Author:Audrey Reimann
Will he ever find what he's looking for?
Oliver Wainwright is still a boy when he first sets eyes on the fair, delicate Florence – the aristocratic granddaughter of Sir Philip Oldfield. And, determined never to be a servant or follow in his father’s footsteps as a quarry worker on the Oldfield estate, he runs away to Middlefield, that very day.
Slowly but surely, he sets about becoming a man of property and a cotton industry king. He works single-mindedly to achieve his ambition – until he meets Rosie, a married mill hand who distracts him with her dark, warm beauty. Has Oliver finally found what he really wanted all along?
Set against a background of the Lancashire/Cheshire cotton industry, The Runaway is a magnificent saga of a young man’s rise to power, his passion and poverty, feuds and triumphs and the two very different women who shape his life.
A woman’s lot was shocking in the 1850s as this Cooksonlike saga brilliantly describes... Have some tissues handy!
—— Peterborough TelegraphWith characters it is impossible not to care about ... this is storytelling at its very best
—— Daily MailAn emotional and moving epic you won't forget in a hurry
—— Woman's WeeklyGritty and uplifting, it's a tale of triumph over adversity
—— Choice on The Mill Girls of Albion LaneThe Waiting Hours vividly portrays England during the Second World War, revealing the role ordinary women played behind the scenes. If you’ve enjoyed Dean’s wartime sagas so far, this should be next on your list.
—— CultureFlyTouching, poignant and warm storytelling
—— Hair Past a Freckle BlogSaga fans will love The Waiting Hours and I would definitely recommend buying it as soon as possible
—— Shaz’s Book BlogThe characters feel real and authentic
—— Anne Bonny Book BlogI just could not put it down
—— Ginger Book GeekEllie Dean is such a fabulous storyteller. She never fails to deliver and I greatly Look forward to the next instalment.
—— Mojo Mums[White Teeth] established a model for how to make sense-and art-out of the complexity, diversity and pluck that have defined the beginning of this century
—— TimeA dramatic, intimate chronicle of a family implosion set in unsettling times
—— Publishers' WeeklyIf there is a more brilliant writer than Tóibín working today, I don't know who that would be
—— Karen Joy FowlerThis is a novel about the way the members of a family keep secrets from one another, tell lies and make mistakes.. .
—— Literary ReviewTóibín's retelling is governed by compassion and responsibility, and focuses on the horrors that led Clytemnestra to her terrible vengeance. Her sympathetic first-person narrative makes even murder, for a moment, seem reasonable (...) Tóibín's prose is precise and unadorned, the novel's moments of violence told with brutal simplicity. But its greatest achievement is as a page-turner. In a tale that has ended the same way for thousands of years, Tóibín makes us hope for a different outcome
—— The Economist[An] intense, thought-provoking and original novel . . . Toibin's book transforms this ancient story into a lyrical, melancholy meditation on closeted desire, which implicitly comments on the aftermath of the Irish Troubles'
—— Emily Wilson , TLSGraphic, vicious, beautiful retelling of ancient myths.... Ultimately the book is a stark, timeless and brilliantly rendered tale of power in a world, as ever, riven by conflict.
—— 'I' NewspaperIn a novel describing one of the Western world's oldest legends, in which the gods are conspicuous by their absence, Tóibín achieves a paradoxical richness of characterisation and a humanisation of the mythological, marking House Of Names as the superbly realised work of an author at the top of his game.
—— Daily ExpressA spellbinding adaptation of the Clytemnestra myth, House of Names considers the Mycenaen queen in all her guises: grieving mother, seductress, ruthless leader - and victim of the ultimate betrayal.
—— VogueA haunting story, largely because Tóibín tells it in spare, resonant prose...
—— Lucy Hughes-Hallett , New StatesmanA Greek House of Cards... Just like Heaney at the end of his Mycenae lookout, Toibin's novel augurs an era of renewal that comes directly from the cessation of hostilities.
—— Fiona Macintosh , Irish TimesThe book's mastery of pacing and tone affirm the writer as one of our finest at work today.
—— John Boland , Irish IndependentA daring, and triumphant return, to the Oresteia... bleakly beautiful twilight of the Gods.
—— Boyd Tonkin , The Arts DeskIt couldn't have been done better
—— ScotsmanA visceral reworking of Oresteia
—— ObserverThe escalation of violence and desire for revenge has deliberate echoes of the Irish Troubles
—— Observer Books of the Year