Author:Iris Murdoch

For years, Alfred Ludens has pursued mathematician and philosopher Marcus Vallar in the belief that he possesses a profound metaphysical formula, a missing link of great significance to mankind.
Luden's friends are more sceptical. Jack Sheerwater, painter, thinks Marcus is crazy. Gildas herne, ex-preist, thinks he is evil. Patrick Fenman, poet, is dying because he thinks Marcus has cursed him. Marcus has disappeared and must be found.
But is he a genius, a hero struggling at the bounds of human knowledge? Is he seeking God, or is he just another victim of the Holocaust, which casts its shadow upon him and upon Ludens, both of them Jewish?
Can human thinking discover the foundations of human consciousness?
Iris Murdoch's endlessly inventive imagination has touched a fundamental question of our time.
She was a brilliantly clever woman
—— Dame Judi DenchThere is no doubt in my mind that Iris Murdoch is one of the most important novelists now writing in English...The power of her imaginative vision, her intelligence and her awareness and revelation of human truth are quite remarkable
—— The TimesI love the novels of Iris Murdoch
—— Philippa GregoryMiss Murdoch is blessedly clever without any of the aridity which, for some reason, that word is supposed to imply
—— Philip ToynbeeIris Murdoch has imposed her alternative world on us as surely as Christopher Columbus or Graham Greene
—— Sunday TimesMagnificent, bringing the Dickensian streets to grubby, teeming life.
—— Eithne Farry , Daily MailAnthony Quinn is a terrific storyteller. He has a thrilling knack for turning familiar periods of history into something surprising and often shocking, and for making the fortunes and misfortunes of his characters matter.
—— Juliet Nicholson , Evening StandardQuinn brings the period in question vividly to life: his research is exemplary, and his subject absorbing.
—— Lucy Scholes , ObserverAnthony Quinn’s novels just get better... Parallels with contemporary London lurk just below the surface. This is not only an exciting thriller and a touching, stop-start love story but a seriously important book.
—— Sue Gaisford , TabletAll the ingredients of an upmarket page-turner.
—— Max Davidson , Mail on SundayA story that brings alive an area of Camden that saw massive social change in a short space of time: the explosion of the railways and the shoe-horning of thousands of semi-starved people into slums provide a backdrop.
—— Dan Carrier , Camden New JournalA devastating tale of subterfuge, poverty and privilege set in the cobbled streets of Victorian London.
—— Daily RecordMagnificent, bringing the Dickensian streets to grubby, teeming life
—— Eithne Farry , Daily MailCements his reputation as an accomplished and challenging novelist… Though it takes place 130 years ago, the questions that The Streets poses about how, as a society and individuals, we tackle deprivation arguably remain just as pertinent
—— Peter Stanford , IndependentQuinn blends his history, his political concerns, his ideals, his plot and his characters elegantly, with a light hand and the pace of a thriller
—— Louisa Young , Daily TelegraphQuinn’s most mature novel yet… His picture of poverty’s shaming, dehumanizing effect is powerful, and the recurrent call for pity heartfelt. Ms Eliot and Mr Dickens would surely approve
—— Holly Kyte , Sunday TelegraphAnthony Quinn is a terrific storyteller. He has a thrilling knack for turning familiar periods of history into something surprising and often shocking, and for making the fortunes and misfortunes of his characters matter
—— Juliet Nicholson , Evening StandardDisplays the unsentimental yet powerful flair for romance that characterized his previous novel, Half of the Human Race. Perhaps most exciting of all, there is a sense that he is still writing within himself
—— Tom Cox , Sunday TimesQuinn brings the period in question vividly to life: his research is exemplary, and his subject absorbing
—— Lucy Scholes , ObserverAll the ingredients of an upmarket page-turner
—— Max Davidson , Mail on SundayAmbitious, gripping and disturbingly well done
—— Kate Saunders , The TimesBeyond its splendid feel for the era’s chat and patter, the novel pits philanthropy and opportunism, ideals and selfishness, bracingly at odds
—— Boyd Tonkin , IndependentThis novel is refreshingly different and contains a cornucopia of wonderful material and evocative descriptions
—— Good Book GuideThe best book I’ve read in ages… You have to read it.
—— Hilary Rose , The TimesNoViolet Bulawayo is a powerful, authentic, nihilistic voice - feral, feisty, funny - from the new Zimbabwean generation that has inherited Robert Mugabe's dystopia
—— Peter Godwin, author of When a Crocodile Eats the SunA work of gritty naturalism
—— Adam Kirsch , ProspectWitty... ebullient... heartbreaking... our feisty heroine's sparkle never dims
—— iA truthful, profound snapshot of the kind of life that often gets overlooked. Moving, fresh, enlightening. A fantastic novel
—— Alice , Waterstone's AberystwythA fresh, engaging take on the relationship between rich and poor
—— WanderlustA bittersweet coming-of-age tale of displacement during the southern African nation's 'lost decade'
—— VoiceA tale of our time, a powerful condemnation of global inequality from the point of view of a 10-year-old in impossible circumstances... a stunning piece of literary craftsmanship
—— Weekly TelegraphBulawayo, whose prose is warm and clear and unfussy, maintains Darling's singular voice throughout, even as her heroine struggles to find her footing. Her hard, funny first novel is a triumph.
—— Entertainment WeeklyWonderfully, this is a novel whipped with the complexities of African identities in a post-colonial and globalised world and its most compelling theme is that of contemporary displacement, a theme that will resonate with many readers
—— We Sat Down BlogThis is a young author to watch
—— Suzi Feay , Financial TimesThis is a very readable tale, thanks to some excellent writing and its central character: a likeable heroine in a difficult world
—— Sarah Warwick , UK Regional Press SyndicationWe Need New Names is a distinct and hyper-contemporary treatment of the old You Can’t Go Home Again mould, and the book has more than enough going for it to easily graduate from the Booker longlist to the final six
—— Richard Woolley , Upcomingdeeply felt and fiercely written first novel
—— ScotsmanBulawayo's novel may scream Africa, but her deft and often comic prose captures memories and tastes, among them the bitterness of disappointment, that transcend borders
—— Jake Flanagin , AtlanticBulawayo excels... there is an inevitable nod to Achebe and the verbal delights and child's-eye view of the world is redolent of The God of Small Things. Otherwise, the magic is all Bulawayo's own
—— Literary ReviewProof again that the Caine prize for African writers really knows how to pick a winner… [It’s] a tour de force. Ten-year-old Darling is an unforgettable and necessary new voice: add her to the literary cannon
—— Jackie Kay , ObserverThis brilliant novel was shortlisted for the Man Booker Prize
—— Marie Claire UKAn exceptionally fine novel, as powerful and memorable as Coetzee's magnificent Disgrace... We need new novels like this – authentic, original and cathartic
—— Judy Moir , HeraldThere is no doubt that a new star of African female writing is truly born. The one-to-watch
—— New AfricanFollow ten-year-old Darling from the Paradise shantytown to America in this searing indictment of Mugabe’s Zimbabwe
—— Patricia Nicol , MetroShocking, often heartbreaking – but also pulsing with energy
—— The TimesA poignant, witty, original and lyrical coming of age story
—— Caroline Jowett , Daily ExpressTalented and ambitious
—— Helon Habila , GuardianA powerful fictional condemnation of global inequality
—— Sunday TelegraphFrom the opening chapter…the first-person narrative achieves a breathtaking vibrancy, ambition and pathos
—— Irish ExaminerDeserved all the publicity it got
—— Michela Wrong , Spectator