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The River
The River
Dec 2, 2025 7:23 AM

Author:Tricia Wastvedt

The River

The Orange Prize long listed debut novel by the author of The German Boy

In 1958, in a small Devon village, on an idyllic summer afternoon, two children are drowned. Their parents, Isabel and Robert, are overcome with grief but, as time passes, their tragedy becomes part of the everyday fabric of village life.

One summer's day, thirty years later, Anna arrives. She comes to the village on a whim, hoping to start afresh - and, without telling anyone she is pregnant, goes to live with Isabel. For a time the women find solace in each other's company, but the baby's arrival causes powerful feelings of loss and heartbreak to surface, and Anna must question whether Isabel's feelings towards her child are entirely benign. . .

'Wastvedt, like Alice Sebold in The Lovely Bones, casts a wide net that goes beyond the immediate family. Captivating and evocative' Toronto Globe and Mail

'Accomplished, dramatic, with a finale that Du Maurier herself would have been proud of' Daily Mail

'Moving, impressive, strongly atmospheric. A remarkable achievement' Penelope Lively

Born in 1954, Patricia Wastvedt grew up in Blackheath, south London, and spent her summers in Kent. She has a degree in Creative Arts and an MA in Creative Writing, and her first novel, The River, written in her late forties, was long-listed for the Orange Prize. Her second novel, The German Boy, is available in Penguin. She teaches at Bath Spa University, and is also a manuscript editor. She lives and writes in a cottage in Somerset.

Reviews

A quite remarkable first novel - strongly atmospheric, memorable characters, and a compelling structure. I was both moved and impressed - it really is a remarkable achievement

—— Penelope Lively

A finale that du Maurier herself would have been proud of, so terrible are the events

—— Daily Mail

Pure fantastic delight

—— Time Out

The pacing is perfect, with highly dramatic moments broken up by some gorgeous prose . . . One of the most dramatic and shocking endings I've ever read in a novel . . . definitely my favourite read of 2012 so far

—— Writing From The Tub

An intense, eerie tale

—— Fiona Noble , The Bookseller

A very moving story . . . there is a tragic event at the heart of this book which, despite being signposted in the prologue, is still shocking when revealed to the reader

—— Clare Poole , The Bookseller

A gripping and evocative story

—— Vanessa Lewis , The Bookseller

A short, tight novel about a dangerous friendship that spirals out of control. Hendry grabs hold of the reader in the first few pages and does not let go . . . The Seeing is a powerful novel packed with suspense and atmosphere . . . A stand-out, thrilling read

—— South China Post

Poet Diana Hendry's memorable novel of children in a postwar seaside resort who are out to track down 'Left-Over Nazis', a game with devastating results

—— Telegraph Online

A powerful story of a family on the verge of imploding, David Vann's novel might not be an easy read - but it is, undoubtedly, a book you will want to devour in a single sitting.

—— stylist.co.uk

Dirt’s basic set-up , a lone parent and a child locked together in unhealthy co-dependency, is reminiscent of southern tales by Flannery O’Connor, John Kennedy Toole and Tennessee Williams. And while Galen’s religious obsessions align Dirt more with O’Connor or Toole, it’s Williams’s world that the novel is otherwise closest to: the unforgiving, brain-invading heat; the incessant family squabbling; the autocratic patriarch (dead, but still looming in this case); the over-devoted mother; the furtive, incest-like relationship; and the failed, trapped central character, nevertheless convinced of his special gifts and destiny.

—— Literary Review

What Vann does so well is to take recognisably ordinary characters and put them in critical situations, where tiny decisions or actions have life-altering outcomes. This is what gives his books their nightmarish quality -- the feeling that these events could happen to anyone.

—— Edel Coffey , Irish Independent

I found it impossible to put down. I read it over a couple of rushed afternoons and found myself gasping for air…Days later I still couldn’t get Galen’s voice – that distinctive blend of mocking, vulnerable and cruel – out of my head…It [Dirt] is both brilliant and painful; comic and disturbing; full of despair about humanity and moments of warmth; deranged and beautifully executed.

—— Sunday Business Post

Vann's writing is vivid and shocking, and his imagination is extraordinary.

—— Saga

Vann presents us with a pitch perfect rendering of the everyday problems of family life, while simultaneously depicting an outlandish and horrifying battle between son, mother and aunt.

—— Daily Telegraph

Bodice-ripping romp through the West

—— Times

Missy by Strong and memorable female characters throughout this enjoyable novel

—— http://meandmybigmouth.typepad.com/scottpack
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