Author:Alan Pauls,Nick Caistor

'A novel that is brilliant enough to raise itself effortlessly above and beyond the level of the vices it portrays: strange art and reckless passion, cocaine, excessive exercise and other forms of addiction' - Fabienne Dum, Le Monde
Rímini splits up with his girlfriend of twelve years, Sofía. The parting is initially amicable and he moves on, carefree, with a new zest for life. Hungry to make up for lost time and keen to forget the past, he finds a younger girlfriend and starts using cocaine.
Sofía, however, finds herself unable to let go, and continues to reappear on Rímini's horizon. Though the apparently idyllic relationship is over, their love has not died, merely taken on a different form. As time passes and their paths continue to cross, the past festers and torments them, like an infection.
Sharp and real
—— Kingsley AmisQuirky and original
—— Sunday TimesThe Picturegoers' appeal derives as much from the quality of the writing as for its absorption in a bygone way of life
—— IndependentAn excellent first novel... He has a wonderful eye for the tawdriness of our commercial world
—— TimesStrange, wonderful, and full of curiosity and nostalgia, David Searcy’s essays chip away at the world around us to lay bare the beauty and sadness at the heart of it all.
—— Gay TaleseAstonishing. The fact that Searcy is an idiosyncratic writer can be seen by the first page of any one of his essays, the fact that he’s a great writer by the last.
—— Rabih Alameddine, author of An Unnecessary WomanHangdog dejection and unlikely epiphanies infuse these offbeat, beguiling essays. Searcy’s writing is by sharp turns goofy, wry, and melancholy, tentative at times but always curious and superbly evocative. His essays meander along wisps of metaphorical connection, leaping from tooth-flossing to 17th-century housing, from Zuni religious rituals to cereal box prizes, from his mother’s stilllife painting to medieval Platonism. The result is a funny, haunting journey through mysterious enlightenments.
—— Publishers Weekly (starred review)The book’s best passages are its simplest. A chapter called 'Love in Space' contains lucid memories of what it was like to be seven during the race to the moon, when 'the call to space rang clear across the land'. As with Dyer and also Karl Ove Knausgaard – whom Searcy resembles in his confessional style – the ability to re-inhabit the childhood self gives freshness to adult observations. Writing and paintings and films, Searcy is succinct and insightful.
—— Times Literary SupplementThe essays in this debut collection… suggest what might happen if Stephen King somehow morphed into David Foster Wallace… Meaning and mystery coexist in Searcy's mind, and his offbeat, exciting writing will resonate with readers for whom "you never know" and "who knew?" might be mantras.
—— Kirkus (starred review)With these subtle, irreverent, meditative essays David Searcy takes the reader on a leisurely tour through the labyrinth of his fascinations, unspooling a golden thread of astonishment as he goes. Sometimes wistful, always surprising, he looks without flinching on both the shame and the wonder inherent in being human.
—— Gavin Francis, author of Empire Antarctica and Adventures in Human BeingA sharp and profoundly wise book.
—— The HeraldAs the title suggests, Shame And Wonder is a bittersweet book, but also a sharp and profoundly wise one.
—— Western MailBrilliant... if you hang on, you'll be rewarded with the kind of unexpected insights that a mere pointy delta writer could never hope to achieve.
—— Roger Cox , The ScotsmanLurid and Cute is a breathless stream of conscientiousness of an unnamed hero whose aimless life is ultimately set to self-destruction. There is an element of Tarantino in the sex, violence and freneticism of the book.
—— Amelia Ashton , NudgeAbsorbing, entertaining and spiky tale full of twists, turns and ruthless double
—— Daily ExpressA clever book that makes you laugh, makes you angry - and makes you wonder whose side you would take if it happened to you . . .
—— WomanDarkly comic new novel… A gripping tale of love, death, art and a pound of flesh – as well as plastic surgery… Jacobson examines contemporary issues of Jewish identity with his sharp, biting, northern humour. He asks what it means to be a father, a Jew and a merciful human being in today’s modern world. He is the first author brave enough to take up the challenge of re-imagining the Bard’s most controversial tragedy, in a bid to tackle its much-debated tones of anti-Semitism.
—— Rebecca Wallersteiner , The Jewish NewsThis complex book challenges all assumptions, never shying away from controversy… For every bitter take on human shortcomings here decried, there is a counterbalancing acknowledgment of the grace inherent in human nature. The novel captures the essence of the original.
—— Christina Hunt Mahony , Irish TimesHoward Jacobson’s masterful retelling of The Merchant of Venice celebrates the play but speaks for itself about being Jewish… Jacobson [is] a skilful craftsman as well as an artist of rare individuality… He has written a comic novel which poses serious questions. He has been both inventive and faithful to Shakespeare. And as a bonus, he gives us a good many excellent Jewish jokes.
—— Allan Massie , The ScotsmanJacobson preserves the sense of ambiguity and uncertainty…that gives Shakespeare’s play much of its unsettling force… [My Name is Shylock] is the product of deep thought, deep feeling, deep scholarship. But this book is never leaden or lenten. It is fresh, exuberant, funny, almost preposterously entertaining and engaging. It is also possessed of an irony, wit and restless addiction to exploring conflicting arguments that leaves you feeling enriched… Jacobson’s prose is…vibrant, inventive, precise, arresting and full of memorable cadences and elegant modulations… A stunning achievement.
—— Matthew Adams , The NationalMy Name is Shylock does ample justice to the legacy of Shakespeare’s classic story… Jacobson has proved that his command of the art of storytelling is worthy of renewed praise.
—— UK Press SyndicationJacobson’s Mancunian Jewish voice (last seen to splendid effect in The Mighty Walzer) is rare enough. But when this voice is combined with high culture and rude comedy it is, despite its abject subject matter, utterly life-affirming.
—— Bryan Cheyette , The Times Literary SupplementExpect …The kind of comic intelligence that has made his name
—— Sam Parker , EsquireSet in a world of unimaginable wealth, football player celebrity, cosmetic surgery and reality TV, My Name Is Shylock does ample justice to the legacy of Shakespeare's classic story of honouring a debt with perhaps the ultimate sacrifice.
—— Roddy Brooks , The Northern EchoThe winner of the Man Booker Prize for The Finkler Question pulls off a neat trick in this almost perversely serious comic novel, creating a parallel world to Shakespeare's Venice in the wealthy, cultured Golden Triangle of Cheshire, and peopling it with parallel-ish characters...The author shows full power and ingenuity putting Strulovitch and Shylock in the same place and time.
—— Paul Levy , The SpectatorExplores the meaning of Shakespeare's play, uses its enduring relevance to examine the contemporary world and challenges us to interrogate our prejudices...Energetic, authentic and biting.
—— IndependentThat Shylock should thus materialise for a present-day Jewish protagonist, and become...a confidant, an exemplar...an advisor is a brilliant conceit...a powerful reimagining and reinvention.
—— Adam Lively , The Sunday TimesAlive with humanity and fierce debate, the book offers a nice twist on that notorious pound of flesh.
—— Hephzibah Anderson , Mail on SundayFunny and dark by turns… A gripping tale of love, plastic surgery and that notorious pound of flesh… This warm, witty and brilliantly written book provides a challenging feast for the imagination.
—— Rebecca Wallersteiner , The LadyA master of serious-minded comedy, Jacobson is one of the greats of his generation.
—— Culture WhisperBrilliantly witty inventive.
—— Kate Saunders , SagaA crackling dialectic on fatherhood, faith and what it means to be merciful… The echoes of Shakespeare’s story in Strulovitch’s are obvious…But the quips and the characters are pure Jacobson… It’s a treat.
—— Emma Hughes , The TabletA clear-eyed reflection on modern Jewish identity.
—— Jerry Brotton , Daily TelegraphPerhaps the most enjoyable thing, fittingly, is how it reads and rereads the play.
—— James Lasdun , Guardian WeeklyHilarious reimagining of Shakespeare’s The Merchant of Venice.
—— EsquireOffering witty twists to a play long experienced by many as a racial tragedy.
—— Tova Reich , Washington PostAffectionate retelling… At the heart of the novel is the profound question of whether obligation…should be tempered by mercy.
—— Giulia Miller , Jewish QuarterlyEven those familiar with that book will be surprised by the twists now composed by Jacobson, whose most idle words have purpose, as well as point… Clever mockery and racial self-depreciation give the novel its provocative brilliance… Jacobson pours the quality of mercy through a large strainer, but Shylock’s fortitude and unswerving tribal fidelity are offered as a kind of redemption, a way, if you like, of forgiving Shakespeare. And of sending you back to him, not only just to check
—— Mary leland , Irish ExaminerAs characteristically ingenious, witty and dark as his musings on what it means to be Jewish.
—— Simon Shaw , Mail on SundayIt hooks you into a great debate.
—— William Leith , Evening StandardI don’t think any other author writes as well about the experience of Jewishness and he manages to be serious but with that laconic humour.
—— Tony Robinson , Radio Times Christmas Gift GuideAn intelligent, funny and enjoyable novel.
—— Brad Davies , i, Book of the YearFor my favourite novel I’m choosing Shylock is my Name… It’s a dark, witty, provocative re-imagine of Shakespeare…seriously brilliant on many levels.
—— Bel Mooney , Daily Mail, Book of the YearThe fear, danger and paranoia felt in those times rise memorably from the pages.
—— Choice MagazineBarnes stands out, so vivid are his images and so poignant his insights. His works stand among the classics of the postmodern era, and for good reason.
—— Ben Craik , UpcomingA marvellous meditation on the Cold War era and particularly the battles of conscience that besiege a man living under tyranny.
—— Richard Fitzpatrick , Irish ExaminerThe tone is intimate and aphoristic, the paragraphs succinct.
—— David Gutman , GramophoneA fascinating account of the life of Dimitri Shostakovich… Perceptive, symbolic… The Noise of Time is an essential read, and not only for musicians.
—— Classical MusicA finely-tuned masterpiece... Barnes' prose is supreme.
—— Western Morning NewsAn intimate portrait of a public intellectual living in a totalitarian atmosphere… Immersive… The Noise of Time presents a compelling story in engaging and original prose.
—— Conor O'Donovan , HeadstuffKaleidoscopic portrait… Barnes deftly constructs a life history... A masterfully told story of survival. *****
—— Nick Shave , BBC Music MagazineBeautifully composed.
—— Jenny Comita , W MagazineWithout a doubt, Barnes has succeeded the high expectations of the people who waited with bated breath for the release of The Noise of Time. In a work that feels both original and authentic, he encourages us to consider the importance of art, in whatever form, and the influence it can have on us all.
—— Beth Blakemore , Student NewspaperBarnes at his best...a poignant fictional recreation of the artistic agonies of the composer Shostakovich.
—— Sunday TimesA very sensitive account of how art can be in conflict with naked political power.
—— ObserverA book I’d like to tuck myself away for a day to read. It’s short in length but by all accounts big on ideas and power.
—— Susie Dent , Radio Times Christmas Gift GuideHis Dmitri Shostakovich is completely believable.
—— Margaret MacMillan , New Statesman, Book of the Year[A] brilliant study of the relationship between art and an oppressive regime… A compelling depiction of the country’s history and a richly imagined close-up of the artist.
—— Lady, Book of the YearA poignant and thoughtful portrait of the persecuted artist.
—— Brad Davies , i, Book of the Year[It is] elegant.
—— Duncan White , Daily Telegraph, Book of the YearAnother Brilliant reinvention by Barnes.
—— Daily Telegraph, Book of the Year #26My favourite book of this year is The Noise of Time.
—— Margaret MacMillan , New Statesman, Book of the YearHis best for ages. It is gripping, outward-looking, generous with plot and atmosphere and far beyond the powers of McEwan, Amis, Ishiguro, Rushidie et al…. This book grabbed me by the nuts like nothing of his since Starting at the Sun.
—— Giles Coren , The Times, Book of the Year[A] haunting novel on the agonies of Shostakovitch under Stalin and his successors… I recommended it to a friend who for years was one of the great reviewers at the Washington Post. His reply: “It’s an extraordinary book. It’s a book that makes me wish I were reviewing again.”
—— Alex Russell , Financial Times, Book of the YearA mini-masterpiece.
—— Rebecca Rose , Financial Times, Book of the YearAn elegant portrait of Shostakovitch.
—— Ali Smith , Guardian, Book of the YearWritten with Barnes’ characteristic low-key elegance, the book becomes a meditation on artistic integrity and its limits in a brutal regime
—— Irish Independent, Book of the YearAn impressive narrative of personal integrity.
—— G. Van Der Zwaan , Times Higher Education, Book of the YearAs a portrait of the composer and his time this book is a complete success… The Noise of Time is also convincing in the details… A book in which a certain grim humour is never too far away.
—— Nicholas Lezard , Guardian[A] gem of a novel.
—— Mail on SundayA compelling read that combines sharp insights, lyrical passages and dramatic tension.
—— LadyBlack humour and retrospective anguish prevail in Julian Barnes’s latest novel.
—— Lara Enoch , GuardianA beautifully told story, this is subtle and powerful.
—— William Leith , Evening StandardThis small novel is an elegant and unflinching account of a life lived under extreme pressure, during Stalin’s Great Terror. Julian Barnes fleshes out the life of the composer Shostakovich whose life is under threat. A powerful story, well-crafted and beautifully written about the humanity and torments of a creative soul… An informative, thought provoking read.
—— Western Morning NewsAn immense emotional and intellectual punch.
—— Sunday Times






