A novel that reigns supreme - or anti-supreme, if one prefers - in the black arts game

This tale of a forbidden love, set during the era of the Last Samurai, completely captivated me. I was swept along by Taka and Nobu's struggle to be together in the face of family opposition, social difference and, ultimately, war. The world of the book - 1870s Japan - is vividly evoked. But most of all this is a compelling and intensely romantic story, beautifully told.

Against the backdrop of civil war, Lesley Downer has created a rich epic of love, confusion and loyalty. Her deep knowledge, powers of description and meticulous attention to detail draws us into the hopes and fears of 19th Century Japan in such way that you will taste the food, watch the fashions, smell the streets and live through the personal tumult of a society on the edge of change. With Across a Bridge of Dreams, Ms Downer shows she is a writer at the very top of her game.

Like the era she describes, Downer has united two contradictory themes: love and war. Fans of period romance should be sure to pack Across A Bridge Of Dreams this summer, but those who prize blood over love in historical fiction will also find much to enjoy.

An epic tale of love and war, full of colour.

Peter Stenson has done the near impossible in delivering a savage fire-storm of a page-turner while also enabling a hard and earnest look at addiction and love. I tore through Fiend with the crazed fervor of an addict, but like all great stories these characters lingered in my thoughts long after I turned the last beautiful and brutal page.

With a pared down snappy writing style, Fiend opens an exciting new chapter for modern horror.

There is something witty or striking on almost every page

Martin Amis's new novel shows a regathering of his artistic energies

The buzzing sense of fresh, limitless erotic licence is captured brilliantly...he is beginning to write with Old Master assurance on the important subjects... If Amis keeps writing like this about death, he can still prove everyone wrong

The recent death of Iain Banks left a gaping hole in contemporary literature, but nowhere was the loss felt more than in his native Scotland. Banks took ordinary situations and rendered them extraordinary; a talent that fellow Scot Sue Peebles, whose first novel won both the Scottish and Saltire book awards, shares in spades… The "sacred geometry" of ageing and the timeless measuring out of love are what sustain this subtle, beautiful book.

Deeply humane tale of memory, loss and the struggle to understand a family’s past… It’s a novel of generous warmth

A beautiful, brilliant novel destined to cement Sue's place as one of the leading lights of the Scottish literary scene

Peebles' keen eye for social observation adds a comic touch to the narrative, expertly showing how black humour is used in bleak times.

Peebles writes poetic prose, capturing Aggie's imaginative character and her need to find meaning in the puzzle of circumstances she finds herself in. The insight into dementia and its impact upon a family is poignant, with Aggie desperate to recapture the history of a beloved Gran who is disappearing in front of her eyes. The novel strongly evokes the Scottish countryside, its link to the past and the secrets it keeps. The story may be a slow burner, but keep going because its gentle pace builds up to a satisfying conclusion