Author:Martin Amis

Once close friends, writers Gwyn Barry and Richard Tull now find themselves in fierce competition.
While Tull has spiralled into a mire of literary obscurity and belletristic odd jobs, Barry’s atrocious attempts at novels have brought him untold success. Prizes, prestige and wealth abound, and from far below Tull can only watch, stewing in torment.
Until, that is, resentment turns to revenge. Consumed by the question of how one writer can really hurt another, Tull’s quest for an answer will unleash increasingly violent urges on both writers’ lives.
‘A funny, vicious portrait of literary London’ Evening Standard
A book of brilliant energies, a comedy of enraged passions. Amis's writing shares the grandeur of the big American writers
—— The TimesAmis has made previous incursions into the grubby end of Ladbroke Grove and the infection of urban self-pity. But he's never been quite so funny about it
—— IndependentYoung men adore Martin Amis and older ones envy him. Many imitate him. Many want to be him. He can be cool and raw, smart and cool. He's sexy, but that's not all. Now we want the Information
—— ObserverA funny, vicious portrait of literary London
—— Evening StandardMr. Amis is his generation's top literary dog...dazzling... You're never out of reach of a sparkly phrase, stiletto metaphor or drop-dead insight into the human condition...Mr. Amis goes where other humorists fear to tread... Look out, Flaubert! Look out, Joyce!
—— New York Times Book ReviewThis is Amis' best work to date...funny, angry, caustic and brilliant
—— The Montreal GazetteTalent of a very high order...darkly funny...vastly sophisticated... A particularly ingenious masterpiece of comic plotting
—— The Toronto StarIt is hard not to be impressed by the fluency and erudition on display as Knausgaard charts his course through history, philosophy, literature and the visual arts… In the end, reality does not break down under Knausgaard’s gaze. We are left instead with the world as it is: the click of a seatbelt, the shock of melted margarine, the centuries slipping away in Rembrandt’s eyes.
—— Lorien Kite , Financial TimesThe inner conflicts swirling around exert a gravitational pull on the reader, the challenges of empathy becoming universal through their particularity. Over and over, he asserts something fundamental to literature, art and life… these books will endure.
—— Alasdair Lees , IndependentMy Struggle just keeps coming at you, much as life does… Knausgaard succeeds in producing prose that is "alive", partly because of his eye for detail and partly because of the quality of his intellect.
—— Economist[My Struggle] is arguably the most important literary event of the 21st century...it’s also worth reflecting on just how valuable these books can be. They are, among other things, uniquely candid about male shame, which makes them a highly valuable guide to modern masculinity.
—— Josh Glancy , Sunday TimesThe End is worth the wait… his life is now destined to stand in the shadow of this truly monumental six-volume literary achievement. And perhaps there is no greater mark of artistic success than that.
—— Andrew Anthony , ObserverThe “unartiness” is the most striking element of Knausgaard’s project. The impression of randomness and spontaneity… Knausgaard’s abandonment of fictional convention was particularly disruptive because he executed it in a realm where the strictures of artifice are most rigidly codified: domestic realism… Enthralling… The final passages of My Struggle are guilt-ridden and heartbreaking.
—— Christian Lorentzen , Times Literary Supplement[The End] has a bone-dry wit, a certain knowingness about the project’s grandiose archetypes… [Knausgaard] laments the gulf between vaulting ambition and its haphazard realisation.
—— Keith Miller , Literary ReviewAs you'd expect from award-winning Moran, this book is brash, razor-sharp and full of heart
—— SMALLISH MAGAZINEAbsorbing and ambitious. Filled with sharp observations about the way in which we live now, Everything You Ever Wanted is both an acute satire of our social-media dominated times, and a haunting examination of depression and anxiety rendered in diamond sharp prose with barely a wasted word. . . It deserves to be on every prize longlist this year
—— iFor fans of Black Mirror
—— ElleMillennial angst meets sci-fi
—— StylistSublime
—— Otegha Uwagba, author of 'The Little Black Book'An arresting debut about memory and trauma. In this respect and others, it resembles Julian Barnes's Man Booker-winner, The Sense of an Ending.
—— Daily Telegraph on 'Flesh and Bone and Water'Luiza Sauma's debut novel is that rare thing: a completely absorbing, brilliantly-designed, literary work.
—— Anita Shreve on 'Flesh and Bone and Water'Her writing is beautiful. I am sure I'll see her name on the spine of many a novel to come
—— Rachel Seiffert, author of the Booker-shortlisted 'The Dark Room'Rebellious and subversive... Williams excels at visceral descriptions of bodies and food alike
—— Mail on SundayA bold and fresh story about food, friendship and feminism...compelling reading.
—— iBold, wild and witty
—— The Sunday ExpressA small utopia celebrating the intoxications of female friendship and standing as a private bulwark against patriarchy
—— TIME MagazineCoe can make you smile, sigh, laugh; he has abundant sympathy for his characters
—— ScotsmanThis book is sublimely good. State of the (Brexit) nation novel to end them all, but also funny, tender, generous, so human and intelligent about age and love as well as politics
—— India KnightNation, published in 2008 (this year's award catchment runs from August 2008-September 2009), is an extraordinarily complicated tale about God, tradition and loss. Yet it is told with beautiful simplicity and rollicking readability.
—— Andrew Johnson , The IndependentFunny and profound, Nation is much more than an adventure story, pitting reason against religion and offering an alternative perspective on world history and culture.
—— Time OutAs Pratchett says: "Thinking. This book contains some. Whether you try it at home is up to you." His wit is on every page; his world surpasses ours, his writing is weird and wonderful. No, weirdly wonderful. It is gripping but put the book down to ponder the thoughts inside to unearth a parallel universe. Terry Pratchett is worth more than his idiom; his teachings contain more philosophical thought than I would have ever thought possible.
—— Sian Reilly (aged 13) , Sunday ExpressA brilliant first novel
—— Rose Tremain , Daily MailA slick debut pulled off with brio, Swan Song is glamorous, vivid and sometimes even daring in its intelligence
—— Irish TimesA dazzling read
—— Image magazineGreenberg-Jephcott’s debut is fizzing with energy and ideas…The novel has style and substance in spades.
—— ObserverWith a grounding in history, it is a fascinating read about the deepest secrets of an iconic author.
—— Hello!Intoxicating
—— PrimaSwan Song is utterly divine.It swept me up and I just couldn't put it down ... it is the writing in this debut novel that astounds most of all. It is vivid, addictive and whips up a terrific portrait of a deeply contradictory and complex man, contrasting scenes from his unorthodox childhood with those from the gilded bubble he ended up in that he lanced through his own actions.
—— Victoria SadlerA sumptuous look at the icons of Manhattan's high society scene in the mid-20th century ... An immersive readthat will have you questioning real histories versus the ones we create for ourselves.
—— History Extra