Author:Rhona Cameron
'It was dark when I came to. What woke me was the cold and the water on my legs. I was doing spoons with Scotty, me behind him. We were on a beach. We didn't speak for the first minute, we were so disorientated. I had to genuinely think very hard about where I was. Then I remembered I was in Australia.'
It's the late eighties and 24-year-old Kerry has been drifting aimlessly through life in Edinburgh. Rarely having plans of any kind, she gets drunk and things happen: sex, drugs, parties, relationships, and, when she's really pushed, work.
Setting off on a hastily arranged visit to Australia, Kerry packs only three items of clothing, a pair of flip-flops, two hundred pounds and her young persons' work visa. Soon broke, hungry and homeless, she joins ART, a likeable but mismatched band of travellers who sell dodgy oil paintings door-to-door in the suburbs. Young, beautiful and free, they drink wildly and live for the moment.
Embarking on a riotous road trip together, their lives become deeply entangled, and the drinking spirals out of control. Eventually, Kerry is forced to admit that her journey to Australia isn't quite what it seems ...
A beautiful depiction of addiction and hedonism
—— Russell BrandA sexy, booze-fuelled adventure. Instantly entertaining and absorbing
—— HeatSplendidly realised ... bravely un-saccharine
—— Daily TelegraphExtraordinarily candid and moving ****
—— MirrorNihilistic, frank, brutal, embarrassing, depressing, funny and intensely gripping all at once
—— Glasgow HeraldCameron reveals a darker edge to her writing by capturing the frustration and pains of obsession with dense detail. Cameron's story of self-discovery shows just how lost you can get, and her perfect references to the 80s and Australian culture pull you in head-first
—— Gay TimesA novel which at one stroke puts her unquestionably among the great masters of the genre . . . as spine-chilling . . . as anything Edgar Allan Poe dreamed up.
—— Peter Green , Daily TelegraphThe Bell is not frightening, precisely, but it offers that uneasy sensation of being suspended, somehow, between what is familiar and what is strange… a kind of hot, dreamlike muddle… The Bell has, in the 60 years since its publication, lost none of its power to disrupt
—— Sarah Perry , Daily TelegraphA masterpiece of Gothic suspense
—— Joyce Carol OatesSo eerie, so disturbing, and not a wasted word, it has the kind of economy I wish I knew how to achieve
—— Jonathan CoeFor me, it is that unique and dreamlike book ... that stands as her masterpiece
—— Jonathan LethemWe Have Always Lived in the Castle is Jackson's masterpiece ... Stunning
—— Elaine ShowalterManages the ironic miracle of convincing the reader that a house inhabited by a lunatic, a poisoner, and a pyromaniac is a world more rich in sympathy, love and subtlety than the world outside
—— TimeA witch's brew of eerie power and startling novelty
—— The New York TimesA marvellous elucidation of life ... a story full of craft and full of mystery
—— The New York Times Book ReviewCompulsory reading for anyone who has a pig, an aunt - or a sense of humour!
—— Lindsey DavisThe Wodehouse wit should be registered at Police HQ as a chemical weapon
—— Kathy LetteWitty and effortlessly fluid. His books are laugh-out-loud funny
—— Arabella WeirThe funniest writer ever to put words to paper
—— Hugh LaurieThe greatest comic writer ever
—— Douglas AdamsP.G. Wodehouse wrote the best English comic novels of the century
—— Sebastian FaulksSublime comic genius
—— Ben EltonYou don't analyse such sunlit perfection, you just bask in its warmth and splendour
—— Stephen Fry