Author:Ferdinand Mount

The man who rode Ampersand was in fact, an amateur jockey named Harry Cotton. Harry is a compulsive gambler. The resulting decline in his fortunes takes him through three decades of adventures, melancholy, heroic, and comic by turn, which cut a broad swathe of disorder through provincial race meetings, 'one -night cheap hotels' and three luxurious redoubts of the fabulously rich. The inhabitants and frequenters of these places are every bit as bizarre as their surroundings.
This is an immensely stimulating book, rich in imagery, sure in dialogue, profound in characterization, dazzling in its descriptive powers and constantly haunting with its Celtic rhythms and its bold, elegant design
—— The TimesThis collection of five novellas confirms that in terms of technical resourcefulness and narrative skill he has few equals among the living novelists. The novella which gives the book its title strikes me as being the finest thing Fowles has written
—— ObserverIn a manner worthy of Pirandello, John Fowles uses the conventional apparatus of the detective-story to explore the relationship between fact and fiction, reality and illusion, to masterly effect
—— Sunday TelegraphArresting...this collection impresses me as deeply as any of the novels which Fowles has published to date
—— GuardianPick up any of these stories and you won't, as they say, be able to put it down
—— Financial Times[Trollope writes] with such elegant precision - revelatory and ambiguous at just the right moments
—— Evening StandardA cruelly funny book... most astute observation
—— Daily TelegraphSubtle and delicate
—— The Sunday TimesLa Ronde for the new century
—— IndependentA marvel- beautifully written, surprisingly moving, quietly rather brilliant
—— Harry Ritchie , Daily MailWhile Malouf's chief interest is in the human impulses that lie behind the epic deeds, he remains faithful to the beliefs and values of the ancient world
—— Edmund Gordon , Times Literary Supplementimmensely moving, modern novel
—— Elizabeth Speller , IndependentA dignified performance ... in writing this novel Malouf is honouring a great work and also making a great work of his own ... his graceful fiction deals in truth and is always beautiful
—— Eileen Battersby , Irish TimesBeautifully written and very moving, Ransom is a reimagining that respects Homer's original while expanding expertly on its themes.
—— Alastair Mabbott , HeraldMalouf captures the moving humanity of Priam's grief
—— Robert Collins , Sunday TimesLyrical reworking of the final scenes of The Iliad
—— MetroThis superb novel goes by in a heartbeat, so smooth and engrossing is David Malouf's prose...It is a touching tale, full of pain, but rendered beautifully by Malouf's humanity
—— Lesley McDowell , Independent on SundayAn audacious reworking of Homer's Iliad.
—— Holly Kyte , Sunday TelegraphDavid Malouf...has given Homer's epic fresh life in this haunting mood piece...a graceful, eloquent text dominated by rage and sorrow
—— Eileen Battersby , Irish TimesThis novel explores the timeless motifs of epic, in miniature
—— The TimesYou know it ends in death, and so do Malouf's haunted protagonists, but this telling, at once unfussy and wonderfully poetic, breathes warm life into a great epic
—— James Smart , GuardianBreathtaking skill...an extraordinary emotional charge.
—— Colm Toibin , Guardian, Christmas round upA finely honed, writerly and wise revisiting of one of the most famous episodes in The Iliad, when Priam the King of Troy goes to bring home the body of his dead son Hector. No-one in prose has managed to better Malouf's imaginative recreation of the Homeric world.
—— Robert Crawford , Sunday Herald, Christmas round upa potent new yarn... Beautifully written in simple language freighted with meaning, Ransom explores a king's impulse to act as a mourning father.
—— James Urquhart , Financial Times






