Author:Sapphire

In Push Sapphire told the story of Precious Jones and in 2009 her book was adapted into the Oscar-winning film Precious. The Kid is Sapphire's heartbreaking sequel to Push.
Abdul is nine years old when his mother dies. Parentless, he is sent to a foster home and then to a Catholic orphanage. But the priests charged to care for him abuse his trust terribly.
Abdul reacts in the most frightening way imaginable. Soon he is trapped in a dark cycle of sexual violence and betrayal. Yet through dance, in controlling his body, he discovers a way he might somehow break free and become himself . . .
A harrowing and powerful novel set in New York, The Kid is a portrait of a boy growing up in a cruel world.
'Prepare to be harrowed; I was sobbing by the end of the first chapter . . . Sapphire writes with a burning anger that gives this novel an explosive power' The Times
'Hardcore. Brave, bold, uncompromising. The breathtaking velocity and visceral power of Sapphire's prose soars off the page' Observer
'Captures the gruelling heartbreak of trying to love anything when the world doesn't love you enough' New York Herald Tribune
'A dark and punishing tale' Big Issue
'A fearless writer and thinker of enormous talent, insight and skill. Abdul's story is frighteningly realistic. A consummate work of art, style and brains. Full of the energy of pain, rage, grief and doubt' List
'Devastating. An accomplished work of art . . . hard to forget' Los Angeles Times
'Urgent, troubling, harrowing, masterfully narrated, powerful' Diva
Sapphire is the author of two poetry collections, Black Wings and Blind Angels and American Dreams and the bestselling novel Push. The film adaptation of her novel, Precious, received the Academy Awards for Best Screenplay and Best Supporting Actress - for actor Mo'Nique - in addition to the Grand Jury Prize and Audience awards in the U.S. Dramatic Competition at Sundance. In 2009 she was a recipient of a United States Artist Fellowship. She lives in New York City.
Sapphire never flinches from the truth
—— Bidisha , GuardianCaptures the gruelling heartbreak of trying to love anything when the world doesn't love you enough
—— New York Herald TribunePrepare to be harrowed; I was sobbing by the end of the first chapter . . . [Sapphire] writes with a burning anger that gives this novel an explosive power
—— The TimesSapphire is not your average writer. Brave, bold and uncompromising . . . The breathtaking velocity and visceral power of her prose soars off the page . . . The novel keeps you on tenterhooks
—— Bernardine Evaristo , ObserverExplicit and damning in its depiction of a forgotten underclass . . . Stunning . . . Exhilarating
—— IndependentA dark and punishing tale
—— Big IssueThe Kid is deeply moving
—— EssenceHarrowing . . . Masterfully narrated . . . Powerful
—— DivaAbdul's story is frighteningly realistic . . . The novel itself is a consummate work of art, style and brains, shining at times with the possibility for hope and joy . . . More accomplished than [Push] and a thousand times more frightening
—— The ListPainstakingly beautiful
—— Scotland on SundayA moving, funny, richly drawn story of a young man's attempts to find out who he wants to be when there are so many others who know best. Full of real pleasures and unexpected wisdom, this book sweeps you along
—— Esther FreudA beautiful, bittersweet novel
—— Gin PhillipsWritten with wisdom and deliciously subtle wit, in the tradition of Jane Austen and Nancy Mitford. Francesca Segal has a remarkable ability to bring characters vividly to life who are at once warm, funny, complex, and utterly recognizable. This is a wonderfully readable novel: elegant, accomplished and romantic
—— Andre AcimanAn elegant little novel and a real delight to read... an updated version of the 1920 Pulitzer-prize-winning The Age of Innocence by Edith Wharton - the parallels are close, but given how deeply anti-Semitic the New York social elite was in that period, transplanting the story to a Jewish community is not only clever, it also gives a wider, more general point of reference, in quite a subtle way
—— Sara Maitland , Book Oxygen·A mature love story that meditates on community and ties that bind…a contemporary recasting of that adroit classic, The Age of Innocence…Just like Old New York, this is a community that has its own way of doing things, and The Innocents takes its cue from Wharton’s anthropological musings, doubling as a primer on the importance of the Friday night dinner, the symbolism of the Rosh Hashanah, and the evolution of the Christmakah party…Segal…is a writer of instinctive warmth who can divertingly lavish a full page on a breakfast spread, yet she never loses sight of this haunted truth’
—— Hephzibah Anderson , StandpointThe Innocents has garnered her a next-Zadie-Smith style buzz.
—— TatlerSegal writes with delicacy, accumulating details that create the texture of Adam and Rachel’s world… Adam is well drawn and not unsympathetic, and Segal has skillfully created a cast of secondary characters, including Ziva, a survivor of the Holocaust.
—— Tina Jackson , MetroIt takes chutzpah to appropriate such a well-loved classic but Segal parallels the two convention-bound worlds with aplomb… [a] classily composed comedy of manners
—— Emma Hagestadt , IndependentImpresive debut…a poised text
—— Elizabeth Buchan , Sunday TimesWittily observant
—— Caroline Jowett , Daily ExpressHugely enjoyable first novel... The end result falls somewhere between Charlotte Mendelson's When We Were Bad (about a matriarchal Jewish rabbi) and David Nicholl's One Day (with its theme of mismatched love) and is all the more pleasing for that
—— Viv Groskop , ObserverElegant little novel and a real delight to read
—— BookOxygen.comIt's an old saying that you choose your friends but not your family and the family reunion has been well-used in literature, but Haddon breathes new life into it. He's never shied away from the difficult subjects and he deals sensitively with a child's burgeoning homosexuality but his real skill, his genius is in his understanding of mental problems, that disassociation between the mind and the brain. It's a book which is so right in every small detail but a gem when taken altogether.
—— The BookbagThe book gave me the ever-changing, fascinating and the feeling that I was looking through a looking glass. The eight of them have their own secrets, longings and resentments which only make them as human as you and I. The writing zips in montages and sometimes it becomes difficult to figure who is carrying the baton, though once you get used to the writing, it isn’t difficult to figure. The language and symbolism is weaved very well for a story of a dysfunctional family. In some parts, it almost reminded me of Faulkner’s, “The Sound and the Fury”. The Red House by Mark Haddon is a rollercoaster of emotions and all it works surprisingly well and all adds up at the end of the book. I would definitely and most certainly recommend this read for the long summer weekend that comes up.
—— The Hungry ReaderHaddon can marry extraordinary perception with uncluttered language... He also burrows into the minds of his protagonists with astute precision
—— Leyla Sanai , TLSIt looks like Mark Haddon is about to have a great big success all over again
—— David Sexton , Evening StandardBrilliantly readable… Comic and bittersweet
—— ObserverA closely observed domestic drama…
—— Carol Birch , GuardianCharacteristically original, deftly observed...
—— Mail on SundayA beautifully orchestrated novel that gently questions how we define success
—— James Urquhart , Financial Times[Haddon] shows a knack for portraying family dynamics…
—— Alastair Mabbott , HeraldMark Haddon proves himself a master of the domestic drama
—— Big Issue in the NorthGripping drama
—— EasyJet TravellerWith its slightly skewed perspective and the relative freshness of its approach, HHhH compels us once again to consider that this, surely, was humanity's lowest point: a war waged, not against those who thwarted Germany's territorial ambitions, but against all that was good and decent in the human soul. In so doing, it confounds those who would decry post-modernism as wilfully obscure, relativistic and lacking in conviction
—— Alastair Mabbott , HeraldFrench newcomer Laurent Binet hits the ground running in the engrossing novel within a novel
—— Sunday TelegraphA breezily charming novel, with a thrilling story that also happens to be true, by a gifted young author amusingly anguished over the question of how to tell it … In principle there's nothing not to like about Laurent Binet's acclaimed debut, and HHhH is certainly a thoroughly captivating performance
—— James Lasdun , GuardianThis book fully justifies the lavish praise adorning its author
—— Absolutely ChelseaDazzling... It's stunningly brilliant
—— Simon Shaw , Mail on SundayStunning
—— Donal O’Donoghue , RTE GuideBinet provides both context and impressive detail on the eventual assassination of Heydrich
—— Mark Perryman , Philosophy Footbal