Author:Larry McMurtry

Sam the Lion runs the pool-hall, the picture house and the all-night café. Coach Popper whips his boys with towels and once took a shot at one when he disturbed his hunting. Billy wouldn't know better than to sweep his broom all the way to the town limits if no one stopped him. And teenage friends Sonny and Duane have nothing better to do than drift towards the adult world, with its temptations of sex and confusions of love.
The basis for a classic film, The Last Picture Show is both extremely funny and deeply profound. And, with the eccentrically peopled Thalia, Texas, Larry McMurtry made a small town that feels as real as any you've ever walked around.
Famously filmed by Peter Bogdanovich in 1971 with Jeff Bridges and Cybill Shepherd.
With a new introduction by Mary Karr.
'An alchemist who converts the basest materials into gold'
—— The New York Times Book Review'There aren't many writers around who are as much fun as Larry McMurtry'
—— Boston GlobeThis is a snarly group picaresque, a black comedy in which Gatwick airport is like Kafka's Castle in reverse... stifling, hilarious and indelible
—— Nora Chassler , Scottish Review of BooksWarner navigates the comic, the philosophical and the socially acute like no other writer we have
—— IndependentVigorous and uncannily convincing... Readers would be sorry if Warner were to have finished with these characters
—— Daily TelegraphYou don't have to have read The Sopranos to make sense of The Stars in the Bright Sky, or to be instantly hooked by it
—— ObserverHighly-crafted, often beautiful writing
—— Irish TimesReaders would be sorry if Warner were to have finished with these characters
—— Tim Martin , Daily TelegraphThe author of The Sopranos catches up with the same cast of party-going wild girls, all beautifully imagined in pitch-perfect social satire
—— The Sunday Times Summer ReadingThis entertaining comedy of manners
—— Adrian Turpin , Financial TimesWarner's comic depictions of the multiple tensions that run through the group finds its masterstroke in the grotesquely deluded yet impossible to dislike Manda, who is a neat satirical cipher for modern celebrity-obsessed culture. Terrific
—— MetroWarner puts these very flesh-and-blood girls into locations of almost J G Ballardish sterility, with sodium lamps, flyovers and neon-signed hotels, all described beautifully. The way he manages to inhabit his gang of girls with such gusto is one of the small miracles of contemporary fiction
—— Phil Baker , Sunday TimesPitch-perfect dialogue elevates this exhilarating, genuinely inspired novel into something that is, in Manda's phrase, 'dead brilliant'
—— Stephanie Cross , Daily MailEmbedded in an unflinching portrayal or working-class femininity - all binge-drinking, chain-smoking, shrieking vulgarity and copious vomiting - is a brilliant anatomy of shifting group dynamics, many nods to Beckett's waiting games, and a sly engagement with Ballard's reading of airport space as the ultimate home of deracinated modernity
—— Chris Ross , GuardianWarner is fascinated by the strange domesticity of 'non-places', and occasionally cranks up the alienation to describe their fixtures - literally, the light fixtures, room numbers and air-conditioning units - with a nouveau roman blankness... The most striking passages of the novel are in this clunky yet exoticising register, which inverts the technique of The Sopranos by making the warmth and fluency of the gang seem contained by the proprieties of adulthood. It brings with it a control-tower angle of vision that subtly distorts familiar language...
—— London Review of BooksBeautifully imagined in a pitch-perfect social satire
—— Sunday Times, Summer Reading