Author:Adam Johnson
- WINNER OF THE PULITZER PRIZE FOR FICTION
- NEW YORK TIMES BESTSELLER
- NATIONAL BOOK AWARD FINALIST
- 'You know you are in the hands of someone who can tell a story. Fantastic' ZADIE SMITH
The award-winning and New York Times bestselling novel: a dark and witty story of the rise of a young orphan in the surreal and tyrannical regime of North Korea .
Young Pak Jun Do is convinced he is special. He knows he must be the unique son of the master of the orphanage, and definitely not some kid dumped by his parents. Surely it was obvious from the way his father singled him out for regular beating?
He finds his calling when he is picked as a spy and kidnapper for his nation, the glorious Democratic Republic of North Korea.
He knows he must find his true love, Sun Moon, the greatest opera star who ever lived, before it’s too late.
He knows he’s not like the other prisoners in the camp.
He’s going to get out soon.
Isn't he?
This hilarious, dark literary epic of a young boy's rise in North Korea from orphan to high-ranking officer won the Pulitzer Prize for Fiction and was shortlisted for the National Book Award.
Adam Johnson is working on a new work of fiction.
'An addictive novel of daring ingenuity' DAVID MITCHELL
'Excavates the very meaning of life' NEW YORK TIMES
An addictive novel of daring ingenuity; a study of sacrifice and freedom in a citizen-eating dynasty; and a timely reminder that anonymous victims of oppression are also human beings who love. A brave and impressive book
—— David Mitchell, author of THE THOUSAND AUTUMNS OF JACOB DE ZOETA flamboyantly grim epic of totalitarianism… this larger-than-life, two-fisted picaresque manages to be a page-turner... an ambitious book
—— The Sunday TimesOne of those books where you know you’ve found yourself in the hands of someone who can really tell a story, and is yet not naïve about the artificiality of stories. The conceit is fantastic: a narration partly told through the loud speakers of the North Korean regime.
—— Zadie SmithFast-paced and intriguing.. this complex, multi-voiced narrative will remind some readers of David Mitchell’s similarly inventive tale, Cloud Atlas… It is magnificent
—— Financial TimesWhat we have here are the ingredients of an across-the-board smash hit: sympathetic characters, an exotic, unknowable setting and a plot that will carry you along more convincingly than any of the fictions used by the Democratic People's Republic of Korea.
—— David Annand , Sunday TelegraphAdam Johnson has managed to capture the atmosphere of this hermit kingdom better than any writer I’ve read… The Orphan Master’s Son deserves a place up there with dystopian classics such as Nineteen Eighty-Four and Brave New World
—— Barbara Demick, author of NOTHING TO ENVY: REAL LIVES IN NORTH KOREA , GuardianJohnson unleashes a big, thrilling, and fully realized talent
—— Jennifer Egan, Pulitzer prize-winning author of A VISIT FROM THE GOON SQUADA clever, wildly original novel, with an ultimately thrilling plot
—— Daily MirrorAdam Johnson has pulled off literary alchemy, first by setting his novel in North Korea, a country that few of us can imagine, then by producing such compelling characters whose lives unfold at breakneck speed. I was engrossed right to the amazing conclusion. The result is pure gold, a terrific novel
—— Abraham Verghese, author of CUTTING FOR STONEA fascinating insight into one of the world's most closed-off nations
—— Grazia...a feat of sorcery that is audacious and utterly unsettling... Johnson has a remarkable eye for detail... to evoke at once what it feels like to be in such a place, and how it must have felt had things been very different there, are vast feats that Adam Johnson accomplishes with ingenuity and with towering empathy
—— Irish TimesRemarkable... Mr. Johnson is a wonderfully flexible writer who can pivot in a matter of lines from absurdity to atrocity. We don't know what's really going on in that strange place, but a disquieting glimpse suggesting what it must be like can be found in this brilliant and timely novel
—— Wall Street JournalMr. Johnson has written a daring and remarkable novel, a novel that not only opens a frightening window on the mysterious kingdom of North Korea, but one that also excavates the very meaning of love and sacrifice
—— Michiko Kakutani , The New York TimesJohnson's imaginative gifts are in full flower [in The Orphan Master's Son]
—— USA TodayOne image that lingered in the wake of Kim Jong Il's recent death was ordinary North Koreans overcome by grief, breaking down in the street over the loss of the ''Dear Leader'' who had terrorized them for years. Could they truly be so sad about the loss of this despot? Were they acting out of fear?... The answers Adam Johnson imagines are both vivid and chilling
—— Entertainment WeeklyAdam Johnson’s novel is likely to feature among the best-of lists for 2012... highly recommended
—— RTE Guide, DublinThe surreal peculiarities of North Korea are conjured in this brilliant multivoiced novel... laced with a mixture of parody and horror, which is all the more hilarious for being so hard to tell apart
—— Financial TimesStunningly good
—— O: The Oprah MagazineLike an epic version of George Orwell’s 1984, this novel ranges from the bottom of North Korea’s social ladder to its top, with plenty of affecting, wayward and even comic supporting characters. It’s the horror and absurdity of life in a totalitarian state as it might have been depicted by Balzac
—— Salon.com's Mid-Year MustsRemarkable and heartbreaking . . . To [the] very short list of exceptional novels that also serve a humanitarian purpose The Orphan Master’s Son must now be added
—— The New RepublicA gripping spy novel with an unlikely culprit and a thoroughly researched basis in fact... Perfect for fans of William Boyd's Restless
—— Absolutely ChelseaSadie Jones…enters new literary territory with a whimsical Edwardian farce that takes its lead from the darker offerings of Saki and JB Priestley...The novel's denouement is satisfyingly outlandish
—— Emma Hagestadt , IndependentWith elegant ease, Jones spins a good old-fashioned comedy of manners
—— Katie Owen , Sunday Telegraph