Author:Nancy Mitford
DISCOVER ALL EIGHT OF NANCY MITFORD'S SPARKLINGLY ASTUTE, HILARIOUS AND COMPLETELY UNPUTDOWNABLE NOVELS IN ONE COLLECTION - WITH AN INTRODUCTION FROM INDIA KNIGHT
Published over a period of 30 years, they provide a wonderful glimpse of the bright young things of the thirties, forties, fifties and sixties in the city and in the shires; firmly ensconced at home or making a go of it abroad; and what the upper classes really got up to in peace and in war.
The collection includes:
- The Pursuit of Love
- Love in a Cold Climate
- Don't Tell Alfred
- The Blessing
- Pidgeon Pie
- Wigs on the Green
- Christmas Pudding
- Highland Fling
'Entirely original, inimitable and irresistible' Spectator
'Deliciously funny' Evelyn Waugh
'Utter, utter bliss' Daily Mail
Extraordinarily good, intelligent and perceptive... very moving
—— Susan HillRagde's writing is self-effacing and subtly crafted, an ideal tool for splintering the brothers' stout outer panelling of Norwegian wood to expose the steamy sauna of turmoil within
—— IndependentIt's darkly funny, grabs you at the start and doesn't let go... if you want a treat, race to get this book, because it's truly heartwarming, and so, so funny
—— Dublin HeraldCompelling, and the final truth telling is shocking
—— Times Literary SupplementSeven Houses in France is an enjoyable, somewhat frightening novel by one of Europe's best novelists... Atxaga is still the master of a complex story, told with deceptive simplicity
—— Michael Eaude , IndependentAtxaga’s grim and complicated story is lucidly told
—— Emma Hagestadt , IndependentSharp
—— GuardianAtxaga’s story is fresh and his treatment of violence psychologically rich
—— GuardianIt takes a special kind of genius to transform this most unpromising of locations into a vehicle for black comedy, but that is precisely what the Basque author Bernardo Atxaga achieves in this mesmerizing novel
—— Simon Shaw , Mail on SundayA penetrating combination of Hitchcock's Rear Window, Camus' existential ennui and Larkin's social embarrassment
—— Times Higher Education SupplementAt times dark and moving, even on occasion, unexpectedly funny...It is visceral in its investigations into the derailing of one mans life in all its sticky, existential glory.The book’s icy prose and long sentences – which in the wrong hands would feel heavy and laboured – flow with a quickness that hints at the workings of Andersen’s mind, and Solstad has a way of producing at the protagonists bourgeois anxieties desperately sorry for him
—— Alice Wyllie , The WeekSolstad, Norway’s most distinguished living writer, is a clear-eyed moralist who takes an existentialist’s interest in the compromises, evasions and accommodations we make to get though life. Wryly humorous and needle-sharp in skewering pretension, Solstad is unlike anyone currently writing in English
—— David Milss , Sunday TimesForget the Scandi crime production line and turn to this sly thriller
—— Claire Allfree , Metro ScotlandA wry moral tale exploring the little evasions and compromises of everyday life. Translator Agnes Scott does justice to Solstad’s measured voice
—— Emma Hagestadt , IndependentThis short-but-striking novel quickly reveals itself to be…crime fiction, yes, but also a subtle and deeply introspective consideration of the inertia of lonely middle-age, its philosophy existentialist in the manner of Jean Paul Sartre, Ingmar Bergman and certain novels of Georges Simenon. The result is a highly complex and accomplished work
—— Billy O'Callaghan , Irish ExaminerIntriguing tale… Solstad expertly navigates the bizarre mind of a clever but lonely man locked in an existentialist nightmare
—— TelegraphThis is no straightforward crime novel…an exploration of guilt, inaction and moral quandaries
—— Nic Bottomley , Bath Life