Author:Dorothy L. Sayers,Full Cast,Gabriel Woolf,John Westbrook,Norman Shelley,Mary Wimbush,Miriam Margolyes,John Laurie

Dorothy L. Sayers' classic play cycle based on the life and times of Jesus
Dorothy L. Sayers was best known for her mystery novels featuring aristocratic amateur sleuth Lord Peter Wimsey. But she was also a poet, playwright and committed Christian, and in The Man Born to Be King she combined art and evangelism to powerful effect, making the story of Christ accessible, relevant and every bit as thrilling as her detective fiction.
Written specially for the BBC Radio, the play cycle caused huge controversy for its depiction of Christ as a character, and its use of contemporary speech instead of Biblical language. However it proved extremely popular with listeners, who wrote in to thank Sayers for making Jesus real to them and reigniting their interest in his remarkable story.
Based on the four Gospels, it includes one story of the Nativity, six plays about Jesus' life and ministry, and five Passion Plays telling of Jesus' triumphal entry into Jerusalem, the Last Supper, Jesus' arrest and trial before Pontius Pilate, the Crucifixion and the Resurrection. Backed up with a sweeping musical score, these immersive dramas surprise and shock us anew and provide fresh, illuminating insight into 'the greatest story ever told'.
The plays included are Kings in Judea, The King's Herald, A Certain Nobleman, The Heirs to the Kingdom, The Bread of Heaven, The Feast of Tabernacles, The Light and The Life, Royal Progress, The King's Supper, The Princes of This World, King of Sorrows and The King Comes to His Own.
Cast and credits
Written by Dorothy L Sayers
Adapted by/Producer: Raymond Raikes
The Evangelist (John Bar-Zebedee): Gabriel Woolf
Jesus: John Westbrook
Joseph/ Jacob Ben-Issachar: Norman Shelley
Simon Bar-Jonah (Simon Peter): Stephen Jack
Judas Iscariot: Alan Wheatley
Matthew: Nigel Stock
Herod The Great: Robert Eddison
Nicodemus: John Wyse
Ephraim: Denys Blakelock
Shadrach: Malcolm Hayes
Rabbit Solomon: John Gabriel
Phoebe: Caroline Monkhouse
Flavius: Trader Faulkner
Calpurnia: Penelope Lee
Mary Virgin: June Tobin
Mary Magdalen: Mary Wimbush
Martha: Marjorie Westbury
Lazarus: Richard Hurndall
Benjamin Ben-Hadad: Ralph Truman
Joseph, kinsman to Jesus: Haydn Jones
Simeon, kinsman to Jesus: Wilfrid Carter
Baruch the Zealot: Francis de Wolff
Baruch's Wife: Vivienne Chatterton
Gestas: John Laurie
Dysmas: Russell Napier
Simon of Cyrene: Rodney Dias
Proclus, a Roman Centurion: Trevor Martin
Roman soldier: Bruce Beeby
Roman soldier: Harvey Hall
Joseph of Arimathea: Howieson Culff
Calaphas, High Priest of Israel: Heron Carvic
Salome, mother to James and John: Henzie Raeburn
Mary Cleophas: Molly Rankin
Balthazar, King of Ethiopia: Paul Danqdah
Melchior/ A Zealot: Michael Kilgarriff
Casper: James Dale
Philip: Rolf Lefebvre
Thomas Didymus/ Father: Philip Leaver
Mother: Wynne Clark
Miriam, child: Elizabeth Proud
Isaac, child/a slave boy: Daniel Rose
Hannah: Hester Paton-Brown
James Bar-Zebedee: John Glen
Andrew Bar-Jonah: John Boxer
Hezekiah, secretary/ Roman Soldier: John Baker
Annas, father-in-law to Caiaphas: Edward Atienza
Pontius Pilate, Governor of Judaea: Alec Clunes
Claudia Procula: Mary Law
Captain Elihu: Keith Alexander
Eunice, a Syro-Phoenician: Elizabeth Morgan
Cleophas: Harry Hutchinson
Portress at the High Priest's House: Miriam Margolyes
Zillah, her daughter: Jo Manning-Wilson
Issacher, servant: Hugh Dickson
Susannah, mother to the Bride groom: Betty Baskcomb
Rebecca, friend to Susannah: Gladys Spencer/ Janet Burnell
Other cast: Ian Frost, Janette Richer, Nan Marriott-Watson, Janette Richer, Peter Marinker, Raf de la Torre, James Thomason, John Forrest, Michael Goldie
First broadcast BBC Home Service 19th, 26th Jan, 2nd, 9th , 16th, 23rd Feb, 2nd, 9th, 16th, 23rd, 28th, 30th March 1975
©2021 BBC Studios Distribution Ltd (P)2021 BBC Studios Distribution Ltd
A deeply humane, quietly devastating, mesmerisingly beautiful masterpiece.
—— Olivia SudjicWhite on White is an ambitious palette.
—— New York Times[An] oddly enthralling tale about a postgrad student bearing witness to an artist's marital breakdown
—— Anthony Cummins , ObserverMarvelous, as elegant as an opaque sheet of ice that belies the swift and turbulent waters beneath.
—— Lauren GroffA haunting, irresistible novel. I loved this book for its depth and perception, for its beauty and eerie rhythms, but most of all for its wonderfully dream-like spell. It's breathtaking.
—— Brandon TaylorIn the middle ages, human skin was seen as a blanket stretched to cover a secret, inner life, writes Aysegül Savas. Reading White on White for me is like an outer skin which you open layer by layer as you read; gentle, mysterious and profound.
—— Marina AbramovicTerse, slender and exquisite, like a finely-wrought figurine carved in bone, White on White spins its tale of doubles, womanhood and power with the magnetic pull of a thriller, while refusing to settle for easy resolution. I loved its quiet, observant wisdom; its willingness to look for depth underneath shiny surfaces.
—— Livia FranchiniI was riveted by it. The delicate restraint of the language just adds to its power.
—— Celia PaulSavas's characters watch each other as they avoid themselves, in an acute and obliterating double portrait.
—— Leanne ShaptonA superb novel by an exceptionally elegant, intelligent, and original writer.
—— Sigrid NunezFans of Rachel Cusk's Outline trilogy should take note of this striking portrait.
Pacy and packed with well-drawn characters.
—— Sunday Telegraph, *Books to Look Out For 2022*Compelling.
—— Erica Wagner , Harper's BazaarHadley is our great novelist of bourgeois domesticity, sensitive to its emotional perturbations and...devotedly attentive to its gorgeous solidity.
—— James Marriott , The TimesHadley... has the gift for bringing everything she has, sees and knows to the characters she creates... Free Love is brilliantly plotted and keeps its secret through two-thirds of its length so faithfully, I did not even begin to guess at the hugely satisfying slipknot ahead.
—— Kate Kellaway , ObserverNo one is better than Tessa Hadley at capturing the secret longing that presides within her many wonderful characters. Her latest, written in her usual crisp, absorbing prose, charts the sexual awakening of one woman in 1960s London.
—— Jessie Thompson , Evening Standard, *Books to Look Out For 2022*Achingly moving and real... Hadley's poignant drawing together of a situation...shows a writer with boundless compassion. Yet again, she offers insightful and sensitive understanding of the quiet compromises people make to survive in a deeply compromised world.
—— Michael Donkor , GuardianA fascinating portrait of a world of politics, manners, morals and the decline of empire in a period of rapid societal change... Hadley writes compellingly fascinating characters viewed from every angle, perfectly encapsulating an era of change.
—— Kirsty McLuckie , ScotsmanA gorgeously magnanimous novel, which reprises Hadley's favoured themes of middle age, and how - and when, and if - to change one's life.
—— Stephanie Sy-Quia , SpectatorDaring and sensual, Free Love is a compulsive exploration of love, sexual freedom and living out the most meaningful version of our lives.
—— SheerLuxeAn engrossing ploy, elegant nuanced writing...this is a novel to savour
—— Morag MacInnes , Tablet, *Novel of the Week*As ever, Ms Hadley's prose is limpid and measured yet richly sonorous: her story combines a modern sensibility with the psychological realism of writers such as Henry James... The ending glimmers with possibility--while suggesting that liberation comes at a cost.
—— EconomistWith astute psychological awareness of her characters, Hadley presents a visceral and engaging picture of a bygone time. Unexpected twists and unclichéd characters support the luscious language, making this a real pleasure of a read.
—— UK Press SyndicationFree Love artfully delves beneath the veneer of the British middle class to tell an intimate story of generational discord, political change and sexual freedom.
—— Mark Vessery , iHadley's resplendent eighth novel... [has] poignantly astute observations on class, destiny and the false promises of the sexual revolution.
—— Hephzibah Anderson , Mail on SundayHadley's eighth novel is as absorbing as any of her other fiction, with complex family secrets, brilliant insights...and lush descriptions of nature.
—— Markie Robson-Scott , Arts DeskHadley chooses her words with spellbinding precision.
—— Claire Allfree , MetroHadley's complex sentences are purring marvels of engineering... A brilliant writer of interiority...she has a gift...for portraying the state of wanting to be wanted, or simply to be seen... almost every page struck me anew with some elegant phrasing, feline irony or shrewdly sympathetic insight.
—— Anthony Cummins , ObserverFew contemporary novelists write about their characters' inner worlds with a finely filigreed but plain-spoken acuity that Tessa Hadley brings to her work...accessing roving, rich depths... Hadley is a master in her field.
—— Lucy Scholes , Daily Telegraph"With each new book by Tessa Hadley, I grow more convinced that she's one of the greatest stylists alive. . . . To read Hadley's fiction is to grow self-conscious in the best way: to recognize with astonishment the emotions playing behind our own expressions, to hear articulated our own inchoate anxieties. . . . The whole grief-steeped story should be as fun as a dirge, but instead it feels effervescent-lit not with mockery but with the energy of Hadley's attention, her sensitivity to the abiding comedy of human desire. . . . Extraordinary.
—— The Washington PostBrilliant.... In the hands of a lesser novelist, the intricate tangle of lives at the center of Late in the Day would feel like just such a self-satisfied riddle or, at best, like sly narrative machinations. Because this is Tessa Hadley, it instead feels earned and real and, even in its smallest nuances, important.... It's to her credit that Hadley manages to be old-fashioned and modernist and brilliantly postmodern all at once.... We've seen this before, and we've never seen this before, and it's spectacular.
—— New York Times Book ReviewUtterly engrossing... Free Love is highly gratifying.
—— Ellen Peirson-Hagger , New StatesmanFree Love is a triumph.
—— Sarah Collins , ProspectBrilliantly done... Hadley writes with devastating psychological insight, her prose spare and scalpel sharp. But she is also judiciously non-judgemental, a generous chronicler of the foibles and fears that mar and make a marriage.
—— Eithne Farry , Daily ExpressFree Love is an absolute joy to read from a writer who never puts a word wrong. Fans of Small Pleasures will love it.
—— Sarra Manning , Red[A] brilliant, sensual, seductively plotted new novel... Hadley has written an extraordinary story about love and transformation.
—— IndependentFree Love is often deeply perceptive and affecting... it lets you imagine what it was like to wrestle with old and new ways of thinking in an age that shaped (and continues to shape) our own.
—— Guy Stevenson , Literary ReviewIt's the 1960s and socialism, sex and nuclear anxiety have come crashing into the middle-class bubble Tessa Hadley novels usually operate so brilliant within.
—— The Times, *Summer Reads of 2022*A story about change and its limits, its beautifully judged ending will bring you to tears.
—— Daily Mail, *Summer Reads of 2022*[An] acutely realised, deeply humane novel... Unmissable.
—— Tablet, *Summer Reads of 2022*No novel published this year gave me more pleasure than Tessa Hadley's Free Love.
—— New Statesman, *Books of the Year*Nothing drew me in as conclusively as Free Love by Tessa Hadley, who is surely one of our most astute and deft observers of everyday lives.
—— New Statesman, *Books of the Year*Hadley's novels continue to get better and better - and this is her finest, most pleasurable yet... it's near enough the perfect present in book form
—— Daily Mail, *Books of the Year*She is, in all her mastery of the craft, a writer's writer.
—— Marie Claire






