Author:Fyodor Dostoyevsky,Ronald Meyer
'I could see that she was still terribly afraid, but I didn't soften anything; instead, seeing that she was afraid I deliberately intensified it.'
In this short story, Dostoyevsky masterfully depicts desperation, greed, manipulation and suicide.
Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.
Fyodor Dostoyevsky (1821-1881). Dostoyevsky's works available in Penguin Classics are Crime and Punishment, The Idiot, The Double, The Gambler and Other Stories, The Grand Inquisitor, Notes From The Underground, Netochka Nezvanova, The House of The Dead, The Brothers Karamazov and The Village of Stepanchikovo.
Remarque died before he could complete The Promised Land, but the four hundred pages he produced, superbly translated by the redoubtable Michael Hofmann, are enough to tell a fascinating and poignant tale about identity, adaptability and the trials of starting afresh
—— Malcolm Forbes , HeraldThe Promised Land has been both beautifully penned and thoughtfully translated… The Promised Land is a compulsively readable, and rather marvellous historical novel
—— Kirsty Hewitt , NudgeRemarque is a craftsman of unquestionably first rank
—— New York Times Book ReviewA moving and compelling story...thoughtful reflection on the inhumanity of warfare and the emigrant's predicament, deft characterisation, colourful accounts of life in New York during World War II...readers will readily engage with the rich detail and sympathetic portrayal
—— New Books in GermanAdam Foulds is a young British novelist of striking talent and eclecticism. His style is first-rate, combining precision with a rich poetic imagination. He is able to do more with language, and at greater depth, than most other British novelists of his generation.
—— Andrew Holgate , Sunday TimesThe pellucid elegance of Foulds’s fictional voice is entirely his own. He conjures with exhilarating assurance the sense of a postwar collapse of order so complete as to be almost voluptuous.
—— Jane Shilling , ProspectAmbitious and diffuse... Foulds is a master of concision and clarity, and his prose is "poetic" in the best sense: never florid or rambling, each short sentence weighed and parcelled out.
—— Tom Gatti , New StatesmanThe bleakness of Foulds’s message…is not reflected in the richness of the prose or characterisation of this deep, dark, demanding tale.
—— Lesley McDowell , Independent on Sunday[Foulds] matches his flair for rhythm with a skilful ownership of both his prose and a complex narrative. All delivered with a minimalist restraint.
—— Will Dean , IndependentThere's much to admire in this novel. Foulds has a searching eye for detail and an apparently helpless compulsion to wring imagery from his subject.
—— Tim Martin , Daily TelegraphFoulds’s writing invites...returning to consider each layer of the composition...there is a prismatic quality to the language which allows various levels of interpretation to be separated out and refined.
—— Thea Lenarduzzi , Times Literary SupplementWonderfully enticing.
—— Lucian Robinson , Literary ReviewIndividual scenes are often gripping, shocking or moving.
—— John Harding , Daily MailThe bloody horrors of conflict are captured with visceral aplomb in this fine, minimalist novel.
—— iSome of the most vividly evoked battle scenes I've read – he doesn't shy away from taking risks … chilling and touching all at the same time.
—— John Preston , Evening StandardFoulds has the literary intelligence to turn the commonplace on its head.
—— Alberto Manguel , GuardianA high-class thriller … Foulds has a literary novelist's feel for [Sicily's] harsh beauty.
—— Mail on SundayFoulds’ prose is superb… It reads like Catch-22 written by Evelyn Waugh.
—— Good Book GuideIt’s an ambitious book and the writer relates his story with poetic precision
—— i (The paper for today)Told in a language that is both lyrical and stark The Tusk that Did the Damage should win Tania James praise and laurels from those readers who long for a more penetrating look at environmental issues and the moral questions which accompany them’.
—— Joe Phelan , Bookmunch