Author:H G Wells,Simon James,Michael Foot

A successful author and Liberal MP with a loving and benevolent wife, Richard Remington appears to be a man to envy. But underneath his superficial contentment, he is far from happy with either his marriage or the politics of his party. The New Machiavelli describes the disarray into which his life is thrown, when he meets the young and beautiful Isabel Rivers and becomes tormented by desire. At first, he struggles to resist and remain focused upon his familiar political, personal and social life. But as he soon learns, it is harder than he could have imagined to turn his back on love.
Hilary Spurling's exhaustive analysis of the novel's characters supplies a master-key for the reader
—— Anthony Powell'Edric is a terrific storyteller but he also provides a pretty accurate picture of modern-day crime and the way that it affects so many people. Impressive stuff'
—— Observer'Edric keeps his readers - and Rivers - dangling on a tangled string'
—— Scotsman'Edric shows his mastery over the complexities of a crime thriller ... Classic whodunit territory and lovers of the genre will find Siren Song right up their street'
—— Yorkshire Evening PostIntense, elegant, despairing prose...deeply affecting
—— GuardianA transcendentally harmonious and compassionate work
—— Times Literary SupplementA surprisingly tender book... Amid the terror a classic story about love sneaks through: love lost, love imagined, love morphed into madness
—— New York Times Book ReviewBeautifully written... It puts a human face on the suffering inflicted by the Taliban... Disturbing and mesmerizing, The Swallows of Kabul will stay with you long after you've finished it
—— San Francisco ChronicleRiveting... Spare, taut, and pristinely clear prose... An uncanny knack for making moral tension palpable... Extraordinarily moving
—— Philadelphia InquirerA novel very much in the tradition of Albert Camus, not only in its humanism and concern with the consequences of individual choices but also in its determination to bear witness to the absurdities of daily life... [A] chilling portrait of fundamentalism run amok and its fallout on ordinary people
—— New York Times






