Author:Adam L. Kern,Adam L. Kern

'A revelation' Sunday Times, Books of the Year 2018
The first Penguin anthology of Japanese haiku, in vivid new translations by Adam L. Kern.
Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running over three lines in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form.
Adam L. Kern's new translations are accompanied here by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period.
Adam L. Kern's authoritative new anthology challenges the myth of haiku as a monkish meditation on the natural world ... What we get is a cultural history of Japan up to the end of the 19th century condensed into verse ... This feast-like anthology reminds us that poets excelled at social media long before the "floating world" of the internet
—— Jeremy Noel-Tod , The TimesThis collection will appeal to the general reader as well as the academic. Kern's impressive research and copious annotations will give the scholar plenty to digest, but the lay reader can equally delight in a collection that truly revolutionizes the schoolbook image of haiku ... With this new collection, haiku stands poised and ready for its reintroduction to the world of literature
—— Japan TimesThis is not your grandma's haiku book. It is bound to ruffle many feathers with its insistence on distinguishing between pre-modern haiku as a communal art of linked comic verse and the modern invention of 'haiku' as a Zen-inspired minimalist stand-alone poem of seventeen syllables ... After word of this book gets out, the English-language practice and study of haiku will never be the same
—— Jay RubinThe Penguin Book of Haiku is an amazing collection of haiku and senryu and related verse. This collection spans the entire range of poetry from the bawdy to the sublime, giving this book more diversity than any other book of haiku I have read.
—— Frogpond (vol 41, issue no.3)An eye-opening introduction ... Adam L. Kern's translations, commentaries and unabashed selections bring fresh insight to the old 'game' of haiku, a collaborative poetic form distinct from the standalone 'haiku' the world knows today ... In reasserting the relevance of haiku in all its incarnations variously serious, crude and comic, Kern does the haiku-loving world a great service and gives us all a good laugh at the same time
—— Japan JournalOne of the most enjoyable reads I've had lately, and now readers can see what haiku really was like and what it can do. Kern is a marvellous translator ... The illustrations further add to the enjoyment. It's a book that should be in the library of anyone who loves Japanese literature
—— Asian Review of BooksFor anyone even remotely interested in the origins of haiku and the claims of tradition [...] this extraordinary tome is a must-read
—— Modern HaikuPraise for Tom:
—— -Genius
—— SunIf you loved The Glorious Heresies and are looking for the next terrific Irish author, here be Ciaran McMenamin. . . . a cross between Trainspotting and Douglas Coupland, . . . sprinkled with a warm enveloping humour and compassion. It is that good.
—— Ken BruenA ribald, wise-cracking joyride through young lives lit up by clubs, drugs and ecstatic love. Skintown sings of escape, and the loyalty to music and rapture over the politics of hate.
—— Rob DoyleAn exuberant style which vividly captures the wildness of of the 90s rave culture.
—— Belfast Telegraph[A] lyrical novel… Heart-wrenching and hauntingly beautiful, with dark undertones
—— Rebecca Wallersteiner , The LadySubtle and piercing… Phillips keeps on taking risks and telling powerful stories
—— Hirsh Sawhney , Times Literary SupplementThis is a richly detailed, immersive saga that hooks you from the jump and keeps you absorbed even as you spend decades with its character
—— Marie ClaireThe best book I’ve read this year
—— Jen Campbell, vlogger & booktuberIn this stunning, generous novel, Mirza looks at the crucial events in an Indian-American Muslim family from many perspectives
—— Refinery29Mirza's writing is like poetry as she examines just how far the bonds of family can bend
—— Glamour (US)The great achievement of this novel – as of Vikram Seth’s witty and bounteous classic, A Suitable Boy – is that it traces family troubles that could happen to anybody... touching and unsettling... If this is the standard of Sarah Jessica Parker's list, we can look forward to a feast from Hogarth
—— BookoxygenFatima Mirza is brilliant and this novel will break your heart and make it new again
—— Garth GreenwellBeautiful, intimate, tender. So vividly told the characters live and breathe
—— Rachel JoyceA radiant debut novel about the cultural forces that bind and divide members of one close-knit Muslim-American family
—— People, Books of the YearA Place for Us is a triumph and an inspiration. I wish everyone would read this novel. A chronicle of the shattered expectations and irreconcilable desires within an American-Muslim family, A Place for Us hums with a deep faith in an unknown future, reminding its readers that when we are lost, love gives us a map home
—— Karen Russell, author of Swamplandia!‘Fatima Farheen Mirza’s A Place For Us is a work of extraordinary and enthralling beauty. It is so deeply imagined, so intimately attentive to and solicitous of the lives it follows, so artful in describing the inseparable human experiences of pride and resentment, humility and loyalty -- and, most of all, love – that it feels not as if we are reading a novel about this Indian Muslim family struggling with tradition and a new culture, but as if we become actual members of the family. It is that immersive, that brilliant, that true’
—— Paul Harding, Pulizer Prize-winning author of Tinkers[I]t’s groundbreaking to read… That we become so invested in a testament to Mirza’s talent
—— Mail OnlineThroughout the course of the novel a complex dynamic of emotion emerges, and the novel unspools with striking maturity
—— Erica Wagner , Harper's BazaarWith unwavering compassion, this [is a] beautiful heartbreaker
—— People MagazineFatima Farheen Mirza’s A Place For Us is a radiant debut. It accretes its power, beauty, and insight through its tender witnessing of private and family life. With her deeply compassionate view, Mirza dignifies terrain often desecrated by contemporary culture: maternity, faith, the bonds of community, the yearning for goodness, and our duty to others. She shows us the destructiveness of our doubt in those we love, and the mercy of forgiveness. Most wondrously, with this felt and moving novel, Mirza creates a place in which rebellion and reverence seem to embrace
—— Charmaine Craig, author of Miss BurmaA Place for Us is a radiantly envisioned, beautifully achieved epic about nearly everything that matters: love, family, faith, freedom, betrayal, contrition, absolution. Fatima Farheen Mirza is a magnificent new voice
—— Anthony Marra, author of A Constellation of Vital Phenomena and The Tsar of Love and TechnoThe title of the book echoes a song from West Side Story, itself a retelling of Romeo and Juliet. Here the warring forces are not two families but one, split by the tension between reverence and rebellion. The author's passion for her subject shines like the moon in the night sky, a recurrent image in this ardent and powerful novel
—— KirkusExtraordinary in its depth... slow-brewing, affecting
—— BooklistA brilliant first novel
—— Rose Tremain , Daily MailA slick debut pulled off with brio, Swan Song is glamorous, vivid and sometimes even daring in its intelligence
—— Irish TimesA dazzling read
—— Image magazineGreenberg-Jephcott’s debut is fizzing with energy and ideas…The novel has style and substance in spades.
—— ObserverWith a grounding in history, it is a fascinating read about the deepest secrets of an iconic author.
—— Hello!Intoxicating
—— PrimaSwan Song is utterly divine.It swept me up and I just couldn't put it down ... it is the writing in this debut novel that astounds most of all. It is vivid, addictive and whips up a terrific portrait of a deeply contradictory and complex man, contrasting scenes from his unorthodox childhood with those from the gilded bubble he ended up in that he lanced through his own actions.
—— Victoria SadlerA sumptuous look at the icons of Manhattan's high society scene in the mid-20th century ... An immersive readthat will have you questioning real histories versus the ones we create for ourselves.
—— History ExtraOstensibly realistic, it is phantasmagoric… Everything he says bristles with improbable life. Reading it is like watching a movie in which, however much activity there is, the atmosphere dominates the plot
—— Allan Massie , OldieA meditative and dreamily lyrical espionage thriller
—— Claire Allfree and Anthony Cummins , MetroOndaatje brings Warlight’s seemingly disparate fragments together with such skill that the ending feels not just satisfying but inevitable. The most lovely conjuring trick, it leaves you in awe of the magician. I emerged blinking into the glare of the 21st century, bereft in a way a novel hasn’t left me bereft for a longtime
—— Allison Pearson , Sunday TelegraphOndaatje’s onion of a novel, his first since 2011’s The Cat’s Table, combines rich intrigue with a meditation on how we rewrite our memories by examining them… a stunning return.
—— Pat Carty , Hot PressMagnificent.
—— Jenna Rak , Glamour MagazineNothing in the world of this novel is ever redundant; nothing is accidental. Whenever you come across a striking detail…you can be sure it will crop up again, be charged with more significance, be joined with the rest of the story in a long chain of meaning.
—— Tessa Hadley , London Review of BooksMesmerising.
—— Craig Brown , Mail on Sunday, **Books of the Year**Ondaatje’s first novel in seven years is also one of his best – a quiet but profoundly powerful book… A superior, espionage novel about the unstable, shape-shifting nature of personal history.
—— Claire Allfree , Metro, **Books of the Year**The evocation of night journeys through the fog-bound city and along mysterious canals and forgotten rivers is spellbinding.
—— Allan Massie , The Catholic Herald, **Books of the Year**Michael Ondaatje’s Warlight is one of the best books I’ve read in years. I’d pick it up again in a heartbeat.
—— Chris Catchpole , QOndaatje’s prose is beautiful, and he successfully builds suspense and tension without seeming too heavy-handed
—— Ella Walker , Herald ScotlandMichael Ondaatje is at his best when writing about awkward, quiet types
—— A. S. H. Smyth , SpectatorBrilliant dramatic tale
—— Love it!Ondaatje’s prose is consistently illuminating. Warlight is a meditation on the purpose and possibilities of storytelling
—— Ben Masters , Literary Review[T]his elegiac novel combines the stealth of an espionage thriller with the irresolute shift of a memory play, purposefully full of fragments, loss and unfinished stories. Wonderful
—— Claire Allfree , Daily MailWarlight is a subtly thrilling story… It's a masterful book
—— Rachel Fellows , Esquire UK[C]ompulsively and grippingly readable… Ondaatje is a marvelous writer, and Warlight is a novel which will continue to play in the reader’s imagination
—— Allan Massie , The ScotsmanFor the lyrical strength of the prose alone, a new Michael Ondaatje novel is always a treat
—— Irish IndependentWarlight is a layered, precisely written, erudite meditation on the damage we do when we make war
—— Morag MacInnes , TabletIn Warlight we have a writer who knows exactly what he’s doing – and has constructed something of real emotional and psychological heft, delicate melancholy and yet, frequently, page-turning plottiness. I haven’t read a better novel this year
—— Sam Leith , Daily Telegraph[Ondaatje’s] prose has a haunting musicality, which George Blagden brings out to the full.
—— Christina Hardyment , The TimesKushner’s writing is the most marvellous I read this year… time and again I found myself rereading paragraphs of The Mars Room for her perfectly turned sentences, the music of her prose
—— Neil D. A. Stewart , Civilian, **Books of the Year**






