Author:Wilfred Owen,Jon Stallworthy,Jon Stallworthy

The definitive single-volume edition of the work of the greatest poet of the First World War
2018 marks the centenary of the end of the First World War. This is the definitive single-volume edition of Wilfred Owen’s poems, whose death in battle a few days before the Armistice was the most disastrous loss to English letters since Keats. Containing the texts of all the finished poems of Owen’s maturity and twelve important fragments and with extensive notes, it derives from Jon Stallworthy’s monumental edition of The Complete Poems and Fragments and is aimed at the student and general reader alike.
‘Others have shown the disenchantment of war, have unlegended the roselight and romance of it, but none with such compassion for the disenchanted or such sternly just and justly stern judgment on the idyllisers.’ Guardian
This convincing, engrossing read is perfect company on a sunny afternoon
—— CloserSun, sexual tension, a bit of drama, and – most importantly – all the men have the chiselled six-packs and deep tans you’d expect in a girly beach read.
—— HeatRead it: it is hilarious, often wonderfully perceptive, uncompromisingly ambitious and written by a great master of the English language
—— Financial TimesMoving and humane... I love this novel... It is beautifully achieved, cunningly relaxed, and reveals considerable emotional depth
—— Daily TelegraphThe best novelist of his generation
—— IndependentAmis writes thrillingly well... [The Pregnant Widow] delivers fantastic enjoyment... It is funny, clever and knowing
—— Daily MailAmis is a powerful writer
—— Independent on SundayThere is something witty or striking on almost every page
—— Mail on SundayMartin Amis's new novel shows a regathering of his artistic energies
—— GuardianThe buzzing sense of fresh, limitless erotic licence is captured brilliantly...he is beginning to write with Old Master assurance on the important subjects... If Amis keeps writing like this about death, he can still prove everyone wrong
—— The TimesThe recent death of Iain Banks left a gaping hole in contemporary literature, but nowhere was the loss felt more than in his native Scotland. Banks took ordinary situations and rendered them extraordinary; a talent that fellow Scot Sue Peebles, whose first novel won both the Scottish and Saltire book awards, shares in spades… The "sacred geometry" of ageing and the timeless measuring out of love are what sustain this subtle, beautiful book.
—— Catherine Taylor , GuardianDeeply humane tale of memory, loss and the struggle to understand a family’s past… It’s a novel of generous warmth
—— Ben Felsenburg , Metro HeraldA beautiful, brilliant novel destined to cement Sue's place as one of the leading lights of the Scottish literary scene
—— WaterstonesPeebles' keen eye for social observation adds a comic touch to the narrative, expertly showing how black humour is used in bleak times.
—— Rowena McIntosh , The SkinnyPeebles writes poetic prose, capturing Aggie's imaginative character and her need to find meaning in the puzzle of circumstances she finds herself in. The insight into dementia and its impact upon a family is poignant, with Aggie desperate to recapture the history of a beloved Gran who is disappearing in front of her eyes. The novel strongly evokes the Scottish countryside, its link to the past and the secrets it keeps. The story may be a slow burner, but keep going because its gentle pace builds up to a satisfying conclusion
—— Penny Batchelor , We Love This Book