Author:Scott Oden

It is the middle of the 12th century . . .
On the banks of the Nile, in a city alive with intrigue, Caliph Rashid al-Hasan rules as a figurehead over a crumbling empire. In the shadow of the Grey Mosque, generals vie for power and influence under the scheming eyes of a venal grand vizier. Warring factions use murder and terror to silence their opponents. Egypt bleeds - and the scent draws her enemies in: the swaggering Shirkuh, who serves the Sultan of Damascus, and Amalric, king of Jerusalem, whose greed is insatiable and whose Crusader knights are hungry for a fight.
Yet all is not lost. In a distant land, there lives an old man who holds the power of life and death over the Moslem world. He has decided to help the Caliph and sends his greatest weapon. A single man. An Assassin. The one they call the Emir of the Knife...
The mark of exceptional historical fiction is its creation of an alien world so convincing (and peopled by such fascinating characters) that the reader never wants to go back to the real one. Scott Oden delivers exactly that in The Lion of Cairo, a tale of that reads like a cross between the 'Arabian Nights' and a Hollywood blockbuster. Men of Bronze and Memnon put Mr Oden squarely on the historical fiction map. The Lion of Cairo assures his place in the very front rank
—— STEVEN PRESSFIELD , The New York TimesFilled to the brim with assassins and concubines, caliphs and street thugs, the devout and the heretical. It's partly a swashbuckling historical, partly a tale of palace intrigue, partly a fast and furious espionage yarn. A terrific trip into Cairo's exotic past. Just pray the Emir of the Knife is on your side
—— DAVID ANTHONY DURHAMWith wonderfully eccentric characters this debut novel about the lives of New Yorkers, penned by a true native, is a great read
—— OK MagazineThe first literary novel that really switched me on was Christopher Isherwood's Mr Norris Changes Trains
—— Chris Pattern , Daily MailHe immortalised Berlin in two short, brilliant novels both published in the Thirties, Mr Norris Changes Trains and Goodbye To Berlin, inventing a new form for future generations - intimate, stylised reportage in loosely connected episodes
—— Daily ExpressMr Norris Changes Trains brought him recognition as one of the most promising young writers of his generation
—— The TimesThe style is graceful and deliciously readable, and the novel ends with an unforgettably eerie and moving image'
—— IndependentAL Kennedy manages to convey an edgy modernity within relatively standard narrative forms...written with the tonal meticulousness of genuine literature
—— Lionel Shriver , Financial TimesBe warned, Kennedy is a good storyteller, and an even better observer, possessing immaculate timing... She also writes very well: there is an almost jaunty ease about her prose
—— Eileen Battersby , The Irish TimesKennedy has a way of pinning words down and forcing the truth out of them that makes her fiction alarming. There is pleasure in reading these extraordinary stories, but there is also pain
—— Alison Kelly , Times Literary SupplementThere is poetic life in so many of Kennedy's images... She can be very funny too... very original, very startling
—— Miranda France , Literary ReviewThese tightly compressed short stories are deft portraits of people under extreme pressure, delivered with a surreal perspective that oddly serves to compound their power...her writing is superb: almost every word in this flinty, almost unbearably sad collection matters
—— MetroIt's a testament to her talent and her humanity that these broken lives are life-affirming in the way that only good art can be
—— Laura Tennant , New StatesmanKennedy is attuned to the shock of separation, as well as the pain ... Kennedy is adept at different types of stories
—— Leo Robson , ExpressA virtuoso of prose
—— London Review of BooksA L Kennedy's short stories are rare pearls, all seductive surface and dark depths
—— VogueWhat admirable richness and complexity
—— Jane Shilling , Evening StandardKennedy has such control over her material that it never overwhelms the reader or becomes showily gothic
—— Matt Thorne , Sunday TelegraphThere's no denying that these utterly controlled stories have a power, humanity, and even beauty of their own
—— Amber Pearson , Daily MailWhile What Becomes is not always an easy book to read, Kennedy's linguistic inventiveness, wild humour and compassion make it an unexpectedly joyful one
—— The London Review of BooksTwelve stories from the manic mistress of comically vitriolic observation
—— Angel Gurria-Quintana , Financial TimesSavour this book
—— Erica Wagner , The Times, Christmas BooksKennedy specialises in acute observations of thought... In this collection of short stories, she inhabits unhappy couples, lonely shopkeepers and strangers in hotel rooms to searing, painful and comic effect
—— Holly Kyte , Daily TelegraphA virtuoso performance...This is a collection of stories that will be re-reading exceptionally well, like an album of brilliant songs you keep wanting to hear again
—— Brandom Robshaw , Independent on SundayFunny and furious, Kennedy's tales of floundering marriages and domestic disappointment follow an anarchic path of their own
—— IndependentKennedy's superlative work always attracts admiration
—— Lesley McDowell , Herald






