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The Newly Discovered Casebook of Sherlock Holmes: A BBC Radio Comedy Series
The Newly Discovered Casebook of Sherlock Holmes: A BBC Radio Comedy Series
Aug 17, 2025 2:16 AM

Author:Tony Hare,June Whitfield,Geoffrey Whitehead,Chris Emmett,Full Cast,Roy Hudd

The Newly Discovered Casebook of Sherlock Holmes: A BBC Radio Comedy Series

All six episodes of the radio series spoofing the adventures of the famous sleuth

Deep in the bowels of the British Museum, a locked leather portmanteau is unearthed. Contained within it is a rare treasure: the hitherto unpublished journals of Dr John H Watson... Prepare to be amazed and amused as he recounts his escapades with Sherlock Holmes, England's greatest detective, master of disguise and toffee-nosed drip.

In The Case of the Clockwork Fiend, the duo delves into a series of bizarre deaths linked to new-fangled inventions. Their inquiries lead to Fark Hall, and the eminent explorer Orinoco Quills... The Mystery of the Obese Escapologist sees them probing the murky world of Victorian music hall when Yorkshire wag Willie Eckerslike mysteriously disappears, and in The Case of the Deranged Botanist, they head to Kew Gardens to unravel a monstrous mystery involving cross-bred plants and humans.

Sherlock Holmes and the Glorious Doppelganger features a dastardly plot against Queen Victoria - can Holmes discover who is behind it? In Holmes Strikes a Happy Medium, the Baker Street detective has a brush with the occult when he investigates murderous goings-on at a séance, and in The Demon Cobbler of Greek Street, the game's afoot when Holmes and Watson go on the trail of a sinister shoemaker...

A feast of risqué gags, groan-inducing puns and ribald revelry, this delightfully daft extravaganza stars Roy Hudd, Chris Emmett and June Whitfield (the dream team from The News Huddlines) as Holmes, Watson and Mrs Hudson. Jeffrey Holland plays Lestrade, with Geoffrey Whitehead as Moriarty.

Production credits

Written by Tony Hare

Produced by Chris Neill

Musical accompaniment: Ian Smith

First broadcast BBC Radio 2, 16 January-20 February 1999

Cast

Sherlock Holmes - Roy Hudd

Dr Watson - Chris Emmett

Mrs Hudson - June Whitfield

Inspector Lestrade - Jeffrey Holland

Moriarty - Geoffrey Whitehead

Other parts played by June Whitfield, Jeffrey Holland and Geoffrey Whitehead

Reviews

'Given that her high-school-based murder mysteries read like bingeworthy Netflix dramas, it's easy to see why queen of teen crime Karen McManus is a bestseller on both sides of the Atlantic.'

—— The Observer

'McManus keeps the juicy subplots ticking over and drip-feeds reveals as clinically as an IV tube.'

—— The Guardian

Unflinchingly honest but tempered by its humanity, this is a novel for our times...

—— iPaper

An extremely readable and fascinating dual narrative about the expulsion of East African Ugandans under Idi Amin in the 70s and the journey taken by Sameer, born in modern day Leicester, to understand his familial legacy.

—— Pandora Sykes

[A] sprawling and epic dual narrative, spoke of her lived experience, but that which she'd seldom seen in the books she read: a story of cross-generational divides, and being both Black and South Asian ... It's woven together with gentle urgency; sensitive and with a rare perspective on how our mixed race backgrounds can help form feelings of both internal power and conflict.'

—— i-D Magazine

The issues and subjects it takes on are big ... All are explored with great intelligence and sensitivity ... Zayyan's writing finds the lightness and fluency of a much more experienced novelist ... It is an epic novel in terms of historical, geographic, and cultural scope. It has much to recommend it: the tone, the structure, the ambition, and the clarity that enables the story to cover so much ground without ever becoming confused or lost during its 360-pages.

—— BBC News

This moving tale of love and loss ... is well worth the wait.

—— Independent

What's distinctive is the modern, multi-ethnic vision of masculinity she presents and the solidarity that emerges from it ... the romance that evolves between Sameer and Maryam reads like a miracle, something good that might yet be salvaged from trauma. But Zayyan won't allow such easy relief: the anxieties that have simmered throughout the novel finally surface at its end, taking a sinister shape in the shadowy last lines. It's a daringly indeterminate way to end, and undeniably powerful too.

—— Shahidha Bari , Guardian

[A] powerful debut exploring migration, identity and racial prejudice.

—— Mail on Sunday

It was stunning and took me on a journey that I didn't know I needed to take. A book that will stay with me for a long time.

—— Marie Claire

Sure to be a best-seller, this debut novel looks set to make big waves and is the perfect read for people looking to hear a familiar story told from an entirely new and fresh perspective.

—— Buzz Mag

If you've been looking for a novel that spins its plot around history, love, racism, ambition, faith, friendship and the sometimes crushing expectations of family, call off the search ... I've struggled with my attention span when it comes to reading during the third lockdown but this had me absolutely hooked ... incredibly skillful. I can't wait to see what she does next.

—— Gemma Crisp

Zayyan brings attention to a period of history that many may be unaware of and reckons with some of the real world consequences of colonialism in an interesting and personalised way. It is a brave book in those terms ... we also witness some very believable and relatable instances of modern day racism as well as a strong and interesting account of how he struggles to balance his way of life with the wishes of his parents ... Zayyan writes very well ... in Sameer she writes a complex, interesting character who makes sense as a product of his life circumstances ... We Are All Birds of Uganda does tell stories that I haven't often read before, and brings attention to parts of history that really need to be focused on in our current climate.

—— Bookmunch

Rapper Stormzy's favourite debut soars by asking: Who are we - and how do we belong?

—— Shivani Kochhar , Mail Online

On the evidence of this book, which is set in England and Uganda, [Zayyan] is an exciting new literary talent.

—— Phoenix Paper

[A] tender, beautifully written read ... This remarkably accomplished debut is a moving tale of love and loss, told between two continents over a troubled century.

—— Irish Country Magazine

Zayyan's novel is emotive, multi-layered and makes for necessary reading.

—— Studio

From the moment the Afrori Team saw this book we were captivated. It is one of the most remarkable debut novels we have come across. A book you will not forget.

—— Afori Books

...It's a complex and delicately flavoured dish to be savoured and digested slowly.

—— The Northern Echo

Impressive and admirable.

—— Shiny New Books

Beautiful.

—— Lonesome Reader

So brilliant, moving and just prescient for today that I just want to keep on waffling about it.

—— Crazed Red Head

A truly thought provoking novel which makes you wonder and question yourself and the world long after putting it down. A real success.

—— Candid Book Club

A stirring exploration of love and displacement.

—— Woman & Home

One of the hottest titles right now, Jennie Fagan's Luckenbooth has won all round acclaim.

—— Edinburgh Evening News

The novel unfolds like a set of dark short stories, with a different character narrating or guiding each one. But there's a twist: Luckenbooth is not just haunted by the realities of time and history, but also by the strong musk of the gothic imagination ... Thickly worked and carefully assembled, the novel functions as a claustrophobic chiller and as a testament to lives led beyond the margins and in the shadows.

—— Bidisha , The Observer

Luckenbooth ... is littered with lines like this. The sort of lines that demand to be read and reread: splendid in isolation, electric in combination. Fagan writes with drama. She can pick out the fine detail, in neat brush strokes, no doubt, but it is in drawing her arm back and attacking a story with great, sweeping lyricism that she propels Luckenbooth forward, dragging the reader through the 20th century, as experienced by a compelling cast of characters.

—— Buzz Mag

Slips and slides through layers of history, tears in the fabric of time and a series of strange shape shifting characters - it's a wonderful work that is a trip into a spectral interzone but also staged in a warped reality - great writing and a major talent.

—— John Robb , Louder Than War

A novel for readers with sophisticated tastes.

—— Fantasy Hive

Uniquely gripping visions of the hidden social, economic and spiritual forces at play in 20th-century Edinburgh.

—— Morning Star

Dazzlingly ambitious.

—— Douglas Stuart, author of Shuggie Bain , The Week

As sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble

—— Bella Caledonia

Prize-winning author Jenni Fagan does not disappoint with her latest novel, Luckenbooth, which is easily her most compelling yet. In her usual poetic style, Fagan tells of a nine-storey Edinburgh tenement just off the Royal Mile that is creaking with secrets. Throughout this haunting novel, characters' secrets and memories live on in the howling gales of the spirit world, desperate to re-enter their lives. The narrative takes us through eight decades - from 1910 to 1999 - working its way up all nine floors of the building in hopscotch fashion, allowing for an intriguing interpretation of 20th-century life in the capital. Prepare to be transported into a Fagan's weird and wonderful imagination. It is a whirlwind read and one that I could not put down until the final page had turned.

—— Scottish Field

As sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble.

—— Bella Caledonia

An Edinburgh tenement building is haunted by tall stories and unnerving strangers, from William Burroughs to the devil's daughter, in this weird and wonderful gothic confection.

—— Guardian

Her "world building" is highly effective, and each character fully inhabits their decade. Fagan's writing is anchored in societal issues, the wrongs done and the ways individuals have challenged those wrongs and asserted their individuality and sexuality in ways that might make them seem misfits, outcasts. Fagan certainly pulls no punches and is determined that these passionate, authentic stories should not be confined to the periphery.

—— Historical Novels Review

A deliciously weird gothic horror

—— The Washington Post

An ambitious and ravishing novel that will haunt me long after

—— The New York Times
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