Author:Austin Ratner
The Jump Artist by Austin Ratner is a prize-winning novel that tells an astonishing true story of injustice, survival, reinvention and fame against all the odds.
'Panoramic, arresting, breathtaking' Anna Funder, author of Stasiland
'Bold and wondrous' A D Miller, author of Snowdrops
Austria, 1928. A murder trial sends shockwaves across Europe. An unknown young man named Philippe Halsman stands unjustly accused of killing his father. Albert Einstein, Sigmund Freud and Thomas Mann are moved to speak out on his behalf. But as he fights to prove his innocence, a whole nation turns against him.
So begins an extraordinary journey - from courtroom drama and prison cell to bohemian Paris at its height and Europe on the eve of war - and an extraordinary act of reinvention, involving Salvador Dali and Marilyn Monroe among many of the greatest artists of the twentieth century. From tragedy and injustice to freedom and, eventually, to fame, this is the remarkable story of The Jump Artist.
'Compelling' The Sunday Times
'Brilliantly constructed' Guardian
'A remarkable work [that] documents a triumph of the human spirit over tremendous adversity' Harper's
'A tale of passionate commitment' New Statesman
'Lucid and atmospheric' Observer
'Absorbing' Sunday Telegraph
'Truly beautiful' The Scotsman
'Tremendous resonance' Publishers Weekly
'Subtle, moving ... has the pace and excitement of a legal drama' The Forward
Austin Ratner studied at the University of Iowa Writers' Workshop, having previously graduated from John Hopkins School of Medicine. The Jump Artist won the Sami Rohr Prize for Jewish Literature in 2010. It is his first novel.
Panoramic, arresting, breathtaking
—— Anna Funder, author of StasilandBold and wondrous
—— A D Miller, author of SnowdropsCompelling
—— The Sunday TimesBrilliantly constructed
—— GuardianA remarkable work [that] documents a triumph of the human spirit over tremendous adversity
—— Harper'sA tale of passionate commitment
—— New StatesmanLucid and atmospheric
—— ObserverAbsorbing
—— Sunday TelegraphTruly beautiful
—— The ScotsmanTremendous resonance
—— Publishers WeeklySubtle, moving ... has the pace and excitement of a legal drama
—— The ForwardIt's a relief after reading a lot of contemporary fiction to come across the sober prose of Coetzee. He doesn't shout at you... He knows what he's doing... The whole novel is a kind of escape act, an elaborate rope trick... magical
—— Benjamin Markovits , ObserverThis is a book to make you think. This is a book to forcefully turn you away from mindless entertainment and set you on a journey inwards, where you ask yourself the important questions in life. It's philosophy as fiction... Part of his achievement is down to how fit for purpose his prose is. It is remarkably sparse and yet feels dense, weighted with layers and layers of meaning
—— Irish Independent[A] moving but mysterious story of a lost childhood... Is it possible to be deeply affected by a book without really knowing what it's about? Before reading J.M. Coetzee's new novel I might have said no - but now I'm not so sure... [As] disquieting as it is moving... [All] I can say is that ever since I finished it, it's been going round and round inside my head like nothing else I've read in ages
—— John Preston , Sunday TelegraphWhat JM Coetzee writes matters... [A narrative mode] akin to that of Kafka... At once lucid and elusive
—— David Sexton , Scotland on SundayReading JM Coetzee is like swimming in a sea with a calm surface and a savage undertow. His sentences are lean; his subjects menacing: power, race, animal rights and confession
—— Intelligent LifeTormented states of mind, ambivalence and guilt stalk his work, as do the dual influences of Kafka and Beckett
—— Eileen Battersby , Irish TimesA retelling of the gospels? A fable about Utopian, Chaves-style socialism? Coeztee moves in mysterious, but mesmerising, ways
—— iThere are knotty concerns here on reading, on order and chaos, on political engagement, on almost anything you can think of. But, “you think too much,” Elena says to Simón. “This has nothing to do with thinking.”... What Coetzee has given us is a book not of answers but of questions... Coetzee’s prose is clean and efficient, driving the reader on through the mazy stasis of life in Novilla. There is plenty of what, to avoid a cliché, we might call Kafkaish stuff... These qualities, combined with the enjoyable and unaccustomed exercise of thinking about the book – wanting to think about it – all the way through, meant that in a strange sense, The Childhood of Jesus is the most fun I’ve had with a novel in ages
—— The AsylumThere aren’t many subjects bigger than the question of faith – and with The Childhood of Jesus, Coetzee appears to have found a subject worthy of his high-level craftsmanship
—— Nadine O'Regan , Sunday Business PostAn intellectual adventure
—— Shanice McBean , Socialist ReviewA perversely comic, intellectually profound and obscurely allegorical novel
—— Vivek Santayana , Edinburgh JournalWith elegant ease, Jones spins a good old-fashioned comedy of manners
—— Katie Owen , Sunday Telegraph