Traditionally the haiku is a Japanese poem of 17 syllables… in this book, however, Gordon Gordon cheekily subverts the form to create funny little snippets of modern life – the hell of the daily commute, celebrity deaths, giant scones judged by Mary Berry. His haikus range from the rude to the raucous, all of them are funny and they appear so simple to create… Read these and you’ll be inspired to write your own.

Engaging, audacious, and flat-out fun... Sudden Death marks the arrival of a major player on the capital-L courts of literature

Intellectually formidable… Enrigue is a cerebral and sanguine Spanish-Language postmodernist… It takes literary bravery to be this candid as a writer

Dazzlingly clever and thrillingly original

Exhilarating, funny, and surprisingly sexy... Enrigue turns historical figures into real, flesh-and-blood people and really gets you thinking about art and history: what qualifies as either — and why

Brilliant... Enrigue has crafted a tennis allegory for the modern age: a heady, raucous meditation on chaos, power, language and the ways in which history is created and preserved... Enrigue blends historical elements with fantasy to conjure a light, knowing and very funny history in which the present is always lurking beneath the surface... Enrigue's prose is endlessly inventive, full of aphorisms, wry anecdotes and swaggering declarations.

Ingenius and clever... Engagingly original... There are traces of Pynchon's zany allure... Sudden Death is rich and lively with warmth which counters the bleakness of history.

Endlessly inventive

Glorious... [Enrigue's] approach has both great entertainment value and intellectual appeal, especially as a corrective to a Eurocentric view of history... A splendid introduction to Mr. Enrigue’s varied body of work

A rare example of an artful, comedic, deeply literary novel with the potential to become a fixture on bookshelves everywhere

Ambitious… Champion storytelling… What makes the novel so enthralling is the intimate humanity of its characters… Throughout this mercurial novel, playing fast and loose with facts lets richer truths about the world emerge.

By turns intellectual and earthy, Enrigue’s fictionalized account of Renaissance Europe and 16th century Mexico is the best kind of history lesson: erudite without being stuffy, an entertaining work that incorporates the Counter-Reformation, the Spanish conquest of the Aztec empire, art history and even a grammar lesson on Spanish diminutives into one mesmerizing narrative.

An absolute pleasure to read. It is an intriguing story and the interspersed historical aspects were fascinating and kept me interested throughout. The story is beautifully written but the manner in which the author described the tennis match was outstanding.

This is one of those books that defies pigeonholing as a novel one of those that break the mould.

An outstanding translation by Natasha Wimmer. It is a suitably strange, light-footed but historically weighty construction that centers around a fake tennis match... It is a brilliant synthesis of art, history, religion, power politics, and—yes—tennis, a complex study of our world via the world that gave birth to modernity. It is much like an American postmodern book, except it is very different from, say, a Pynchon or a DeLillo since it is carried along by Álvaro's very Mexican wit and sensibility, as well as his own intuitive logic.

Sudden Death is very, very funny and it is unfailingly brilliant and I have no idea how to describe it - another one of its rare virtues. I might say it is about tennis, or history, or art, or absurdity, but more accurate would be to say, simply, that it’s essential reading

Sudden Death is the best kind of puzzle, its elements so esoteric and wildly funny that readers will race through the book, wondering how Álvaro Enrigue will be able to pull a novel out of such an astonishing ball of string. But Enrigue absolutely does; and with brilliance and clarity and emotional warmth all the more powerful for its surreptitiousness

Exuberantly intellectual… Enrigue transmutes the familiar, and shifts our awareness. Sudden Death is an original, transformative work

Beautifully rendered from the Spanish by 2666 translator Natasha Wimmer, Sudden Death is one of the most engaging, audacious, and flat-out fun works of fiction I've read in a while

Sudden Death is a unique object – tropical and transatlantic; hypermodern and antiquarian—a specialized literary instrument designed to resist the deadly certainties of universal history. But don’t let that confuse you. Sure, his method may be all playfulness and multiplicity, but Álvaro Enrigue is the most disabused novelist I know

A story of history plunging forward and the world at a defining moment. Rackets are raised; the court looms large. Finally a tale that truly defies the bounds of the novel

A full-fledged writer

The speculative weight of this novel is brilliant, intriguing. No less brilliant is its unreliable narration

[Enrigue] belongs to many literary traditions at once and shows a great mastery of them all. . . . His novel belongs to Max Planck’s quantum universe rather than the relativistic universe of Albert Einstein: a world of coexisting fields in constant interaction and whose particles are created or destroyed in the same act

One of the best novels I’ve read all year… You’d be hard-pressed to find a book that was at once so bold in style and ambitious in structure and so much fun to read.

Sudden Death is fun and audacious and erudite.

Sudden Death is a complex historical pageant of astonishing richness that portrays the imperial ambitions of Spain and the power struggle of the Italian states, the cultural clashes between the Catholic church and the people of the new world, the conflict between the creative arts and the dogmas of the time. It is also a history of tennis.

Fanciful, erudite, hilarious.

She is exceptionally good at capturing the fearful, conflicted sensibility of a 14-year-old girl… The sheer poetic lyricism of her prose is remarkable.

If you are an awkward, cynical person, this kind of hype might put you off, might make you look for flaws. Good luck. The Girls is fabulous... It is almost certainly the book of the summer: it is saturated with colours and the mingled smells of jasmine and decay. It's extremely readable but it has a fringed heart of darkness

She delivers magnificent prose, sentence after sentence after sentence … she is a fantastic writer, her intelligence is extraordinary, with a penetration, an understanding of her subject

The most hyped debut novel of the year – and it fully lived up to its promise.

Debut by an author so unmistakably in possession of great analytical intelligence and a gift for spinning theory’s straw into story’s gold.

The Girls stands comparison with Jeffrey Eugenides’s The Virgin Suicides… There is a self-aware coolness about Cline.

An intense evocation of adolescence…absorbing debut.

A tense and claustrophobic read that perfectly and painfully conjures the fragile expectancy of teenage girls.

A hazy, lazy, highly fictionalized but precisely, gorgeously written reworking of the Charles Manson story… The book of the summer.

Cline is extraordinarily good… A beautifully written, consuming story which perfectly captures the mindset of an adolescent girl.

It triumphantly lives up to the hype

Keenly anticipated.

Cline deftly depicts the pressures that shape life as a young woman… She captures the bonds between women that both sustain and resist the violence of patriarchy… The atmosphere of languorous sun-drenched danger will stay with you for days.

Cline hypnotically unpicks the psyche of a teenage girl… Cool, dreamy and dark debut.

This is a stand-out debut from a hugely accomplished 26-year-old author. It’s beautifully written, completely gripping and perfectly catches a girl on the cusp of adulthood.

Beautiful, heady language and under-the-skin storytelling.

A good shot at becoming the must-read novel of the summer.

Illuminates the darker side of infatuation under the glare of the Californian sun.

Vivid, exacting portrait of a vulnerable young girl coming of age.

Gripping read.

The strength of The Girls lies in Cline’s ability to evoke both the textures and atmosphere of those painful in-between times… [Cline] is a powerful interpreter of ambiguous emotional vectors, and the catastrophic directions in which they can lead.

Cline’s real achievement is not so much the dread-filled journey to the book’s harrowing climax, however, but her vividly drawn central character and how she stumbles from invisible, impressionable bystander to unwitting accomplice… Cline is excellent at capturing the complex negotiations and compromises of girlhood… The Girls is a horror story for our times, a gripping and richly poetic account… Its ambition and reach are immense.

Vividly reimagines 1960s California… Cline’s portrait of teenage girl-dom is note perfect.

Dubbed fiction’s most exciting new voice… This page-turner is a powerful insight into the culture of gang mentality… The read of the summer.

Notable for its finely wrought prose, its piercing insight into the teen mind and the gorgeous way it relates terrible things. Read it before the movie is cast…and enjoy Evie for the wonderfully written creation she is’

Gets off to a quietly thrilling start… Her sentences are often strong and lovely, indicative of voice rather than merely of style.

Mesmerising novel… Impressive book’

First the heady language and sensuous descriptions will hook you, then the extraordinary story of free love, intoxication and violence… Remarkable debut… The Girls brims with intrigue… It’s the intimacy and intricacy of Cline’s prose and her sharp sense of humanity that makes the book shimmer with life… The Girls is a spectacular story.

Sun-scorched coming of age chiller… Brutally convincing.

If you’re only going to pack one book next to your swimming trunks this year, this is the one to go for… [Emma Cline] Has hit a home run with her first swing.

It’s disturbing…but you keep reading.

Wonderfully readable, and acutely observed, this is that rare thing: a beach novel of real substance.

The big holiday read of summer. Find a sunlounger and get started.

Subtly provoking novel… The strength of The Girls lies in Cline’s ability to evoke both the textures and atmosphere of those painful in-between times; the desperate rush to fill an emotional vacuum… Cline has a talent for capturing that uncanniness, the fault lines in our sense of our stability… she is a powerful interpreter of ambiguous emotional vectors, and the catastrophic directions in which they can lead.

Thrilling… Gritty, shocking and ever so readable; more than living up to the hype that greeted its initial sale.

Wonderfully readable, finely written and acutely observed.

One of the pleasures…is its immediacy… The book is a trancelike accumulation of intense adolescent feelings and myopic impressions… The setting is rendered both vividly and delicately… [A] Slender, absorbing book.

If you're only going to pack one book this year, make it this one.

This chilling story of fractured innocence is beautifully written in wonderfully descriptive, sometimes dream-like prose. A stunningly powerful, spellbinding cautionary tale.

Both in person and on the page Cline is wise beyond her years. I read the book with a biro underlining phrases that I wish I could write. I am no longer jealous, I am just in awe.

'I really enjoyed it... A compelling coming-of-age story... Cline focuses not on the murders themselves, but on the landscape of adolescence, accurately portraying the boredom and lassitude, the yearning and insecurities of that awkward transitional stage... Stunningly written, in fresh, youthful prose, expect to see The Girls on deckchairs, beach towels and best-seller lists over the coming months

Unnervingly perceptive … Part murderous thriller, part meditation on the vulnerability of teenage girls, it’s an exquisite, insightful and chilling read.

Unexpected and brilliant debut novel.

An intense evocation of adolescence…absorbing debut novel.

As gripping as a thriller, it’s a powerful exploration of hero worship of all kinds, and the shapes into which girls force themselves as they attempt to grow up.

This year's Miniaturist

A fantastic writer, her intelligence is extraordinary

Gripping novel… Cline’s debut is a real page-turner.

It is the language which elevates the novel to brilliance… Cline takes ordinary words and fits them together in patterns that shouldn’t work but…bring[s] a vibrancy to her prose that captivates.

Not the cheeriest summer read of the year, but it is one of the most powerful… Cline masterfully uses the sultriness of the season to explore the complex negotiations of girlhood.

Highly charged literary debut… Visceral, seductive and delicately seething, Cline articulates the labyrinth anxieties of adolescence and the importance of belonging with a personal, finely tuned prose and a restrained, drip-feed pace that belies her age.

A dark, erotically charged story of seduction, coercion and abuse emerges that has deliberate echoes of the Manson Family massacres in 1969… Cline brilliantly conveys the predatory cultural and sexual forces to which teenage girls are so often vulnerable. And her prose is completely to die for.

The Girls stands apart from other treatments of Manson.

Gripping, and highly impressive.

Sumptuous prose… Believe the hype: she’s one to watch.

The narrative is layered and complex, as even the young Evie seems to be an astute observer of human nature, who does not gloss over the less glamorous details, even in those she loves and admires. Throughout the novel, the fragility of the relationships are laid bare… [An] Immersive experience, both for the reader, and a narrator looking to reclaim some of her most vivid memories.

A gripping read.

Cline brilliantly captures the precise, sultry prose the vulnerable and highly-charged sensibility of adolescence in a hotly-tipped debut inspired by the Manson Family massacre that – for once – justifies the hype.

Eloquent, coming-of-age debut… I was quite sure it could never live up to the hype. How wrong I was… Well-crafted prose… This is a perceptive, insightful and beautifully written book on the often harsh realities of the formative teenage years and a telling truth of what some will do to belong and feel loved. It is a must-read.

It unsettles and disturbs in unpredictable ways. Above all, Cline is excellent on the female coffee table book adolescent psyche and the ways in which girlhood is so often an act performed for the opposite sex… The end result is gripping, and highly impressive.

An intense evocation of adolescence…set to be the breakout book of summer. Every page throbs with the threat of violence.

The writing is lush and surprising.

[It is] shockingly assured for a first novel.

Already I’m hooked… The writing style…is totally engaging – shrewd and observant but with a certain softness. I’ll report back when I’ve finished, but I think this will be a great summer read.

The Girls is compulsively readable… A strikingly accomplished debut. Evie’s voice shimmers with vivid metaphorical language… There are some truly breathtaking passages — lush and lapidary and full of startling imagery… A fierce challenge to our received notion of the 1960s as an era of peace signs, protest marches and free love, and [this] adds a note of profundity to this highly impressive first novel.

Emma Cline's The Girls is so brilliant.

A compelling novel… [A] nuanced and deeply drawn character study of teenage ennui and anger… In luminous prose, the novel maps Evie’s obsessive psyche… A compelling and startling new work of fiction. Ms. Cline brilliantly shows how far adolescent loneliness can push a girl in her desire to be loved.

[A] steamy hit.

[It] is so brilliant… The only thing more perfect about this book than Cline’s woozily dreamy prose is her timing.

The Summer read for you... Cline’s gorgeous novel is both stunning and shocking. We dare you not to devour in one sitting

[A] literary page-turner.

A startlingly intense, brilliant and brooding debut novel….written with luminous foreboding lyricism.

[It is] intelligent and thoughtful.

Cline’s portrayal of the fragile teen years and the power they have in shaping the woman you become will resonate with everyone.

Cline’s language…is splendid at conjuring pictures.

Cline - from California, where the novel is set, has crafted a distinct poetic timbre that devises similes galore to augment the imagery and the protagonist’s insight… Inspired, I look forward to reading more from this highly talented author. I will indeed re-Cline.

Cline’s structure…allows her to apply her acute observations about girlhood to today’s world.

The summer’s standout debut… A tense, febrile imagining… The Girls is a subtle, restrained and beautifully textured telling of one of pop culture history’s most luridly hideous moments, with a heightened, dreamlike quality that tips irrevocably into nightmare.

I read this in a single sitting a few months back, and it remains my favourite read of 2016. The writing is so beautiful; the sentences perfectly formed, cumulated in a plot that slowly draws you in… Eloquent, perceptive and insightful, you won’t be able to put this one down.

This book was sublime. I read it as the last of the sunshine faded into autumn and I felt transported into 1969 California.

[A] clever debut novel… Gripping.

Undeniably the dazzling fiction debut of the year, this brilliant American novel is a vivid evocation of California in 1969… It is the author’s luminous prose style that excels. Exhilarating.

A spellbinding, supremely evocative coming-of-age story

[A] compulsively readable debut [which] is a vivid examination of adolescence.

A fluent, engrossing debut novel.

The Californian setting is intoxicating, as laced with sunlight as filth, and its insight into the teenage girl’s mind is extraordinary.

A book of glistening prose.

Believe the hype; it is simply brilliant.

A shimmering tale of adolescence and sexual awakening written in prose that aptly feels almost hallucinatory

A haunting and gripping read.

Highly recommended if you’re in need of a good read.

Both shocking and subtle, its real power lies in the exploration of girlhood itself.

Brilliantly done… The year is 1969. Evie notices a group of scavenging girls – they belong to a nearby cult. And this cult is horrific. Think of the Manson family… A seriously excellent debut novel.

As Lena Dunham says, it'll both break your heart and blow your mind.

Through the story of the Manson family and their brutal crimes, Cline explores the intensity and loneliness of female adolescence with an impressive mastery of language.

A superb, chilling novel of doom-laden adolescence.

A thrilling, savage exploration of how a teenager gets sucked into a cult led by a Charles Manson figure.

The writing is so beautiful; the sentences perfectly formed, cumulated in a plot that slowly draws you in… Eloquent, perceptive and insightful, you won’t be able to put this one down.

Few books have such a dramatic effect on me but Emma Cline’s stirring debut The Girls is one I’ve never managed to get out of my head… This is a perceptive, insightful and beautifully written book on the often harsh realities of the formative teenage years and a telling truth of what some will do to belong and feel loved. It is a must-read and one that is more than worth sitting down with a second or third time.

The novel has a number of things going for it, from Cline's gorgeous prose to her knack for plot and timing, to her way of presenting Evie's electric, often jolting moments of self-recognition. But the aspect of The Girls that captivated me the most was how Cline channels that particular period in a girl's life when she is consumed with the need to be seen, to be known—by her mother, by slightly older girls, and most often, by men.

Thanks to Cline’s lyrical prose, which is at once as clear as the Californian skies of the novel’s setting and as evocative as a sunshine drenched Polaroid picture, The Girls perfectly captures the twilight years of the hippie era, where the rot of its seedy drug-fuelled underbelly shattered the dream of peace and love and culminated in a gruesome massacre that shocked the world.

The Girls exemplifies the uncomfortably thin line between healthy and unhealthy relationships