Author:Maeve Binchy

'Maeve Binchy has a gimlet eye for the seething cauldron of emotions which lies beneath the surface of everyday life' Irish Independent
'An adept storyteller with a sharp eye for social nuances and a pleasing affection for her characters' Sunday Times
'Has a lovely warm heart . . . Her prose is magnificently simple and lucid' Evening Standard
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Every Friday without fail, the lilac bus transports the same seven people from the bustle of Dublin to spend the weekend in the quaint village of Rathdoon.
Each passenger has their own reason for making the trip. What is Judy hiding? Why is Rupert so unwilling to return home? And why has driver Tom orchestrated the lilac bus's trip in the first place?
As friendships are forged and secrets revealed, it soon becomes clear thatthere's more to these unsuspecting characters than meets the eye . . .
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Readers can't get enough of The Lilac Bus . . .
***** 'This was the first Maeve Binchy book I ever read and by far my favourite.'
***** 'This is a real 'comfort read' and I'd forgotten how much I enjoy this author.'
***** 'If you are in need a good story, a kind story, a story with heart and a little intrigue, you won't go wrong with The Lilac Bus.'
Maeve Binchy has a gimlet eye for the seething cauldron of emotions which lies beneath the surface of everyday life
—— Irish IndependentAn adept storyteller with a sharp eye for social nuances and a pleasing affection for her characters
—— Sunday TimesHas a lovely warm heart... Her prose is magnificently simple and lucid
—— Evening StandardTouching, gossipy and as warming as a feather bed
—— Sunday TelegraphCompulsive reading ... Ms Binchy has the true story-teller's knack
—— The ObserverSahota combines great writing with amazing storytelling... his books are intelligent and beautifully written and very poised but also incredibly immersive, gripping and very moving. An epic in miniature, China Room is the kind of novel that reminds you why you fell in love with reading in the first place.
—— Open Book , BBC Radio 4Novels this good are rare.
—— Anthony Cummins , Daily Mail, *Summer Reads of 2021*Sahota's prose is a finely modulated instrument that moves from subtle minutiae to cosmic magnitude... Exhibiting the narrative control and psychological acuity of Rohinton Mistry and Jhumpa Lahiri, Sahota's tale of trans-generational trauma is quietly devastating.
—— Madeleine Feeny , SpectatorSahota's beautifully crafted novel dovetails two stories from different eras... Both characters are prisoners of circumstances but, in their hunger for redemption, become emblematic of the human condition.
—— Max Davidson , Mail on SundaySuch a thrilling combination of beauty and heartbreak. It's breathtaking.
Sahota gives his period narrative the same effortless immediacy as his present-day one, yet his novel works by stealth, quietly beguiling the reader into an almost painful intimacy... I loved it.
—— Claire Allfree , Daily MailThere is a scrupulous subtlety about that way that Sahota refuses to let his historical characters act as though they are in a historical novel.
—— Alex Clark , Guardian, Book of the DayAn intense drama of classic themes - love, family, survival, and betrayal - told with passion and precision in Sahota's economical, lyrical prose.
—— Adam Foulds, author of THE QUICKENING MAZEA gripping read... a memorable and poignant depiction of how family histories can echo through the generations.
—— Huston Gilmore , Daily MirrorOutstanding... dense with intricate layers. As author, Sahota brilliantly plays with access to knowledge, to history. China Room promises to haunt and to illuminate.
—— Shelf AwarenessChina Room is very good at examining the trauma held in one family, whether it be personal or housed in a home, village, or country. Sahota seems to acknowledge that although we are not doomed to repeat the past, each subsequent generation feels a measure of the hardship that the last generation faced... a well-developed story of two lives that touch one another in ways that that can never be clearly seen.
—— India Lewis , Arts DeskEngrossing, intricate, excellent.
—— Literary ReviewSunjeev Sahota's The Year of the Runaways propelled him on to the 2015 Booker shortlist. His latest, China Room, a multi-generational masterpiece ... could well see him nominated again.
—— Stephanie Cross , Daily MailPolitical currents seep subtly in and the cumulative effect is potent
—— Max Liu , iExquisitely written
—— Sameer Rahim , Daily Telegraph, *Books of the Year*Sunjeev Sahota balances weighty ideas about cultural prisons and self-determination with hushed, featherweight prose
—— Claire Allfree , The Times, *Books of the Year*[A] hauntingly beautiful novel
—— Jane Shilling , Daily MailSahota's third novel has prose so beautiful it stops you dead
—— Daily TelegraphIt's unbearably wrenching . . . Mohamed makes the outrage at the book's heart blazingly unignorable by inhabiting Mattan's point of view, a bold endeavour pulled off to powerful effect. Passages from the barbaric climax are still echoing in my head, even as I type
—— Daily MailJust as Half of a Yellow Sun drew out the little documented dramas of the Biafran war, Mohamed describes an East Africa under Mussolini's rule . . . such an accomplished first novel
—— Independent, on Black Mamba BoyA first novel of elegance and beauty... a stunning debut
—— The Times, on Black Mamba BoyA haunting and intimate portrait of the lives of women in war-torn Somalia
—— New York Journal of Books, on The Orchard of Lost SoulsMixing startling lyricism and sheer brutality, this is a significant, affecting book
—— Guardian, on Black Mamba BoyWith the unadorned language of a wise, clear-eyed observer, Nadifa Mohamed has spun an unforgettable tale
—— Taiye Selasi, on The Orchard of Lost SoulsA moving and captivating tale of survival and hope in a war-torn country, and confirms Mohamed's stature as one of Britain's best young novelists
—— Stylist on The Orchard of Lost SoulsMesmerising
—— Daily NerdMackintosh poses urgent questions about social expectations and free will that are relevant to all realities
—— Poets and WritersHeartbreaking but redemptive, and lightened by French's trademark humour, this is a compelling read that will keep you poised between laughter and tears
—— Daily MailA tantalising story of motherhood told with Dawn French's signature warmth
—— Sainsbury's MagazineAs ever, even in the darkest of times, Dawn has found humour to inject into her novel
—— BestA brilliant book
—— Good HousekeepingThe life-affirming and unmissable new novel
—— Eastern Daily PressA tale told with warmth
—— Daily RecordWhile Dawn French's latest novel contains a dash of humour, it's also heart-wrenching
—— The Hunsbury HandbookA fabulous emotional tearjerker of a novel
—— SilversurfersPraise for Dawn French
—— -Hilarious and brilliant
—— Woman & HomeI adored According to YES. It's so different to anything I've read in forever, so charming, wise, brilliantly written. I loved it all
—— Marian KeyesWitty and wise, it'll have you burning the midnight oil. A cracker
—— Woman's WeeklyVery funny and packs an emotional clout. Brilliant!
—— HeatAn enlightening and feel-good read offering a fresh look at life and how to embrace it. Funny and enjoyable to the end
—— We Love This BookThere is lots of fun to be had reading this book. It's impossible not to warm to Rosie, a funny and open-hearted woman who acts as a salve and comfort blanket for this unhappy, inhibited family. There's something quite joyous about the way she unashamedly romps her way through the novel, changing the lives of those around her for the better
—— ExpressAnother hilarious novel!
—— BellaFrench can spin a yarn . . . which sets According to YES apart. Think the vicar of Dibley, without the dog collar. YES YES YES indeed
—— IndependentWise and poignant
—— Beyond the JokeHeart-warming
—— Choice Magazine






