Author:Helen Hiorns
It’s the first thing they teach you when you start school. But they don’t need to; your parents tell you when you’re first learning how to say your name. It’s drummed into you whilst you’re taking your first stumbling steps. It’s your lullaby. From the moment it first appears, you don’t tell anyone the name on your wrist.
In Corin's world, your carpinomen - the name of your soul mate, marked indelibly on your wrist from the age of two or three - is everything. It's your most preciously guarded secret; a piece of knowledge that can give another person ultimate power over you. People spend years, even decades, searching for the one they're supposed to be with.
But what if you never find that person? Or you do, but you just don't love them? What if you fall for someone else - someone other than the name on your wrist?
And what if - like Corin - the last thing in the world you want is to be found?
The gripping debut novel from the winner of the inaugural Sony Young Movellist Award.
A book that leaves the reader thinking and questioning, excellently written and an unusual premise which offers huge scope - scope that is more than fulfilled in a twisting plot with some unexpected turns
—— Parents in TouchWow! What a story . . . I loved the idea of each person's soulmate being written on their wrist, but Corin, the heroine, is full of questions about how her soulmate has been chosen and why
—— Malorie BlackmanGripping
—— The BooksellerI love books that still have me thinking about them days after I’ve finished. The Name On Your Wrist is an impressive debut and I for one can’t wait to see what Helen Hiorns comes up with next. There are many things that impressed me, but the fact that I couldn’t predict where the story was going to go was the best. There are surprises in store for the reader, which makes this book just even better
—— Luna's Little LibraryThis is another welcome edition to the ever growing dystopian list with a more than interesting premise . . . We have a flawed but feisty heroine, Corin, complex family issues and a complicated budding romance. Hiorns has created some very intriguing characters, and the relationship centred on self harm and resentment between Corin and her older sister Jacinta I found particularly interesting. Lots of questions about morality, love and free will are raised and the underlying theme of conspiracy makes for a thrilling read
—— Children's Newsletter, Askew & HoltsThere is a touching candid quality about the characters in My Name Is… each one speaks with a breathtaking honesty, no matter how unsavoury or damaging it might be to hear
—— Nottingham PostThis is not a quasi-misery memoir. Instead, each chapter is told from the perspective of someone who crosses paths with the troubled teenager. There are 23 of these before the final, achingly sad missive from Hannah herself, which means a lot of characters to get through. But on the whole Campbell succeeds in allowing Hannah’s family, friends and, later, psychiatrists and magistrates, to tell her story.
—— Ben East , ObserverOne of the best accounts of clever English schoolboyhood I've read
—— Times Educational SupplementFlighty, playful… Barnes succeeds in vividly recreating teenage precociousness, particularly what it feels like to be a young male encountering love and sex
—— Los Angeles TimesA dazzling entertainer
—— New YorkerHe writes perceptively about the shift from self-absorbed teenager to adult.
—— The TimesIrony and imagery are deployed with a finesse even Flaubert wouldn't wince at...consumately elegant
—— Sunday TimesA great read for all fantasy fans
—— tbk MagA sequel that will be greeted eagerly by fans of The Spook's Apprentice.
—— Fiona Lafferty , TESWatch out for the new installment of Joe Delaney's Spook's series.
—— S (supp. to Sunday Express)The second volume in an excellent series... the author eschews the usual predictable weirdo fantasy settings and places the characters in a kind of olden-days Lancashire.
—— Islington TribuneThe story has an intense, creepy feel from the very start, and is full of darkly atmospheric scenes, which are it's great strength
—— School LibrarianDelaney's tale of the Spook and his apprentice deftly combine elements of horror with the idea of the wandering, despised hero, as popularised in the western and it's imitators. The Wardstone Chronicles remain one of the strongest ongoing series of the moment.
—— Write Away!Thrilling tale.
—— CarouselThe slangy prose is this novel by the winner of the 2012 Sunday Times EFG Private Bank Award… is what makes this book such a success. A raw slab of life from a hellish future.
—— Anthony Cummins , The Sunday TimesBarry’s vernacular, like his plot, is a wonderful blend of past, present and imagined future. His characters all have different voices, and his free indirect style changes as it moves across the city. That Barry has control over all these registers, and makes them hi9s own, is quite astonishing. This debut novel marks him out as a writer of great promise.
—— Scarlett Thomas , GuardianKevin Barry’s race gangland thriller blends vivid characterisation with a Joycean exuberance of language.
—— Sally Cousins , TelegraphThis just might be the exceptional book which should be judged by its cover
—— Liam Heylin , Irish ExaminerAn ingenious tale
—— ObserverCleverly metafictional, humorously perverse, and impressively original
—— Courtney Garner , YorkerFunny, charming and heart-warming
—— Good Housekeeping UKIn this extremely bold, swashbuckling novel, romantic and disillusioned at once, intellectually daring and even subversive, Rachel Kushner has created the most beguiling American ingénue abroad, well, maybe ever: Daisy Miller as a sharply observant yet vulnerable Reno-raised motorcycle racer and aspiring artist, set loose in gritty 70s New York and the Italy of the Red Brigades
—— Francisco Goldman, author of Say Her NameRiveting
—— TimeRachel Kushner's The Flamethrowers is remarkable for its expansiveness and for its exhilarating succession of ideas
—— Mark West , The ListNational Book Award finalist Rachel Kushner brings NYC's art scene to life so well in The Flamethrowers you could get high off the paint
—— Entertainment WeeklyFast-paced, sexy and smart
—— CosmopolitanElectric...addictive...smart and satisfying
—— Oprah MagazineCaptivating and compelling
—— The BookbagThis is a work of ferocious energy and imaginative verve, straining at the seams with ideas, riffs, jokes, set-pieces, belly-laughs, horror and heartbreak
—— BooktrustKushner writes with authority, passion and humour, her characters richly drawn and her story packed with delicious anecdotes and side lines from a wide array of memorable characters
—— Tracy Eynon , We Love This BookSexy and brilliant
—— Sunday Times StyleIncandescent
—— ImageKushner's second novel comes loaded with recommendations and it's easy to see why…highly unusual and written with great seriousness and potency
—— GuardianIt manages to relate the art scene in 1970s New York to the Red Brigades in Italy, with lots of motorbikes thrown in
—— Nick Barley , HeraldKushner’s writing is a kind of marvel
—— Richard Fitzpatrick , Irish ExaminerThis novel has undeniable force and power… it’s beautifully written
—— Tim Martin , TelegraphYou can feel the wind whipping through your hair, your pulse racing, as Kushner’s daring heroine, Reno, motorcycles across salt flats and down city streets, on the prowl for art, for love, for a cause
—— The Oprah MagazineKushner’s take on 1970s radicalism, art and politics is a big, absorbing read
—— Financial TimesA self-consciously cool mash-up of motorbikes, art and unpleasant Italian politics
—— Nick Curtis , Evening StandardIn fiction I enjoyed Rachel Kushner's The Flamethrowers for its style and its daring
—— Colm Toibin , ObserverThe Flamethrowers by Rachel Kushner manages to connect the art scene in New York in the 1970s with the Red Brigades in Italy, through the medium of motorcycles and drag car racing. Ambitious and beautifully written, it is one of the more surprising books I have read this year
—— Gordon Brewer , ScotsmanIntroducing a fresh new voice
—— Justine Jordan , Guardian OnlineA left-field and potentially ludicrous literary concept – a multigenerational transcontinental historical epic built around a speed-freak biker heroine – is executed with élan by American novelist Rachel Kushner … Genius
—— Kevin Maher , The TimesThe novel, Kushner’s second, deploys mordant observations and chiseled sentences to explore how individuals are swept along by implacable social forces
—— New York TimesA Bildungsroman set against the violence of the 20th century, The Flamethrowers is less a litmus test for misogyny than a standard for the recent historical novel
—— Hannah Rosefield , Literary ReviewIt should've won the National Book Award... It is second to none
—— New York MagazineSome of the prose is as thrilling as riding a motorbike on a mountain road with no lights
—— Nicky Dunne , Evening StandardHas the kind of poise, wariness and moral graininess that puts you in mind of weary-souled visionaries like Robert Stone or Joan Didion
—— Dwight Garner , New York TimesFor a while last spring it seemed like every single person I knew in New York was reading The Flamethrowers, which is normally enough to put me off a book, but in this case I did read it and found that its ubiquity was more than justified. Then in September I happened to visit the Bonneville Salt Flats in Utah, where one of its most memorable set-pieces takes place, and I wanted to read it all over again. If I say it captures a young woman's experience of the downtown art world in the 1970s, I'm going to make it sound boring, but in fact it's superbly enjoyable
—— Ned Beauman , EsquireMuch of what makes this book so magnificent is Kushner's astonishing observational powers; she seems to work with a muse and a nail gun, so surprisingly yet forcefully do her sentences pin reality to the page. I was pinned there too –– BEST BOOK OF 2013
—— Kathryn Schulz , New York MagazineA terrific, gripping, poetic book... Kushner's meandering plot and pacy pose has completely won me over
—— Thomas Quinn , Big IssueKushner’s prose dazzles with invention
—— Emily Rhodes , Spectator