Author:Javier Marías,Margaret Jull Costa

The Infatuations is a critically acclaimed novel by the great Spanish writer Javier Marías.
Every day, Maria Dolz stops for breakfast at the same café. And every day she enjoys watching a handsome couple who follow the same routine. Then one day they aren't there, and she feels obscurely bereft.
It is only later, when she comes across a newspaper photograph of the man, lying stabbed in the street, his shirt half off, that she discovers who the couple are. Some time afterwards, when the woman returns to the café with her children, who are then collected by a different man, and Maria approaches her to offer her condolences, an entanglement begins which sheds new light on this apparently random, pointless death.
With The Infatuations, Javier Marías brilliantly reimagines the murder novel as a metaphysical enquiry, addressing existential questions of life, death, love and morality.
Praise for The Infatuations:
'Mesmerising . . . chillingly clear and hypnotically eerie . . . At this very fine and disturbing novel's core is a compelling meditation on love in all its ramifications' Herald
'Keeps us guessing until almost the last page' Financial Times
'Few writers have sustained such an engagement with the classic (Anglophone) canon. As a translator he has rendered into Spanish work by Hardy, Yeats, Conrad, Nabokov, Faulkner, Updike, Salinger and many others. As a novelist, he has threaded his work with traces of these writers, and is explicitly underpinned by an empathy with Shakespeare and Sterne, as well as Cervantes and Proust' Guardian
Javier Marías was born in Madrid in 1951. He has published thirteen novels, two collections of short stories and several volumes of essays. His work has been translated into forty-two languages and won a dazzling array of international literary awards.
Margaret Jull Costa has been a literary translator for over twenty-five years and has translated many novels and short stories by Portuguese, Spanish and Latin American writers, including Javier Marías, Fernando Pessoa, José Saramago, Bernardo Atxaga and Ramón del Valle-Inclán.
Mesmerising . . . At this very fine and disturbing novel's core is a compelling meditation on love in all its ramifications
—— HeraldThe real pleasure is in the strange things his narrators do to the business of narration. Marías has discovered a unique form
—— Adam Thirlwell , TLSPlotted with tremendous skill and elegance, this cerebral tale is entirely absorbing
—— Daily MailThe classical themes of love, death and fate are explored with elegant intelligence by Marías in what is perhaps his best novel so far'
—— Alberto Manguel , GuardianMarías at his most haunting
—— Financial TimesNo one else, anywhere, is writing quite like this
—— Tim Martin , Daily TelegraphAbsorbing and unnerving . . . powered by the pressure of good old-fashioned suspense
—— Sunday TimesA murder mystery that's also a brilliant meditation on life, love and death
—— Robert McCrum , ObserverContemporary lyric poetry is seldom better.
—— Totally DublinFull of compassion... the heartbreaking story of how two lives are derailed by a split-second mistake.
—— Good HousekeepingA compelling novel about the crushing restrictions that class and gender can impose, the burden of parental expectation, and the stigma attached to mental illness.
—— Independent on Sunday[Joyce] is a charming and skilful writer
—— GuardianThe language [Joyce] uses is really poignant and evocative. It is so beautiful and well-crafted I didn't want it to end.
—— Jo Whiley, Mail on SundayUnforgettable... a deft and original follow-up to The Unlikely Pilgrimage of Harold Fry
—— Woman & HomeThe author of last year's biggest selling debut The Unlikely Pilgrimage of Harold Fry returns with a very different but equally captivating novel... This is a heartbreaking story, full of compassion, that unfolds gently but relentlessly against the backdrop of the suburban '70s. Perfect confirms [Rachel Joyce] as a major new voice.
—— Cathy Rentzenbrink , Bookseller Book of the Month July 2013Moving, insightful and satirical
—— BooktimeJoyce’s last novel The Unlikely Pilgrimage Of Harold Fry was a wonderful story of an older man walking across England to say goodbye to a dying friend. It was spoken of fondly in book clubs and in reviews and longlisted for the Man Booker Prize. In Perfect, Joyce has created an excellent follow up.
—— Emerald StreetA cleverly-plotted tale, it is moving yet unsentimental. Sure to delight Joyce fans who made The Unlikely Pilgrimage of Harold Fry a best-seller.
—— Sunday MirrorWith Perfect, Joyce wrings another rewarding tale out of the little tragedies of life
—— The Simple ThingsRachel Joyce's first novel, The Unlikely Pilgrimage of Harold Fry, won both commercial success and wide critical acclaim (it was longlisted for the Man Booker Prize). She may just repeat the trick with Perfect, a mixture of comedy and drama in much the same vein... this is a novel with the capacity to both surprise and charm.
—— Financial TimesOut of the smallest, most delicate building blocks, Rachel Joyce gradually builds a towering sense of menace. She understands people, in all their intricacy and vulnerability, in a way few writers do. Perfect is a poignant and powerful book, rich with empathy and charged with beautiful, atmospheric writing.
—— Tana French, bestselling author of In The Woods and Broken HarbourIntriguing and suspenseful... Joyce, showing the same talent for adroit plot development seen in the bestselling The Unlikely Pilgrimage of Harold Fry, brings both narrative strands together in a shocking, redemptive denouement.
—— Publishers Weekly[Joyce's] sympathetically realised characters are people living on the edge, whether of loneliness, poverty or mental illness, and despite its underlying sadness, the book ends with the presage of hope.
—— Good Book GuideA moving and original novel... it confirms [Joyce] as one of the most interesting voices in British fiction
—— Il VenerdiA rewarding, multi-layered novel with empathy for disturbed mental states and, towards the end, a clever fast-forwarding 30 years.
—— The OldieRachel Joyce's new novel is simply Perfect.
—— Vanity Fair[Joyce] triumphantly returns with PERFECT…As Joyce probes the souls of Diane, Byron, and Jim, she reveals – slowly and deliberately, as if peeling back a delicate onion skin – the connection between the two stories, creating a poignant, searching tale.”
—— O: The Oprah MagazineIn alternating chapters, these two stories set 40 years apart frame Joyce’s exquisitely played novel of tragedy and mental illness and the kind of wrenching courage unique to those who suffer from the latter and yet battle to overcome it. As in her brilliant debut, The Unlikely Pilgrimage of Harold Fry, Joyce stuns with her beautifully realized characters and the unexpected convergence of her two tales.
—— Library JournalPerfect touches on class, mental illness, and the ways a psyche is formed or broken. It has the tenor of a horror film, and yet at the end, in some kind of contortionist trick, the narrative unfolds into an unexpected burst of redemption. Buy It.
—— New York MagazineJoyce flings “Perfect’s” characters into chaotic situations fraught with misgivings and confusion ... Diana’s descent into terror is provocative enough to carry this story, but Joyce complements it with a contemporary one about an equally fragile man named Jim who has spent most of his life in a facility for the mentally ill. His connection to Diana will surprise many readers as Joyce spins this equally compelling subplot toward its shocking revelations and conclusion.
—— Star TribuneBetter than The Unlikely Pilgrimage of Harold Fry... touching [and] eccentric.
—— Janet Maslin, New York TimesAmbitious, dark and honest
—— The Guardian






