Author:Plato,Christopher Rowe,Christopher Rowe,Christopher Rowe

'Consider just this, and give your minds to this alone: whether or not what I say is just'
Plato's account of Socrates' trial and death (399 BC) is a significant moment in Classical literature and the life of Classical Athens. In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse; Apology sees him in court, rebutting all charges of impiety; in Crito, he refuses an entreaty to escape from prison; and in Phaedo, Socrates faces his impending death with calmness and skilful discussion of immortality.
Christopher Rowe's introduction to his powerful new translation examines the book's themes of identity and confrontation, and explores how its content is less historical fact than a promotion of Plato's Socratic philosophy.
I never thought I could care so passionately for a zombie. Isaac Marion has created the most unexpected romantic lead I've ever encountered, and rewritten the entire concept of what it means to be a zombie in the process. This story stayed with me long after I finished reading it. I eagerly await the next book by Isaac Marion
—— STEPHENIE MEYERA mesmerising evolution of a classic contemporary myth
—— Simon PeggWarm Bodies is a strange and unexpected treat. R is the thinking woman's zombie - though somewhat grey-skinned and monosyllabic, he could be the perfect boyfriend, if he could manage to refrain from eating you. This is a wonderful book, elegantly written, touching and fun, as delightful as a mouthful of fresh brains
—— AUDREY NIFFENEGGERA disarming writer, ruefully humorous, knowingly cinematic in scope. This is a slacker-zombie novel with a heart
—— GuardianWarm Bodies is a terrific book - a compelling literary fantasy which is also a strange and affecting pop-culture parable
—— Nick Harkaway, author of The Gone-Away WorldSweet and darkly witty, and, in R, offers a laconically charming hero... Set against the backdrop of this grim world, the life-and-death-changing love affair that develops is wryly playful, cinematic and ultimately moving - through the lost lives of the dead we are able relish life in all its messy, dishevelled gory glory
—— Time OutHas there been a more sympathetic monster since Frankenstein's?
—— Financial TimesEnormous fun
—— Marie ClaireSo sexy it makes Twilight look anaemic
—— News of the WorldA starry-eyed, sweetly comic story about the humanising power of love, for this is Romeo and Juliet...with zombies
—— The BooksellerWonderfully original
—— Henry Sutton , Daily MirrorOne of the most imaginative love stories we've read in years - we absolutely loved it!
—— BellaThe problems of Isaac Marion's star-crossed lovers make the Montague-Capulet relationship seem easy. When your new suitor ate your old boyfriend's brain, trust issues are unavoidable... Has there been a more sympathetic monster since Frankenstein's?
—— Adrian Turpin , Financial TimesElegantly written, funny, self-aware
—— Simon Lewis , Daily Mail IrelandBeautifully written and wonderfully evocative
—— Living NorthYou'll love this book… A haunting love story that brings hope humanity can survive just about anything – even death
—— Molly Dyson , PA LifeThis superb novel goes by in a heartbeat, so smooth and engrossing is David Malouf's prose...It is a touching tale, full of pain, but rendered beautifully by Malouf's humanity
—— Lesley McDowell , Independent on SundayAn audacious reworking of Homer's Iliad.
—— Holly Kyte , Sunday TelegraphDavid Malouf...has given Homer's epic fresh life in this haunting mood piece...a graceful, eloquent text dominated by rage and sorrow
—— Eileen Battersby , Irish TimesThis novel explores the timeless motifs of epic, in miniature
—— The TimesYou know it ends in death, and so do Malouf's haunted protagonists, but this telling, at once unfussy and wonderfully poetic, breathes warm life into a great epic
—— James Smart , GuardianBreathtaking skill...an extraordinary emotional charge.
—— Colm Toibin , Guardian, Christmas round upA finely honed, writerly and wise revisiting of one of the most famous episodes in The Iliad, when Priam the King of Troy goes to bring home the body of his dead son Hector. No-one in prose has managed to better Malouf's imaginative recreation of the Homeric world.
—— Robert Crawford , Sunday Herald, Christmas round upa potent new yarn... Beautifully written in simple language freighted with meaning, Ransom explores a king's impulse to act as a mourning father.
—— James Urquhart , Financial Times