Author:Nick Arvin

At a loose end after college, Ellis Barstow drifts back to his hometown and takes a job as a reconstructionist – investigating and recreating the details of fatal car accidents. Ellis forms a bond with his boss John Boggs, who believes that if two cars meeting at an intersection can be called an accident, then anything can – where we live, what we do, even who we fall in love with.
For Ellis these things are certainly no accident and he harbours two secrets of his own. The car crash that killed his half-brother is a memory that still haunts him, and his feelings for John’s wife threaten to blow apart the men’s lives. As Ellis tries to make sense of his own life, the story’s momentum builds to a desperate race towards confrontation, reconciliation and survival.
Nick Arvin has written a book with a heart like a vise. The detectives here are engineers, the crimes are traffic accidents, and the law is the law of physics. But somehow - don't ask me how, I was too busy turning the pages - The Reconstructionist becomes a contemplation of the broadest questions of life: How do we love one another? How do we survive the accidents of our lives? Or is it fate? Nick Arvin is an immensely gifted writer, and he has given us a thrilling, soulful book.
—— David Wroblewski, author of The Story of Edgar SawtelleThere is a lot of fine, steely writing here as well as a superbly crafted conclusion that stops the traffic in more ways than one.
—— Financial TimesThe Reconstructionist is a darkly captivating tale of a young engineer who becomes a car crash investigator, driven by the death of his half-brother as a child. His relationship with his boss and his boss' wife leads to complications in a story told with simmering tension. Arvin has a great ear for simple yet effective language.
—— Big IssueArvin's impressive second novel ... is suffused with sharp turns and minute, telling details that add up to a riveting consideration of risk and responsibility.
—— Publishers WeeklyCar accidents are by far the most commonplace manner of premature death in America, and it's rare to find someone who hasn't been affected by one. It's surprising, then, that so little has been written about it in American fiction ... This has changed with the appearance of a remarkable novel, The Reconstructionist.
—— The Denver PostHarbours great energy and abundant imagination...a strikingly original voice
—— ResurgenceBorodale is an extremely accomplished poet…the most beautiful expression of what it is like to live with bees that you could hope to find…they show a wonderful clarity of thought and expression and a great talent for capturing an impression. The recent rising popularity of beekeeping has spawned a number of popular books on the subject but this towers above them all in ambition and emotional effect. It is an exquisite window into bees and beekeeping
—— Ian Douglas , TelegraphSean Borodale’s Bee Journal lifts the veil on the apiarists life and goes to the heart of the hive… The dense and intense language is the verbal equivalent of the honey that delights the tongue
—— Mark Sanderson , Sunday TelegraphBook to savour and reserve for treat reading, a bit like the best honey…a word-filled jar of golden treasure
—— Dovegrey ReaderIan is a little star. His many sayings and observations that he'll burst out with are endearing - and often funny. It's clear that Lucy is smitten by her favourite 'borrower.'
—— The BookbagThis story - often fun, sometimes sad, always bookish - deals with big issues...Rebecca Makkai's literary debut will appeal to young adults and readers of adult literary fiction
—— We Love This BookIn Makkai's picaresque first novel, Lucy, a 26-year-old children's librarian, "borrows" her favorite patron, bright, book-loving 10-year-old Ian, after his fundamentalist parents enroll him in a program meant to "cure" his nascent homosexuality.
—— BooklistHis biggest, most ambitious and most engaging novel to date
—— The TimesPsychological acuity, a wonderful linguistic precision and the ability to make beautiful accordance between form and content via thoughtful narrative experiment. Gods without Men is a step further along the road towards the full realisation of Kunzru's early promise. It makes undeniable the claim that he is one of our most important novelists . . . As large and cruel and real as life
—— Independent on SundayAmbitiously eclectic . . . smartly sharp social detail, high-fidelity dialogue, vivid evocation of place . . . ironic wit and exuberant guyings of paranormal gobbledegook
—— The Sunday TimesFuelled by an energetic intelligence. Along with a love of big ideas came narrative zest, verbal and comic flair, and an acute eye for contemporary mores both East and West . . . Gods with Men marks another new and bold departure . . . This really is Kunru's great American novel . . . Compulsively readable, skilfully orchestrated, Kunzru's American odyssey brings a new note into his underlying preoccupation with human identity'
—— IndependentBeing able to create a vivid sense of place is one of the hallmarks of a quality literary writer, but few could have done so as brilliantly as Hari Kunzru in his latest novel Gods without Men
—— Big IssueIntensely involving . . . Gods Without Men is one of the best novels of the year
—— Daily Telegraph






