with my heart in my throat and I held my kids tight.

—— Diane Cook, author of the Booker Prize finalist THE NEW WILDERNESS

Jessamine Chan captures, in heartbreaking tones, the exacting price women pay in a patriarchal society that despises them, that reduces their worth to their viability for procreation and capacity for mothering. The School for Good Mothers is not so much a warning for some possible dystopian nightmare as much as it is an alarm announcing that the nightmare is here. The book is, thus, a weeping testimony, a haunting song, and a piercing rebuke of both the misogynist social order and the traps it lays for women, girls, and femmes. Good Mothers deserves an honored place next to the works of Margaret Atwood and Octavia Butler.

—— Robert Jones, Jr., author of THE PROPHETS and creator of Son of Baldwin

Gutting and terrifying. Vivid and exquisite. In The School for Good Mothers, you'll find not only your favourite novel of the year, but also a new cultural touchstone, a reference point for the everyday horrors all parents experience and take for granted. This book is sharp, shocking, anxiety-provoking, superb. It is exactly what you want, and need, to read

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(An) intense, unputdownable debut that will doubtless spark conversation about what makes a good or bad mother

—— Oprah Daily

Picks up the mantel of writers like Margaret Atwood and Kazuo Ishiguro . . . but it also stands on its own as a remarkable, propulsive novel. At a moment when state control over women's bodies (and autonomy) seems ever more chilling, the book feels horrifyingly unbelievable and eerily prescient all at once

—— Vogue, The Best Books of 2022

[An] enthralling speculative debut . . . A powerful story, made more so by its empathetic and complicated heroine

—— Kirkus Starred Review

Enthralling....a powerful story, made more so by its empathetic and complicated heroine

—— Publishers Weekly

A gripping, witty and ultimately redemptive vision of dystopian motherhood

—— Leah Hazard, author of HARD PUSHED

This scarily prescient novel that's reminiscent of Orwell and Vonnegut explores the depths of parents' love, how strictly we judge mothers and each other and the terrifying potential of government overreach

—— Good Housekeeping (US)

(An) infuriatingly timely debut novel... that may read more like a preview than a dystopia, depending on your faith in the future of Roe v. Wade

—— New York Times

No book has ever made me cry this much. The School for Good Mothers is an absolute masterpiece

—— Rosie Walker, author of Secrets of a Serial Killer

A powerful story

—— SFX

Chan's high-concept novel may toy with dystopia but it remains chillingly plausible, a portrait of our fanatical culture of judgement against women, and mothers in particular, taken to a grotesquely logical extreme

—— Metro

A nail-biting explosive story exploring the pressures of 'perfect' parenting

—— Woman's Own Magazine

The writing is at times hilarious and scalpel sharp

—— Independent (Ireland)

Part science fiction, part incarceration narrative and part Cultural Revolution memoir, it is as gripping as it is terrifying - and for mothers struggling to 'do the right thing', all too believable

—— Spiked Online

Propulsive and provocative

—— Daily Express

The School For Good Mothers is a perceptive, prescient and daring debut that presents a dystopia that doesn't feel as far away as we'd like it to

—— Culturefly

An unforgettable an haunting story about the thoughts, opinions and choices you make

—— Woman's Weekly

Reminiscent of The Handmaid's Tale, this eerie page-turner is a captivating depiction of a dystopian world that feels entirely possible. It's not only the gripping story of Frida's personal struggle, but also a thought-provoking work of commentary on American motherhood

—— TIME

I was fascinated and intrigued by this feminist dystopian novel

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So brilliant and haunting and ahead of its time... the only book that has ever stopped me from sleeping

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—— Sunday Times

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The narrative is deft and satisfying, and the author's talent is intriguing

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