Author:Georgette Heyer

If you love Bridgerton, you'll love Georgette Heyer!
'The greatest writer who ever lived' Antonia Fraser
'Brims with elegance, wit and historical accuracy' Daily Mail
'Heyer's books are as incisively witty and quietly subversive as any of Jane Austen's' Joanne Harris
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When she steps inside the wrong carriage in a Sussex village, Elinor Rochdale little knows that she is about to embark on a thrilling and dangerous adventure.
Overnight the would-be governess becomes the mistress of a ruined estate and partner in a secret conspiracy to save a family's name.
By midnight she is a bride; by dawn a widow.
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Readers love The Reluctant Widow ...
***** 'I love Georgette Heyer - fun plots, fun characters,good dialogue. This is one of my favourites.'
***** '[The Reluctant Widow] made such an impression on me thatI still remember it after all these years.'
***** 'This was an absolute delight.'
***** 'Fun, unexpected plot that continues through the whole book.'
***** 'Georgette Heyer is still the best; this has a real plot, an unusual one at that, characters that are interesting as individuals, and is still a really good read.'
If you want to escape lockdown completely, then I recommend any novel by Georgette Heyer, or indeed, all her novels. They are absolutely delicious tales of Regency heroes, winsome heroines, fops, dandies, dastardly baddies and lots of sumptuous descriptions of silk-lined bonnets, cravats and breeches. Utter, immersive escapism. Try starting off with Frederica.
—— SOPHIE KINSELLA , Hello! magazineMy favourite historical novelist -- stylish, romantic, sharp, and witty. Her sense of period is superb, her heroines are enterprising, and her heroes dashing. I owe her many happy hours
—— Margaret DrabbleTriumphantly good
—— India KnightWonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic
—— Katie FfordeA writer of great wit and style
—— Daily TelegraphSparkling
—— Independent on SundayNo one has bettered Edith Wharton on the cash-sex nexus of the respectable, as well as the clashes of propriety and fashion. The Age of Innocence and The House of Mirth are probably the best novels by this knowing, compassionate writer
—— Independent on SundayIn a world of massive tragedy, it may seem strange to find the decline and death of Lily Bart, Edith Wharton's doomed protagonist in The House of Mirth, so sad...what makes one weep for Lily Bart in the end is the way her basic moral rectitude is so cruelly betrayed
—— Anthony Beevor , Sunday TelegraphWickedly fizzing dialogue... delightful prose
—— Jonathan Gibbs , IndependentClever, well paced and structured
—— Keith Miller , Times Literary SupplementIntriguing first novel... The narrative voice floes with wit and vigour...his debut ties author and reader in engaging knots that echo the tangled webs connecting the gossipers and photographers and their privileged fodder
—— James Smart , GuardianIt's uncommonly well written, with a bountiful supply of manic energy... Would Paul Auster kill to write a book as playful, fast-paced and unashamedly populist as this? Doubtful, but somewhere there's a "Paul Auster" who might
—— Alastair Mabbott , HeraldSparky debut
—— Jonathan Barnes , Literary ReviewBenedictus takes us on a trail of the contentious highs and lows of the rich and famous in a mixture of dark humour and sharp dialogue. For Benedictus, and his valiant debut novel, more of the same please
—— Ben Bookless , Big IssueThe story of the ultimate celeb after-party, it's a knowing wink at publishing and celebrity culture - a high-concept first novel sitting just the right side of salacious
—— ElleThe Afterparty avoids smugness partly because it has more affection that vitriol for the culture that it mocks... It's very funny, but sad, too... Well-drawn characters, smart dialogue and a canny plot
—— Anthony Cummins , The Times