Author:Fatima Bhutto

Fatima Bhutto's stunning debut novel The Shadow of the Crescent Moon begins and ends one rain swept Friday morning in Mir Ali, a small town in Pakistan's Tribal Areas close to the Afghan border.
Three brothers meet for breakfast. Soon after, the eldest, recently returned from America, hails a taxi to the local mosque. The second, a doctor, goes to check in at his hospital. His troubled wife does not join the family that morning. No one knows where Mina goes these days. And the youngest, the idealist, leaves for town on a motorbike. Seated behind him is a beautiful, fragile girl whose life and thoughts are overwhelmed by the war that has enveloped the place of her birth.
Three hours later their day will end in devastating circumstances.
The Shadow of the Crescent Moon chronicles the lives of five young people trying to live and love in a world on fire. Individuals are pushed to make terrible choices. And, as the events of this single morning unfold, one woman is at the centre of it all.
'A first novel of uncommon poise and acuity, The Shadow of the Crescent Moon is set in an old and protracted war for land and dignity. But its swift and suspenseful narrative describes a fiercely contemporary battle in the human heart: between the seductive fantasy of personal freedom and the tenacious claims of family, community and history.' Pankaj Mishra
Fatima Bhutto was born in Kabul, grew up in Damascus, and lives in Karachi. This is her first novel.
Bhutto writes of an extraordinary place where beauty lives alongside brutality, with superb poise and a kind of defiant lyricism
—— The TimesStunning . . . Few debut novels can adequately explore such colossal themes as betrayal and allegiance, or persuasively render fear, doubt and determination
—— The NationalIncredibly ambitious, extremely powerful and moving
—— Radio 4Stunningly worded
—— Company MagazineConcise, elegant. Bhutto is a gifted and compelling writer, economically and poetically summoning up this beautiful mountainous backwater
—— Mail on SundayPowerful, compelling, moving inexorably to a devastating conclusion
—— Sunday Express[Explores] the divisive split between those suffering from the direct consequences of war and a generation of unaware, complacent young Pakistanis
—— Evening StandardA first novel of uncommon poise and acuity, The Shadow of the Crescent Moon is set in an old and protracted war for land and dignity. But its swift and suspenseful narrative describes a fiercely contemporary battle in the human heart: between the seductive fantasy of personal freedom and the tenacious claims of family, community and history
—— Pankaj MishraAn extraordinary first novel which reads like a politico-religious thriller. Compelling.
—— Hector AbadsThis is (...) a human story, with love as well as ideology - Bhutto blends the two adroitly (and) writes with great poignancy, keeping the emotional pitch high
—— Financial TimesIt's a heart-stopping thriller, as well as an important political commentary about oppression, occupation and war. Most strikingly, though, it's a devastating love story
—— Jemima Khan , New Statesman 'Books of the Year'The novel is set over the course of one morning in a small town in Pakistan's tribal regions (and) follows the story of three brothers who are forced to make difficult choices. But the heart of the novel, for Bhutto, lies in the female characters
—— ObserverThought-provoking. Above all, what The Shadow of the Crescent Moon captures so well is not just the trauma of war, but also the conflicts of contemporary Pakistanis, torn between remaining faithful to the legacy of previous generations, and their own dreams of choosing their own destiny
—— Sunday TelegraphA novel full of passion, conspiracy, hope, despair, suffering and redemption... transcends the boundaries of genre, being at once thriller and political drama, horror and romance. His ability to paint the tyrannical Stalin in such a way as to make the reader quake with fear is matched by his talent for creating truly heartbreaking characters: the children who innocently find themselves...behind the dank walls of the dreaded Lubyanka prison; their parents, torn between the need to be seen as loyal Bolsheviks and the love they have for their families ... One Night in Winter is a gripping read and must surely be one of the best novels of 2013.
—— Steve Emmett, NY JOURNAL OF BOOKSDelicately plotted and buried within a layered, elliptical narrative, One Night in Winter is also a fidgety page-turner which adroitly weaves a huge cast of characters into an arcane world.
—— Time OutEngrossing novel… based on similar real events and certainly his ease with the setting and historical characters is masterly…the invented characters are well-drawn too.
—— Scotland on SundaySebag's new novel draws in the reader and renders time meaningless. Brilliantly depicted.
—— Jewish ChronicleOne Night in Winter entertains and disturbs and seethes with moral complexities: how far would we go to preserve a secret or protect a loved one? All aspects of this “intensified life” are captured in this intricate, at times sobering, but always absorbing novel.
—— The AustralianA novel of passion, fear, bravery, suffering and survival ... novel mostly about love ... predictably terrifying — but the novel’s romantic soul tempers the terror and makes for a gripping read ... pitch-perfect.
—— The SpectatorEngrossing
—— The ScotsmanThis gripping novel is a chilling reminder of the darkest days of Communist Russian, and the power one man can wield over a nation’s lives.
—— Daily MailA gripping thriller about private life and poetic dreams in Stalin’s Russia… A gripping page-turner… Whether its subject is power or love, a darkly enjoyable read.
—— The GuardianA compelling and uplifting story of love and endurance.
—— Country LifeA compelling read.
—— IndependentThis is one of those rare and thrilling books that you devour hungrily but hope will never end.... If there is one book you must read this year, let it be this one. One Night In Winter is one of the most engaging, gripping and heartbreakingly tragic novels of 2013.
—— CultureFly BlogA compelling, cleverly plotted novel.
—— BBC History MagazineThis moving novel from Simon Sebag Montefiore will have you gripped to the end.
—— GraziaThis bone-chilling story; with lashings of snow and sec, offers us a vividly engrossing portrait of Soviet Russia.
—— TatlerA bleak and well-plotted thriller.
—— Irish Business PostSimon Sebag Montefiore uses all his deep knowledge of Russia’s history to build a bleak and well- plotted thriller
—— Sunday Business PostMixing real figures with fictional creations is a challenge for any historical novelist, but the vivid cameos here, particularly of Stalin and his dissolute son, Vasily, give this page-turner the grim stamp of authenticity.
—— IndependentOne Night in Winter is compulsively involving and readers do not need to bring much previous knowledge of Russian 20th-century history, or the ambience of the time. The author meticulously supplies both.
—— The TimesThis is a gripping and cleverly plotted read
—— The Sunday TimesA seriously enjoyable romp
—— Seven magazine, Sunday TelegraphThis gripping novel – a combination of political thriller, love story and historical fiction – is a chilling reminder of how totalitarian regimes corrupt everything they touch, especially human relationships.
—— Daily Mail, You MagazineIt is an eminently readable tunic-ripper, and strangely affecting.
—— Daily TelegraphA masterpiece of historic fiction
—— Sunday MailThis is a tale of passion, power and politics that I simply couldn’t put down.
—— SunThe author draws nuanced people about who the reader cares and villains who repel with their casual disregard for human life. He gives an insight into the machinations of the Stalinist state and provides little details that lift the book out of the ordinary
—— The Irish TimesThere aren’t many writers as confident and competent in fiction as in non-fiction but Simon Sebag Montefiore is one of them. A gripping yarn and a good history at the same time.
—— Vince CableA political novel captures the nightmarish world of post-World War II Russia. As Stalin twists the Childrens Case to his own ends, the truly magnetic power of ONE NIGHT IN WINTER becomes clear. The stirring of our deepest fears and their unexpected resolution - at this, Montefiore is the master. In the hands of the right author, Stalin, endangered children and Moscow 1945 are enough to make a novel.
—— Washington PostEnthralling.Mr Montefiore is masterly at sketching scenes (passionate, melancholy or menacing) and limning characters. Not until the book's epilogue are the ultimate secrets revealed: the calculated or heedless acts of young and old who cast their fates with love.
—— Wall Street Journal